% journal-name abbrv. @string{j_aa = "Art and Australia"} @string{j_af = "Artforum International"} @string{j_at = "Art \& Text"} @string{j_bltj = "AT\&T Bell Laboratories Technical Journal"} @string{j_cacm = "Communications of the ACM"} @string{j_cm = "Current Musicology"} @string{j_cmj = "Computer Music Journal"} @string{j_cmr = "Contemporary Music Review"} @string{p_fsg = "Farrar, Straus and Giroux"} @string{j_hopl = "Journal of Higher Order Programming Languages"} @string{j_if = "Interface, Journal of New Music Research"} @string{j_ito = "In Theory Only"} @string{j_jacm = "Journal of the ACM"} @string{j_jaes = "Journal of the Audio Engineering Society"} @string{j_jams = "Journal of the American Musicological Society"} @string{j_jasa = "Journal of the Acoustical Society of America"} @string{j_jasi = "Journal of the Arnold Schoenberg Institute"} @string{j_jfp = "Journal of Functional Programming"} @string{j_jmt = "Journal of Music Theory"} @string{j_jmtp = "JMTP"} @string{j_jnmr = "Journal of New Music Research"} @string{j_lmj = "Leonardo Music Journal"} @string{j_lp = "ACM Lisp Pointers"} @string{j_ma = "Music Analysis"} @string{j_mp = "Music Perception"} @string{j_mq = "Musical Quarterly"} @string{j_mr = "The Music Review"} @string{j_mt = "Musical Times"} @string{j_mts = "Music Theory Spectrum"} @string{j_osnd = "Organised Sound"} @string{j_pnm = "Perspectives of New Music"} @string{j_smh = "The Sydney Morning Herald"} @string{j_spe = "Software -- Practice and Experience"} @string{j_sonus = "Sonus"} @string{j_wpr = "World Press Review"} % proceedings abbrv. @string{c_lafp = "Proceedings of Conference on LISP and Functional Programming"} @string{c_icmc = "Proceedings of the International Computer Music Conference"} @string{c_ieee_tse = "IEEE Transactions on Software Engineering"} @string{c_ieee_tassp = "IEEE Transactions on Acoustics, Speech and Signal Processing"} @string{c_popl = "ACM Symposium on Principles of Programming Languages"} % publisher abbrv. @string{p_aau = "Allen \& Unwin"} @string{p_acm = "ACM Press"} @string{p_ak = "Alfred A. Knopf"} @string{p_ar = "Angus \& Robertson"} @string{p_aw = "Addison--Wesley"} @string{p_bb = "Basil Blackwell"} @string{p_bodley = "John Lane The Bodley Head"} @string{p_cape = "Jonathon Cape"} @string{p_carcanet = "Carcanet Press"} @string{p_cb = "Calder and Boyars"} @string{p_ch = "Chapman \& Hall"} @string{p_clp = "Clarendon Press"} @string{p_clup = "Columbia University Press"} @string{p_cup = "Cambridge Univeristy Press"} @string{p_cw = "Chatto \& Windus"} @string{p_collins = "Collins"} @string{p_dent = "J. M. Dent"} @string{p_dcp = "David Campbell Publishers Ltd."} @string{p_dd = "Doubleday \& Company, Inc."} @string{p_dutton = "E. P. Dutton"} @string{p_ff = "Faber and Faber"} @string{p_grove = "Grove Press"} @string{p_hap = "Harwood Academic Publishers"} @string{p_harvill = "The Harvill Press Ltd"} @string{p_hbc = "Harcourt Brace \& Company"} @string{p_hbj = "Harcourt Brace Jovanovich"} @string{p_hh = "Hamish Hamilton"} @string{p_hm = "William Heinemann"} @string{p_hup = "Harvard University Press"} @string{p_ip = "International Publishers"} @string{p_iup = "Indianna University Press"} @string{p_jc = "John Calder"} @string{p_kodansha = "Kodansha International"} @string{p_lehmann = "John Lehmann"} @string{p_longman = "Longman"} @string{p_merlin = "The Merlin Press"} @string{p_methuen = "Methuen"} @string{p_mh = "McGraw-Hill Book Company"} @string{p_mit = "MIT Press"} @string{p_mm = "Macmillan"} @string{p_nd = "The Noonday Press, Inc."} @string{p_ndp = "New Directions Press"} @string{p_nh = "North Holland"} @string{p_norton = "W. W. Norton"} @string{p_orion = "The Orion Press"} @string{p_oup = "Oxford Univeristy Press"} @string{p_penguin = "Penguin Books"} @string{p_peters = "C. F. Peters Corp."} @string{p_ph = "Prentice Hall"} @string{p_pup = "Princeton University Press"} @string{p_rh = "Random House"} @string{p_rkp = "Routledge \& Kegan Paul"} @string{p_rl = "Routledge"} @string{p_sas = "Simon and Schuster"} @string{p_saw = "Secker \& Warburg"} @string{p_shm = "Shambhala"} @string{p_suhrkamp = "Suhrkamp Verlag"} @string{p_th = "Thames and Hudson"} @string{p_ucp = "The University of Chicago Press"} @string{p_ucap = "The University of California Press"} @string{p_uqp = "The University of Queensland Press"} @string{p_verso = "Verso"} @string{p_vintage = "Vintage International"} @string{p_virago = "Virago Press"} @string{p_wesleyan = "Wesleyan University Press"} @string{p_wiley = "John Wiley and Sons"} @string{p_yup = "Yale University Press"} % organization abbrv. @string{o_acm = "Association for Computing Machinery"} @string{o_ansi = "American National Standards Institute"} @string{o_bell = "AT\&T Bell Laboratories"} @string{o_fsf = "Free Software Foundation"} @string{o_icma = "International Computer Music Association"} @string{o_ieee = "IEEE"} @string{o_iso = "International Standardization Organization"} @string{o_mit = "MIT"} @string{o_mit_ai = "MIT Artificial Intelligence Laboratory"} @string{o_mit_ems = "MIT Electronic Music Studio"} @string{o_mit_ll = "MIT Lincoln Laboratory"} @string{o_mit_ml = "MIT Media Lab"} @manual{ANSI1989a, organization = o_ansi, title = {{ANSI X3.159--1989, American National Standard for Information Systems -- Programming Language -- C -- Rationale}}, year = 1989, } @manual{ANSI1989b, organization = o_ansi, title = {{ANSI X3.159--1989, American National Standard for Information Systems -- Programming Language -- C}}, year = 1989, } @manual{ANSI1994a, organization = o_ansi, title = {{ANSI X3.226--1994, American National Standard for Information Systems -- Programming Language -- Common Lisp}}, year = 1989, } @book{ATT1987a, author = o_bell, title = {{UNIX System: Readings and Applications, Volumes 1 and 2}}, institution = o_bell, publisher = p_ph, address = {Englewood Cliffs, NJ}, year = 1987 } @article{Abadi1991a, author = {Martin Abadi and Luca Cardelli Benjamin Pierce and Gordon Plotkin}, title = {{Dynamic typing in a statically typed language}}, journal = {ACM Trans. Program. Lang. Syst.}, year = 1991, volume = 13, number = 2, pages = {237--268}} @book{Abadi1996a, author = {M. Abadi and L. Cardelli}, title = {{A Theory of Objects}}, publisher = {Springer-Verlag}, year = 1996, address = {New York}} @book{Abelson1985a, author = {Abelson, Harold and Sussman, Gerald Jay and Sussman, Julie}, title = {{The Structure and Interpretation of Computer Programs}}, publisher = p_mit, year = 1985, address = {Cambridge, MA} } @book{Abraham1979a, author = {Abraham, Gerald}, title = {{The Concise Oxford History of Music}}, publisher = p_oup, year = 1979, address = {Oxford} } @book{Acker1988a, author = {Kathy Acker}, title = {{Empire of the senseless}}, publisher = {Grove Press}, year = 1988, address = {New York}} @book{Acker1988b, author = {Kathy Acker}, title = {{Literal Madness: Three Novels: Kathy Goes to Haiti; My Death My Life by Pier Paolo Pasolini; Florida}}, publisher = {Grove Press}, year = 1988, address = {New York}} @book{Ackerman1988a, author = {Ackerman, Robert}, title = {{Wittgenstein's City}}, publisher = {University of Massachusetts Press}, address = {Amherst}, year = {1988} } @book{Ackroyd1990a, author = {Ackroyd, Peter}, title = {{Dickens}}, publisher = {Sinclair-Stevenson}, year = 1990, address = {London} } unpublished{Adams19??, author = {Adams, Evelyn}, title = {{Imbricated T-related Trichords and Tetrachords in a Twelve-Tone Row}}, note = {Unknown reference.} } @article{Adam1991a, author = {Adam, Ian}, title = {{The Referentiality of the Deconstructed: Gerald Murnane's {\em The Plains}}}, journal = {Westerly}, year = 1991, volume = 36, number = 1, pages = {25--29}, month = {March}, unimelb = {UniM Bail P 052 W526} } @inproceedings{Adams1988a, author = {Adams, Norman and Rees, Jonathan}, title = {{Object Oriented Programming in Scheme}}, booktitle = c_lafp, year = 1988, organization = o_acm } @misc{Adams2000a, author = {Adams, Phillip}, title = {{Interview with Gerald Murnane}}, howpublished = {Late Night Live, Radio Broadcast, ABC Radio National}, month = {October 31}, year = 2000 } @misc{Adams2001a, author = {Adams, Victoria}, title = {{Is Book Burning Making a Comeback?}}, howpublished = {Online article}, year = 2001, note = {Mildura Palimpsest No.4}, annote = {Subject: Peter Tyndall}, _url = {http://www.mediaust.com.au/palimpsest\_2001}, } @book{Adler1989a, author = {Adler, Samuel}, title = {{The Study of Orchestration}}, edition = {Second}, publisher = p_norton, address = {New York}, year = {1989} } @phdthesis{Adlington1996a, author = {Adlington, Robert}, title = {{Temporality in post-tonal music}}, school = {University of Sussex}, year = {1996} } @inproceedings{Adlington1997a, author = {Adlington, Robert}, title = {{Spaced Out: Temporality and Music Analysis}}, booktitle = {Cambridge University Music Analysis Conference}, address = {Cambridge University}, year = {1997} } @incollection{Adlington2001a, author = {Adlington, Robert}, title = {{Taking soundings: music, non-music and SLAVE PIANOS}}, crossref = {Keller2001a} } @incollection{Adorno1968a, author = {Adorno, Theodor}, title = {{New Music and the Public: Some Problems of Interpretation}}, crossref = {Myers1968a} } @book{Adorno1973a, author = {Adorno, Theodor}, title = {{Philosophy of Modern Music}}, publisher = {Sheed and Ward}, address = {London}, note = {Translated by Anne Mitchell and Wesley Bloomster}, year = {1973} } @book{Adorno1973b, author = {Adorno, Theodor}, title = {{Negative Dialectics}}, publisher = p_rl, address = {London}, year = {1973} } @book{Adorno1981a, author = {Adorno, Theodor}, title = {{Prisms}}, publisher = p_mit, year = 1981, address = {Cambridge, MA}, note = {Translated by Samuel and Shierry Weber} } @incollection{Adorno1981b, author = {Adorno, Theodor}, title = {{Bach Defended against his Devotees}}, booktitle = {{Prisms}}, crossref = {Adorno1981a} , } @article{Adorno1982a, author = {Adorno, Theodor}, title = {{On The Problems of Music Analysis}}, journal = j_ma, volume = {1}, number = {2}, year = {1982} } @book{Adorno1991a, author = {Adorno, Theodor}, title = {{Alban Berg: Master of the Smallest Link}}, publisher = p_cup, address = {Cambridge}, note = {Translated by Juliane Brand and Christopher Hailey}, year = {1991} } @book{Adorno1992a, author = {Adorno, Theodor W.}, title = {{Quasi una fantasia: Essays on Modern Music}}, publisher = p_verso, address = {New York}, note = {Translated by Rodney Livingstone}, year = {1992} } @book{Adriani1973a, author = {Adriani, Gotz and Konnertz, Winfried and Thomas, Karin}, title = {{Joseph Beuys: Leben und Werk}}, publisher = {Verlag M. DuMont Schaurberg}, address = {Koln}, year = {1973} } @book{Adriani1979a, author = {Adriani, Gotz and Konnertz, Winfried and Thomas, Karin}, title = {{Joseph Beuys: Life and Works}}, publisher = {Barron's}, address = {New York}, note = {Translated by Patricia Lech}, year = {1979} } @incollection{Adrien1991a, author = {Adrien, Jean-Marie}, title = {{The missing link: modal synthesis}}, crossref = {DePoli1991a}, pages = {269--297}, chapter = 8 } @book{Aeschylus1959a, author = {Aeschylus}, title = {{The Orestian Trilogy: Agamemnon, The Choephori, The Eumenides}}, publisher = p_penguin, address = {Harmondsworth}, note = {Translated by Philip Vellacott}, year = 1959 } @book{Aeschylus1977a, author = {Aeschylus}, title = {{The Orestian Trilogy: Agamemnon, The Libation Bearers, The Eumenides}}, publisher = p_penguin, address = {Harmondsworth}, note = {Translated by Robert Fagles}, year = 1977 } @book{Agee1960a, author = {James Agee and Walker Evans}, title = {{Let Us Now Praise Famous Men}}, publisher = {Houghton Mifflin}, year = 1960, address = {Boston}} @book{Agha1986a, author = {G. Agha}, title = {{Actors: A Model of Concurrent Computation in Distributed Systems}}, publisher = {MIT Press}, year = 1986} @article{Agha1997a, author = {G. Agha and I. A. Mason and S. F. Smith and C. L. Talcott}, title = {{A foundation for actor computation}}, journal = {Journal of Functional Programming}, year = 1997, volume = 7, pages = {1--72}} @article{Agmon1989a, author = {Agmon, Etyan}, title = {{A Mathematical Model of the Diatonic System}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {33}, number = {1}, pages = {1--25}, year = {1989} } @article{Agmon1996a, author = {Agmon, Etyan}, title = {{Coherent Tone-Systems: A Study in the Theory of Diatonicism}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {40}, number = {1}, pages = {39--59}, year = {1996} } @article{Agmon1997a, author = {Agmon, Etyan}, title = {{Musical Durations as Mathematical Intervals: Some Implications for the Theory and Analysis of Rhythm}}, journal = j_ma, volume = {16}, number = {1}, pages = {45--75}, year = {1997} } @inproceedings{Agon1998a, author = {Agon, Carlos and others}, title = {{Objects, time and constraints in OpenMusic}}, booktitle = c_icmc, pages = {406--415}, year = 1998 } @article{Agon2004a, author = {Carlos Agon and Moreno Andreatta and G\'erard Assayag and St\'ephan Schaub}, title = {{Formal Aspects of Iannis Xenakis' "Symbolic Music": A Computer-Aided Exploration of Compositional Processes}}, journal = {Journal of New Music Research}, year = 2004, volume = 33, number = 2, pages = {145--159}, doi = {10.1080/0929821042000310621} } @book{Aho1974a, author = {Aho, A.V. and Hopcroft, J. and Ullman, J.D.}, title = {{The Design and Analysis of Computer Algorithms}}, publisher = p_aw, year = 1974, address = {Reading, MA} } @techreport{Aho1978a, author = {Aho, A.V. and Kernighan, B.W. and Weinberger, P.}, title = {{Awk: A Pattern Scanning and Processing Language}}, institution = o_bell, type = {78--1273-6}, edition = {Second}, year = {1978, September 1} } @book{Aho1978b, author = {Aho, A.V. and Ullman, J.D.}, title = {{Principles of Compiler Design}}, publisher = p_aw, year = 1978, address = {Reading, MA} } @book{Aho1988a, author = {Aho, A.V. and Kernighan, B.W. and Weinberger, P.}, title = {{The Awk Programming Language}}, publisher = p_aw, year = {1988}, address = {Reading, MA} } @techreport{Aittamaa2007a, author = {Aittamaa, Simon and Rova, Isak}, title = {{A modular TCP/IP stack for embedded systems with a tinyTimber interface}}, institution = {Lulea Universitet}, year = 2007, number = {ISSN 1402-1617 / ISRN LTU-EX--07/169--SE / NR 2007:169}, address = {Lulea, Sweden}} @book{Akhmatova1997a, author = {Akhmatova, Anna}, title = {{The Complete Poems of Anna Akhmatova}}, publisher = {Zephyr Press}, year = 1997, address = {Boston}, edition = {Expanded}, note = {Translated by Judith Hemschemeyer}} @article{Alberman2005a, author = {David Alberman}, title = {{Abnormal Playing Techniques in the String Quartets of Helmut Lachenmann}}, journal = {Contemporary Music Review}, year = 2005, volume = 24, number = 1, pages = {39--51}, month = {February}, doi = {10.1080/0749446042000293592} } @article{Alberro2001a, author = {Alberro, Alex}, title = {{Inside the White Box}}, journal = j_af, year = 2001, pages = {170--174}, month = {September} } @book{Alberro2001b, author = {Alberro, Alex}, title = {{Recording Conceptual Art}}, publisher = p_ucap, year = 2001 } @article{Albers2006a, author = {D. J. Albers and J. C. Sprott}, title = {{Routes to chaos in high-dimensional dynamical systems: A qualitative numerical study}}, journal = {Physica}, volume = 223, pages = {194--207}, year = 2006, } @book{Albertson2004a, editor = {Albertson, Dan}, title = {{Helmut Lachenmann - Inward Beauty}}, publisher = p_rl, year = 2004, series = {Contemporary Music Review, Volume 23, No. 3\&4}, unimelb = {UniM Music 780.92 LACH/ HELM}, note = {Brief biography / Dan Albertson \& Eberhard H\"uppe -- Interview with Helmut Lachenmann - Toronto, 2003 / Paul Steenhuisen -- Homages. Homage / Michael Denhoff ; translated by Dan Albertson. Hidden energies / Gerhard St\"abler ; translated by Dan Albertson. The Source of music - from a lesson with Helmut Lachenmann / Kunsu Shim ; translated by Dan Albertson. Grinding away at the familiar / Wolfgang Rihm ; translated by Wieland Hoban. Helmut Lachenmann: short portrait with self-portrait / Clemens Gadenst\"atter ; translated by Wieland Hoban. 'Two feelings' with Lachenmann / Raman Lazkano ; translated by Jean-Charles Beaumont -- Translations of Lachenmann's articles: Composing in the shadow of Darmstadt / translated by Richard Toop ; Four questions regarding new music / translated by Oliver Schneller ; On my second string quartet ('Reigen seliger Geister') / translated by Evan Johnson. On listening and other aspects of his music: Sections of Exergue/Evocations/Dialogue with timbre / Frank Abbinanti. The Theory of perception in the aesthetic conception of Helmut Lachenmann: a 'redefinition' trial of the 'functional' aspect of music / Iyad Mohammad. Toward a new aesthetic quality. On Helmut Lachenmann's aesthetics of material / Peter Ruzicka ; translated by Wieland Hoban. Where does music start / Pedro M. Rocha. Dialectic and form in the music of Helmut Lachenmann / David Lesser. Mahler contra Lachenmann / Elgar Schmidt. Work commentaries: Concept and context: a historiographic consideration of Lachenmann's orchestral works / Richard Toop. What has Lachenmann done with My Mozart?! A note on whatever is recorded on tape in Accanto / Iyad Mohammad. What awaits the tuba-player in Harmonica? / Klaus Burger ; translated by Dan Albertson. 'Str\"ome durch die Konvention jagen' - Some remarks about the use of conventions and their modification in Lachenmann's orchestral works from 1969 to 1989 / Benjamin Schweitzer. NUN - an inside view / Mike Svoboda. On NUN / Gaby Pas-Van Riet ; translated by Dan Albertson.} } @book{Aldwell1978a, author = {Aldwell, Edward and Schacter, Carl}, title = {{Harmony and Voice Leading 1}}, publisher = p_hbj, year = 1978, address = {New York}, } @book{Aldwell1989a, author = {Aldwell, Edward and Schacter, Carl}, title = {{Harmony and Voice Leading}}, publisher = p_hbj, year = 1989, address = {San Diego}, edition = {Second} } @article{Alegant1991a, author = {Alegant, Brian}, title = {{A Model for the Pitch Structure of Webern's Op.32 No.1, ``Das Dunkle Herz''}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {13}, number = {2}, pages = {127--146}, year = {1991} } @phdthesis{Alegant1992a, author = {Alegant, Brian}, title = {{The Seventy-Seven Partitions of the Aggregate: Analytical and Theoretical Implications}}, school = {Eastman School of Music, University of Rochester}, year = {1992} } @article{Alegant1996a, author = {Alegant, Brian}, title = {{Unveiling Schoenberg's Op.33b}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {18}, number = {2}, pages = {143--166}, year = {1996} } @book{Alexander1977a, author = {Alexander, Christopher and Ishikawa, Sara and Silverstein, Murray}, title = {{A Pattern Language: Towns, Buildings, Construction}}, publisher = p_oup, year = 1977, address = {New York} } @book{Alfred1983a, author = {Alfred, Simon}, title = {{Beckett}}, publisher = {Belfond}, address = {Paris}, year = {1983} } @book{Ali2002a, author = {Ali, Tariq}, title = {{The Clash of Fundamentalisms: Crusades, Jihads and Modernity}}, publisher = p_verso, year = 2002, address = {London} } @book{Allen1978a, author = {Allen, John}, title = {{Anatomy of Lisp}}, publisher = p_mh, year = 1978, address = {New York} } @phdthesis{Alphonce1974a, author = {Alphonce, Bo}, title = {{The Invariance Matrix}}, school = {Yale University}, year = {1974} } @article{Alphonce1980a, author = {Alphonce, Bo}, title = {{Music Analysis by Computer}}, journal = j_cmj, volume = {4}, number = {2}, pages = {26--35}, year = {1980} } @article{Alphonce1982a, author = {Alphonce, Bo}, title = {{Review of ``Twelve-Tone Tonality'' by George Perle}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {26}, number = {1}, pages = {179--205}, year = {1982} } @article{Alphonce1988a, author = {Alphonce, Bo}, title = {{Review of David Lewin's ``Generalized Musical Intervals and Transformations''}}, journal = {Integral}, volume = {2}, pages = {161--77}, year = {1988} } @article{Alphonce1989a, author = {Alphonce, Bo}, title = {{Computer Applications: Analysis and Modelling}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {11}, number = {1}, pages = {49--59}, year = {1989} } @book{Ambrosino2006a, editor = {Giancarlo Ambrosino and Chris Kraus and Hedi El Kholti and Justin Cavin}, title = {{David Wojnarowicz: A Definitive History of Five or Six Years on the Lower East Side. Interviews by Sylv\`ere Lotringer}}, publisher = {Semiotext(e)}, year = 2006, address = {New York}, month = {October}, note = {Afterword by Jennifer Doyle}} @article{Ames1990a, author = {Charles Ames}, title = {{Statistics and Compositional Balance}}, journal = {Perspectives of New Music}, year = 190, volume = 28, number = 1, pages = {80--111}, month = {Winter}} @incollection{Ames1996a, author = {Ames, Paula Kopstick}, title = {{Piano (1977)}}, booktitle = {The Music of Morton Feldman}, crossref = {DeLio1996a}, pages = {99--146}} @book{Amis1954a, author = {Amis, Kingsley}, title = {{Lucky Jim}}, publisher = {Gollancz}, year = 1954, address = {London} } @book{Amis1991a, author = {Amis, Kingsley}, title = {{Memoirs}}, publisher = {Hutchinson}, year = 1991, address = {London} } @book{Amory1980a, editor = {Amory, Mark}, title = {{The Letters of Evelyn Waugh}}, publisher = {Weidenfeld \& Nicolson Ltd.}, year = 1980, address = {London} } @book{Anderson1986a, author = {Anderson, Don}, title = {{Hot Copy}}, publisher = {Penguin}, year = 1986, address = {Ringwood, Vic.}, annote = {kw: Murnane}, unimelb = {UniM Bail 028.1 ANDE}} @article{Anderson1987a, author = {Anderson, Mark}, title = {{Notes on Thomas Bernhard}}, journal = {Raritan}, year = 1987, volume = 7, unimelb = {UniM Bail P 805 RARI} } @article{Anderson1988a, author = {Anderson, Don}, title = {{Wrestling with the angel: Gerald Murnane's fictions}}, journal = {Age Monthly Review}, year = 1988, pages = {3--5}, month = {July}} @article{Anderson1989a, author = {Anderson, David P. and Kuivila, Ron}, title = {{Continuous Abstractions for Discrete Event Languages}}, journal = j_cmj, year = 1989, volume = 13, number = 3, pages = {11--23}, month = {Fall}} @article{Anderson1991a, author = {Anderson, John}, title = {{Var\`ese and the Lyricism of the New Physics}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = 75, number = 1, pages = {31--49}, year = 1991, annote = {kw: Edgard Varese} } @article{Anderson1995a, author = {Anderson, Don}, title = {{A 'terrible denudation': Gerald Murnane's {\em Emerald Blue}}}, journal = {Southerly}, year = 1995, volume = 55, number = 3, pages = {73--83}, month = {Spring}, unimelb = {UniM Bail P A820.5 S727}} @book{Anderson2000a, author = {Anderson, Hugh}, title = {{Farewell to judges \& juries: the broadside ballad \& convict transportation to Australia, 1788-1868}}, publisher = {Red Rooster}, year = 2000, address = {Hotham Hill, VIC}, unimelb = {UniM Bail f 994.02 ANDE}, isbn = 0908247400 } @article{Anderson2005a, author = {Christine Anderson}, title = {{Dynamic Networks of Sonic Interactions: An Interview with Agostino Di Scipio}}, journal = {Computer Music Journal}, year = 2005, volume = 29, number = 3, pages = {11--28}, month = {September}, doi = {10.1162/0148926054798142} } @book{Andrews1899a, author = {William Andrews}, title = {{Bygone Punishments}}, publisher = {William Andrews \& Co.}, year = 1899, address = {5 Farringdon Avenue, E.C. London}} @book{Andrews1950a, author = {Andrews, H. K.}, title = {{The Oxford Harmony}}, publisher = p_oup, address = {Oxford}, year = 1950 } @book{Andriessen1989a, author = {{Louis Andriessen and Elmer Schonberger}}, title = {{The Apollonian Clockwork: On Stravinsky}}, publisher = p_oup, year = 1989, address = {Oxford}, note = {Translated by Jeff Hamburg}} @book{Angermann1994a, editor = {Angermann, Klaus}, title = {{Jani Christou, im Dunkeln singen}}, publisher = {Wolke}, year = 1994, address = {Hofheim}, note = {Symposium Report of the Hamburg Music Festival, 1993. Articles by W. Giesler, J. Papaioannou, T. Schafer, G. Leotsakos, K Trappmann, H. Koch, A. Lucciano, K. Angermann.}} @book{Anhalt1984a, author = {Anhalt, Istvan}, title = {{Alternative Voices: Essays on Contemporary Vocal and Choral Composition}}, publisher = {University of Toronto Press}, address = {Toronto}, year = {1984} } @book{Anonymous1914a, author = {Anonymous}, title = {{The Arabian Nights Entertainments}}, publisher = {G. Bell and Sons, Ltd.}, year = 1914, address = {London}, note = {Translated by Edward William Lane}} @book{Anonymous1944a, author = {Anonymous}, title = {{The Holy Bible: Containing The Old And New Testaments Translated Out Of The Original Tongues: And With The Former Translations Diligently Compared And Revised, By His Majesty's Special Command, A.D. 1611}}, publisher = {British and Foreign Bible Society}, year = 1944, address = {London}} @book{Anonymous1965a, author = {Anonymous}, title = {{The Nibelungenlied}}, publisher = p_penguin, year = 1965, note = {Translated by A. T. Hatto} } @book{Anonymous1971a, author = {Anonymous}, title = {{Hrafnkel's Saga and other stories}}, publisher = p_penguin, year = 1971, note = {Translated by Kermann Palsson} } @book{Anonymous1972a, author = {Anonymous}, title = {{The Song of Roland}}, publisher = {Unwin Books}, year = 1972, address = {London}, note = {Translated by D.D.R.Owen}} @book{Anouilh1960a, author = {Anouilh, Jean}, title = {{Antigone}}, publisher = p_methuen, year = 1960, note = {Translated by Lewis Galantiere} } @book{Anouilh1966a, author = {Anouilh, Jean}, title = {{Poor Bitos}}, publisher = p_methuen, year = 1966, note = {Translated by Lucienne Hill} } @book{Antokoletz1984a, author = {Antokoletz, Elliott}, title = {{The Music of Bela Bartok. A Study of Tonality and Progression in Twentieth-Century Music}}, publisher = p_ucap, address = {Berkeley}, year = {1984} } @article{Appel1987a, author = {Appel, A.W. and MacQueem, D.B.}, title = {{A Standard ML Compiler}}, journal = {Functional Programming Languages and Computer Architecture}, year = 1987, volume = 274, pages = {301--324} } @book{Appel1992a, author = {Appel, A.W.}, title = {{Compiling with Continuations}}, publisher = p_cup, address = {Cambridge}, year = 1992 } @book{Appel1999a, author = {Appel, A.W.}, title = {{Modern compiler implemenation in ML}}, publisher = p_cup, address = {Cambridge}, year = 1998 } @book{Appleton1975a, editor = {Jon H. Appleton and Ronald C. Perera}, title = {{The development and practice of electronic music}}, publisher = {Prentice-Hall}, year = 1975, address = {Englewood Cliffs}, note = {Origins / Otto Leuning -- Sound, electronics, and hearing / A. Wayne Slawson -- The tape studio /Gustav Ciamaga -- The voltage-controlled synthesizer / Joel Chadabe -- The uses of digital computers in electronic music generation / John E. Rogers -- Live-electronic music / Gordon Mumma}, unimelb = {UniM VCA 789.9 App /0011} } @book{Araki1997a, author = {Araki, Nobuyoshi}, title = {{Tokyo Lucky Hole}}, publisher = {Taschen}, year = 1997, address = {Koln}} @article{Archibald1972a, author = {Archibald, Bruce}, title = {{Some Thoughts on Symmetry in Early Webern: Op.5, No.2}}, journal = j_pnm, volume = {10}, number = {2}, pages = {159--163}, year = {1972}, unimelb = {UniM Music P PERS} } @article{Arfib1979a, author = {Arfib, Daniel}, title = {{Digital synthesis of complex spectra by means of muliplication of non-linear distorted sine waves}}, journal = j_jaes, year = 1979, volume = 27, number = 10, pages = {757--768} } @article{Arfib1993a, author = {Arfib, D. and Delprat, N.}, title = {{Musical Transformations using the Modification of Time-Frequency Images}}, journal = j_cmj, year = 1993, volume = 17, number = 2 } @inproceedings{Ariola1995a, author = {Ariola, Z. and Felleisen, M. and Maraist, J. and Odersky, M. and Wadler, P.}, title = {{A call-by-need lambda calculus}}, booktitle = {{Proc. 22nd Sym. on Principles of Programming Languages}}, year = 1995, address = {San Francisco, CA}, month = {January}, publisher = {ACM Press}} @book{Aristotle1975a, author = {Aristotle}, title = {{Ethics}}, publisher = p_dent, address = {London}, note = {Translated by John Warrington}, year = {1975} } @article{Ariza2005a, author = {Christopher Ariza}, title = {{The Xenakis Sieve as Object: A New Model and a Complete Implementation}}, journal = {Computer Music Journal}, year = 2005, volume = 29, number = 2, pages = {40--60}, month = {June}, doi = {10.1162/0148926054094396}} @book{Armstrong1996a, author = {J. Armstrong and R. Virding and C. Wikstrom and M. Williams}, title = {{Concurrent Programming in Erlang}}, publisher = {Prentice Hall}, year = 1996, address = {New York}} @book{Arnold1927a, author = {Arnold, Matthew}, title = {{Essays in Criticism}}, publisher = p_mm, year = 1927, address = {London}, } @article{Arnold1976a, author = {Arnold, Stephen and Hair, Graham}, title = {{A List of Works by Milton Babbitt}}, journal = j_pnm, volume = {14}, number = {2}, pages = {24--25}, year = {1976}, unimelb = {UniM Music P PERS} } @article{Arnold1976b, author = {Arnold, Stephen and Hair, Graham}, title = {{An Introduction and a Study: ``String Quartet No.3''}}, journal = j_pnm, volume = {14}, number = {2}, pages = {155--187}, year = {1976}, unimelb = {UniM Music P PERS} } @phdthesis{Arnold1976c, author = {Arnold, Stephen}, title = {{The Music Of Milton Babbitt (1947--1970)}}, school = {Southhampton University}, year = {1976} } @book{Arnold1984a, author = {Arnold, Denis}, title = {Gesualdo}, publisher = {British Broadcasting Corp.}, year = 1984, address = {London}, isbn = 0563179953, unimelb = {UniM Music 780.92 GESU/ ARNO} } @article{Arsenault2002a, author = {Linda M. Arsenault}, title = {{Iannis Xenakis's "Achorripsis": The Matrix Game}}, journal = {Computer Music Journal}, year = 2002, volume = 26, number = 1, pages = {58--72}, month = {Spring}, note = {In Memoriam Iannis Xenakis}} @book{Artaud1958a, author = {Artaud, Antonin}, title = {{The Theatre and its Double}}, publisher = p_grove, year = 1958, address = {New York}, note = {Translated by Mary Caroline Richard} } @book{Artaud2003a, author = {Artaud, Antonin}, title = {{The Monk}}, publisher = {Creation}, year = 2003, address = {London}, note = {Translated by John Phillips} } @book{Ash1970a, author = {Ash, Robert B.}, title = {{Basic Probability Theory}}, publisher = p_wiley, year = 1970, address = {New York}} @book{Ashberry1981a, author = {Ashberry, John}, title = {{As We Know}}, publisher = {Carcanet New Press}, year = 1981, address = {Manchester}} @book{Ashberry1988a, author = {Ashberry, John}, title = {{April Galleons}}, publisher = {Carcanet Press}, year = 1988, address = {Manchester}} @incollection{Ashley1967a, author = {Ashley, Robert}, crossref = {Schwartz1967a}, title = {{Morton Feldman: An Interview with Robert Asheley, August 1964}}, } @article{Asmus1975a, author = {Asmus, W.}, title = {{Beckett directs Godot}}, journal = {Theatre Quarterly}, year = 1975, volume = 5, number = 19, pages = {23--24}} @inproceedings{Assayag1997a, author = {Assayag, Gerard and others}, title = {{An Object Oriented Visual Environment for Musical Composition}}, booktitle = c_icmc, pages = {364--367}, year = 1997, keywords = {OpenMusic}, } @article{Assayag1999a, author = {G\'erard Assayag and Camilo Rueda and Mikael Laurson and Carlos Agon and Olivier Delerue}, title = {{Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic}}, journal = {Computer Music Journal}, year = 1999, volume = 23, number = 3, pages = {59--72}, month = {September}, doi = {10.1162/014892699559896} } @book{Atkinson1997a, author = {Atkinson, Alan}, title = {{The Europeans in Australia: a history}}, publisher = {Oxford University Press}, year = 1997, address = {Melbourne}, unimelb = {UniM Bail 994 ATKI}, isbn = {019553641X} } @book{Attali1985a, author = {Attali, Jacques}, title = {{Noise: The Poltical Economy of Music}}, publisher = {University of Minnesota Press}, year = 1985, address = {Minneapolis}, note = {Translated by Brian Massumi} } @book{Auden1961a, author = {{Auden, W. H.}}, title = {{W. H. Auden: A Selection}}, publisher = {Hutchinson Educational}, year = 1961, address = {London}} @book{Augaitis1994a, author = {Augaitis, Diana and Lander, Dan}, title = {{Radio Rethink. Art, Sound and Transmission}}, publisher = {Walter Phillips Gallery}, year = 1994, address = {Banff}} @book{Augustine1954a, author = {Augustine, St.}, title = {{The Confessions of St. Augustine}}, publisher = {Sheed and Ward}, address = {London}, note = {Translated by F. J. Sheed}, year = {1954} } @techreport{Augustsson1992a, author = {Augustsson, L. and Rittri, M and Synek, D}, title = {{Splitting infinite sets of unique names by hidden state changes}}, type = {Report 67, Programming Methodology Group}, institution = {Chalmers University}, month = May, year = 1992, } @book{Austen1932a, author = {Austen, Jane}, title = {{Northanger Abbey / Persuasion}}, publisher = p_dent, address = {London}, year = 1932, } @book{Austen1995a, author = {Austen, Jane}, title = {{Sense and Sensibilty}}, publisher = p_penguin, address = {Harmondsworth}, year = 1995, note = {First published 1811} } @book{Austen1997a, author = {Austen, Jane}, title = {{Pride and Prejudice}}, publisher = p_penguin, address = {Harmondsworth}, year = 1997, note = {First published 1813} } @book{Austin1962a, author = {Austin, John L.}, title = {{How to do things with words}}, publisher = p_oup, year = 1962, address = {London} } @book{Austin1963a, author = {Austin, John L.}, title = {{Sense and Sensibilia}}, publisher = p_oup, year = 1963, address = {London}, note = {Edited by G. J. Warnock} } @book{Austin1966a, author = {Austin, John L.}, title = {{Philosophical Papers}}, publisher = p_oup, year = 1966, address = {London} } @article{Austin1968a, author = {Austin, Larry and Cage, John and Hiller, Lejaren}, title = {{HPSCHD}}, journal = {Source: Music of the Avant-Garde}, year = 1968, volume = 4, number = 2, pages = {11--19}} @article{Austin1985a, author = {Austin, William}, title = {{Review of ``The Music of Igor Stravinsky'' by Pieter van den Toorn}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {7}, pages = {185--190}, year = {1985} } @book{Avrich1988a, author = {Avrich, Paul}, title = {{Anarchist Portraits}}, publisher = p_pup, address = {Princeton, NJ}, year = {1988} } @book{Avrich1995a, author = {Avrich, Paul}, title = {{Anarchist Voices}}, publisher = p_pup, address = {Princeton, NJ}, year = {1995} } @book{Ayer1956a, author = {Ayer and A. J.}, title = {{The Problem of Knowledge}}, publisher = p_penguin, address = {Harmondsworth}, year = {1956} } @phdthesis{Babbitt1946a, author = {Babbitt, Milton}, title = {{The Function of Set Structure in the Twelve Tone System}}, school = {Princeton University}, year = {1946} } @article{Babbitt1949a, author = {Babbitt, Milton}, title = {{The String Quartets of Bela Bartok}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {35}, pages = {377--385}, year = {1949} } @article{Babbitt1950a, author = {Babbitt, Milton}, title = {{Review of ``Schoenberg et son ecole and Qu'est ce que la musique dedouze sons?'' by Rene Leibowitz}}, journal = j_jams, volume = {3}, number = {1}, pages = {57--60}, year = {1950} } @article{Babbitt1950b, author = {Babbitt, Milton}, title = {{Review of ``Polyphonie: Revue Musicale trimstrielle, Quatrieme Cahier, Le System dodecaphonique''}}, journal = j_jams, volume = {3}, number = {3}, pages = {265}, year = {1950} } @article{Babbitt1952a, author = {Babbitt, Milton}, title = {{Review of ``Structural Hearing'' by Felix Salzer}}, journal = j_jams, volume = {5}, number = {3}, pages = {260--265}, year = {1952} } @article{Babbitt1955a, author = {Babbitt, Milton}, title = {{Some Aspects of Twelve-Tone Composition}}, journal = {The Score and I.M.A. Magazine}, volume = {12}, pages = {53--61}, year = {1955} } @article{Babbitt1958a, author = {Babbitt, Milton}, title = {{Who Cares if You Listen}}, journal = {High Fidelity}, volume = {8}, number = {2}, pages = {38--40, 126--127}, year = {1958} } @article{Babbitt1960a, author = {Babbitt, Milton}, title = {{Twelve-Tone Invariants as Compositional Determinants}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {46}, pages = {246--259}, year = {1960} } @article{Babbitt1961a, author = {Babbitt, Milton}, title = {{Set Structure as a Compositional Determinant}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {5}, number = {2}, pages = {72--94}, year = {1961} } @article{Babbitt1961b, author = {Babbitt, Milton}, title = {{Past and Present Concepts of the Nature and Limits of Music}}, journal = {Congress Report of the International Music Society}, pages = {398--403}, year = {1961} } @article{Babbitt1962a, author = {Babbitt, Milton}, title = {{Twelve-Tone Rhythmic Structure and the Electronic Medium}}, journal = j_pnm, volume = {1}, number = {1}, pages = {49--79}, year = {1962}, unimelb = {UniM Music P PERS} } @article{Babbitt1963a, author = {Babbitt, Milton}, title = {{An Introduction [to a series of technological articles]}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {7}, pages = {vi-vii}, year = {1963} } @article{Babbitt1963b, author = {Babbitt, Milton}, title = {{Mr Babbitt Answers}}, journal = j_pnm, volume = {2}, number = {1}, pages = {127--132}, year = {1963}, unimelb = {UniM Music P PERS} } @article{Babbitt1964a, author = {Babbitt, Milton}, title = {{Remarks on the Recent Stravinsky}}, journal = j_pnm, volume = {2}, number = {2}, pages = {35--55}, year = {1964}, unimelb = {UniM Music P PERS} } @article{Babbitt1964b, author = {Babbitt, Milton}, title = {{The Synthesis, Perception and Specification of Musical Time}}, journal = {Journal of the International Folk Music Council}, pages = {92--95}, year = {1964} } @article{Babbitt1964c, author = {Babbitt, Milton}, title = {{An Introduction to the RCA Synthesizer}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {8}, number = {2}, pages = {251--265}, year = {1964} } @article{Babbitt1965a, author = {Babbitt, Milton}, title = {{The Use of Computers in Musicological Research}}, journal = j_pnm, volume = {3}, number = {2}, pages = {74--83}, year = {1965}, unimelb = {UniM Music P PERS} } @inproceedings{Babbitt1965b, author = {Babbitt, Milton}, title = {{The Structure and Function of Music Theory}}, booktitle = {College Music Symposium}, volume = {5}, pages = {49--60}, year = {1965} } @article{Babbitt1966a, author = {Babbitt, Milton}, title = {{Edgard Var\`ese: a few observations of his music}}, journal = j_pnm, volume = 4, number = 2, pages = {14--22}, year = 1966, unimelb = {UniM Music P PERS}, annote = {kw: Edgard Varese}} @incollection{Babbitt1968a, author = {Babbitt, Milton}, title = {{Three Essays on Schoenberg: ``Concerto for Violin and Orchestra'', ``Das Buch der hangenden Garten'' and ``Moses and Aaron''}}, crossref = {Boretz1968a}, pages = {47--60}, } @article{Babbitt1970a, author = {Babbitt, Milton}, title = {{On ``Relata I''}}, journal = j_pnm, volume = {9}, number = {1}, pages = {1--22}, year = {1970}, unimelb = {UniM Music P PERS} } @article{Babbitt1971a, author = {Babbitt, Milton}, title = {{Electronic Music: How and Why}}, journal = {The State of The Art of Electronic Music In Australia}, pages = {69--91}, publisher = {University of Melbourne}, address = {University of Melbourne, Faculty of Music}, year = {1971} } @article{Babbitt1971b, author = {Babbitt, Milton}, title = {``{All Set}'' and ``{Philomel}''}, journal = {The State of The Art of Electronic Music In Australia}, pages = {92--100}, publisher = {University of Melbourne}, address = {University of Melbourne, Faculty of Music}, year = {1971} } @article{Babbitt1971c, author = {Babbitt, Milton}, title = {{The University and the Unlikely Survival of Serious Music}}, journal = {The State of The Art of Electronic Music In Australia}, pages = {101--112}, publisher = {University of Melbourne}, address = {University of Melbourne, Faculty of Music}, year = {1971} } @article{Babbitt1971d, author = {Babbitt, Milton}, title = {{Stravinsky (1882--1971): A Composers' Memorial}}, journal = j_pnm, volume = {9}, number = {2}, pages = {58}, year = {1971}, unimelb = {UniM Music P PERS} } @incollection{Babbitt1972a, author = {Babbitt, Milton}, title = {{Contemporary Music Composition and Musical Theory as Contemporary Intellectual History}}, crossref = {Brook1972a}, pages = {151--184}, } @article{Babbitt1974a, author = {Babbitt, Milton}, title = {{Since Schoenberg}}, journal = j_pnm, volume = {12}, number = {1}, pages = {3--28}, year = {1974}, unimelb = {UniM Music P PERS} } @article{Babbitt1976a, author = {Babbitt, Milton}, title = {{Responses: A First Approximation}}, journal = j_pnm, volume = {14}, number = {2}, pages = {3--23}, year = {1976}, unimelb = {UniM Music P PERS} } @article{Babbitt1976b, author = {Babbitt, Milton}, title = {{Celebrative Speech}}, journal = j_jasi, volume = {1}, number = {1}, pages = {6--11}, year = {1976} } @article{Babbitt1976c, author = {Babbitt, Milton}, title = {{Letter: The Row 0 1 4 2 9 5 11 3 8 10 7 6}}, journal = j_ito, volume = {2}, number = {5--7}, pages = {35--39}, year = {1976} } @article{Babbitt1977a, author = {Babbitt, Milton}, title = {{Ernst Oster (1908--1977)}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {21}, number = {2}, pages = {344--345}, year = {1977} } @article{Babbitt1978a, author = {Babbitt, Milton and Browne, R. and Lewin, D. and Morris, Robert}, title = {{Maximally Scrambled Twelve-Tone Sets: A Serial Forum}}, journal = j_ito, volume = {2}, number = {7}, pages = {8--20}, year = {1978} } @article{Babbitt1979a, author = {Babbitt, Milton}, title = {{Ben Weber (1919--1979)}}, journal = j_pnm, volume = {17}, number = {2}, pages = {11--13}, year = {1979}, unimelb = {UniM Music P PERS} } @article{Babbitt1981a, author = {Babbitt, Milton}, title = {{Robert Miller (1930--1981)}}, journal = j_pnm, volume = {20}, pages = {26--27}, year = {1981}, unimelb = {UniM Music P PERS} } @article{Babbitt1984a, author = {Babbitt, Milton}, title = {{The More Than The Sounds of Music}}, journal = j_ito, volume = {8}, number = {3}, pages = {7--10}, year = {1984} } @article{Babbitt1985a, author = {Babbitt, Milton}, title = {{All the things they are: comments on Kern}}, journal = {News ISAM}, volume = {14}, pages = {8--9}, year = {1985} } @article{Babbitt1985b, author = {Babbitt, Milton}, title = {{I Remember Roger}}, journal = j_pnm, volume = {23}, pages = {112--116}, year = {1985}, unimelb = {UniM Music P PERS} } @incollection{Babbitt1986a, author = {Babbitt, Milton}, title = {{Order, Symmetry and Centricity in Late Stravinsky}}, booktitle = {{Confronting Stravinsky}}, pages = {247--261}, publisher = p_ucap, address = {Berkeley, CA}, year = {1986} } @incollection{Babbitt1987a, author = {Babbitt, Milton}, title = {{Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate}}, crossref = {Haimo1987a}, pages = {15--35}, } @book{Babbitt1987b, author = {Babbitt, Milton}, title = {{Words About Music}}, publisher = {University of Wisconsin Press}, address = {Madison}, year = {1987}, } @article{Babbitt1989a, author = {Babbitt, Milton}, title = {{On having been and still being an American composer}}, journal = j_pnm, volume = {27}, pages = {106--112}, year = {1989}, unimelb = {UniM Music P PERS} } @article{Babbitt1991a, author = {Babbitt, Milton}, title = {{A Life of Learning}}, journal = {Haskins Lecture, ACLS Ocasional Paper No. 17}, year = {1991} } @article{Babbitt1992a, author = {Babbitt, Milton}, title = {{Program Notes on Some of my Compositions}}, journal = j_sonus, volume = {13}, number = {1}, pages = {75--81}, year = {1992} } @manual{Bachrach2002a, title = {{GOO Reference Manual}}, author = {Bachrach, Jonathan}, organization = o_mit_ai, address = {Cambridge, MA}, year = 2002 } @book{Backus1969a, author = {Backus, J.}, title = {{The Acoustical Foundations of Music}}, publisher = p_norton, year = 1969, address = {New York} } @article{Backus1978a, author = {Backus, John}, title = {{Can programming be liberated from the von Neumann style? A functional style and its algebra of programs}}, journal = j_cacm, year = 1978, volume = 21, number = 8, pages = {613--641}, month = {August} } @book{Bacon1906a, editor = {Bacon, Francis}, title = {{Essays}}, publisher = p_dent, address = {London}, year = 1906 } @book{Badiou2006a, author = {Badiou, Alain}, title = {{Briefings on Existence: A Short Treatise on Transitory Ontology}}, publisher = {State University of New York Press}, year = 2006, address = {Albany, NY}, note = {Translated by Norman Madarasz}} @book{Baerwaldt1991a, editor = {Baerwaldt, Wayne}, title = {{Under the Influence of Fluxus}}, publisher = {Editions Conz}, year = 1991, address = {Verona - Milan} } @book{Baggi1992a, editor = {Baggi, Denis}, title = {{Computer-Generated Music}}, publisher = {IEEE Computer Society Press}, year = 1992 } @article{Bai2002a, author = {E. Bai and K. E. Lonngren and J. C. Sprott}, title = {{On the Synchronization of a Class of Electronic Circuits that Exhibit Chaos}}, journal = {Chaos, Solitons and Fractals}, year = 2002, volume = 13, pages = {1515--1521}} @book{Bailey1972a, author = {Bailey, David}, title = {{Andy Warhol: Transcript of David Bailey's ATV Documentary}}, publisher = {Mathews Miller Dunbar}, year = 1972, address = {London}} @article{Bailey1980a, author = {Bailey, Walter}, title = {{Schoenberg's Published Articles: A List of Titles, Sources and Translations}}, journal = j_jasi, volume = {4}, pages = {155--191}, year = {1980} } @incollection{Bailey1990a, author = {Bailey, Robert}, title = {{Musical Language and Structure in the Third Symphony}}, crossref = {Bozarth1990a}, pages = {405--421} } @book{Bair1978a, author = {Bair, Deidre}, title = {{Samuel Beckett: A Biography}}, publisher = p_cape, address = {London}, year = 1978, unimelb = {UniM VCA 822.91 Bec /0294} } @article{Baker1982a, author = {Baker, James}, title = {{Coherence in Webern's ``Six Pieces for Orchestra Op.6''}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {4}, pages = {1--27}, year = {1982} } @book{Baker1986a, author = {Baker, James}, title = {{The Music of Alexander Scriabin}}, publisher = p_yup, address = {New Haven}, year = {1986} } @incollection{Baker1987a, author = {Candida Baker}, title = {{Gerald Murnane}}, pages = {189--217}, crossref = {Baker1987b} } @book{Baker1987b, editor = {Candida Baker}, title = {Yacker 2: Australian writers talk about their work}, publisher = {Picador}, year = 1987, unimelb = {UniM Bail A820.9003 YACK} } @book{Baker1992a, author = {Baker, G.P. and Hacker, P.M.S.}, title = {{Wittgenstein: Meaning and Understanding. Essays on the Philosophical Investigations (Volume 1)}}, publisher = p_bb, address = {Oxford}, year = {1992} } @book{Baker1997a, editor = {Baker, James and Beach, David and Bernard, Jonathon}, title = {{Music Theory in Concept and Pratice}}, publisher = {University of Rochester Press}, year = 1997, address = {Rochester} } @book{Bakunin1970a, author = {Bakunin, Mikhail}, title = {{God and the state}}, publisher = {Dover Publications}, address = {New York}, year = {1970} } @book{Bakunin1985a, author = {Bakunin, Mikhail}, title = {{From out of the Dustbin, Bakunin's Basic Writings, 1869--1871}}, publisher = {Ardis}, address = {Ann Arbor, Mich.}, note = {Translated by Robert Cutler}, year = {1985} } @article{Balaban1985a, author = {Balaban, Mira and Murray, Neil V.}, title = {{Machine Tongues X: Prolog}}, journal = j_cmj, year = 1985, volume = 9, number = 3, pages = {7--12}} @article{Baldridge1983a, author = {Baldridge, Wilson}, title = {{Morton Feldman: One Whose Reality is Acoustic}}, journal = j_pnm, volume = {21}, pages = {112--113}, year = {1983}, unimelb = {UniM Music P PERS} } @book{Baldwin1994a, author = {Baldwin, James}, title = {{If Beale Street Could Talk}}, publisher = p_penguin, address = {Harmondsworth}, year = 1994 } @incollection{Bamberger1986a, author = {Bamberger, Jeanne}, editor = {Sternberg, Robert and Davidson, Janet}, title = {{Cognitive Issues in the Development of Musically Gifted Children}}, booktitle = {Conceptions of Giftedness}, pages = {388--413}, publisher = {Cambridge University Press}, address = {New York}, year = {1986} } @book{Bamberger1991a, author = {Bamberger, Jeanne}, title = {{The Music Behind the Musical Ear: How Children Develop Musical Intelligence}}, publisher = p_hup, address = {Cambridge}, year = {1991} } @book{Banks1997a, editor = {Banks, Jerry}, title = {{Handbook on Simulation}}, publisher = p_wiley, year = 1997, address = {New York} } @book{Barber1993a, author = {Barber, Stephen}, title = {{Blows and Bombs: Antonin Artaud}}, publisher = p_ff, address = {London}, year = {1993} } @article{Barbera1977a, author = {Barbera and C. Andre}, title = {{Arithmetic and Geometric Divisions of the Tetrachord}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {21}, number = {2}, pages = {294--323}, year = {1977} } @article{Barbour1984a, author = {Barbour, John}, title = {{``I Lead it Astray''}}, journal = j_at, year = 1984, volume = 14, pages = {50--62}, annote = {Subject: Peter Tyndall} } @book{Barendregt1984a, author = {Barendregt, H. P.}, title = {{The Lambda Calculus: Its Syntax and Semantics}}, publisher = p_nh, year = 1984 } @article{Barkin1967a, author = {Barkin, Elaine}, title = {{A Simple Approach To Milton Babbitt's ``Semi-Simple Variations''}}, journal = j_mr, volume = 28, year = 1967 } @article{Barkin1973a, author = {Barkin, Elaine}, title = {{A View of Schoenberg's Op.23/1}}, journal = j_pnm, volume = {12}, number = {1--2}, pages = {99--127}, year = {1973}, unimelb = {UniM Music P PERS} } @article{Barkin1975a, author = {Barkin, Elaine}, title = {{Analysis Symposium: Webern, Orchestra Pieces (1913): Movement I ('Bewegt')}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {19}, number = {1}, pages = {47--65}, year = {1975} } @article{Barlow1987a, author = {Clarence Barlow}, title = {{Two Essays on Theory}}, journal = j_cmj, year = 1987, volume = 11, number = 1, pages = {44--60}, note = {Translated by Henning Lohner}} @inproceedings{Barlow1990a, author = {Clarence Barlow}, title = {{Autobusk - An Algorithmic Real-Time Pitch \& Rhythm Improvisation Programme}}, booktitle = {ICMC Proceedings}, pages = {166--168}, year = 1990, address = {Glasgow}} @book{Barnes1989a, author = {Barnes, Susan}, title = {{The Rothko Chapel: An Act of Faith}}, publisher = {University of Texas Press}, address = {Austin}, year = {1989} } @book{Barnes1992a, author = {Barnes, Julian}, title = {{The Porcupine}}, publisher = {Jonathan Cape}, year = 1992, address = {London}, isbn = {0-330-32828} } @article{Barrett2002a, author = {Barrett, Richard and Steinitz, Richard}, title = {{Tributes to Iannis Xenakis (29 May 1922 - 4 February 2001)}}, journal = {Contemporary Music Review}, year = 2002, volume = 21, number = 2, pages = {5--8}, doi = {10.1080/07494460216662}} @article{Barriere1985a, author = {Barriere, Jean-Baptiste}, title = {{Chreode: The Pathway to New Music with the Computer}}, journal = j_cmr, volume = 1, number = 1, pages = {181--201}, year = 1985 } @book{Barthes1988a, author = {Barthes, Roland}, title = {{Image -- Music -- Text [1977]}}, publisher = {The Noonday Press}, year = 1988, address = {New York}, note = {Translated by Stephen Heath}} @article{Bartok1950a, author = {Bartok, Bela}, title = {{The Influence of Peasant Music on Modern Music}}, journal = {Tempo}, volume = {14}, pages = {19--23}, year = {1950} } @article{Bartoloni1995a, author = {Bartoloni, Paolo}, title = {{20th Century heteronyms: a reflection on the relationship between art and reality}}, journal = {Island}, year = 1995, volume = 62, pages = {6--9}, month = {Autumn}, annote = {Subject: Gerald Murnane}, unimelb = {UniM Bail P A820.5 ISLA}} @article{Bartoloni1997a, author = {Bartoloni, Paolo}, title = {{Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis Borges}}, journal = {Australian Literary Studies}, year = 1997, volume = 18, number = 2, pages = {185--190}, unimelb = {UniM Bail P A820.5 A938} } @article{Bartoloni1999a, author = {Bartoloni, Paolo}, title = {{Triptychal Fiction: Re-interpreting Murnane's work from {\em The Plains} to {\em Emerald Blue}}}, journal = {Southerly}, year = 1999, volume = 59, number = 1, pages = {40--52}, month = {Autumn}, unimelb = {UniM Bail P A820.5 S727} } @article{Bartoloni2000a, author = {Bartoloni, Paolo}, title = {{Time in Gerald Murnane's {\em Velvet Waters}}}, journal = {Antipodes}, year = 2000, volume = 14, number = 1, pages = {47--52}, month = {June}, unimelb = {UniM Bail P A820 ANTI}} @article{Bartoloni2000b, author = {Bartoloni, Paolo}, title = {{Interstitial narratives: Italo Calvino and Gerald Murnane}}, journal = {Westerly}, year = 2000, volume = 45, pages = {111--124}, month = {November}, unimelb = {UniM Bail P 052 W526}} @book{Basho1966a, author = {Basho, Matsuo}, title = {{The Narrow Road To the Deep North and Other Travel Sketches}}, publisher = p_penguin, address = {Harmondsworth}, note = {Translated by Noboyuki Yuasa}, year = {1966} } @book{Basho1974a, author = {Basho, Matsuo}, title = {{A Haiku Journey}}, publisher = {Kodansha International}, address = {Tokyo}, note = {Translated by Dorothy Britton}, year = {1974} } @book{Basho1981a, author = {Basho, Matsuo}, title = {{The Monkey's Straw Raincoat}}, publisher = p_pup, address = {Princeton, NJ}, note = {Translated by Earl Miner and Hiroko Odagiri}, year = {1981} } @book{Basho1985a, author = {Basho, Matsuo}, title = {{On Love and Barley: Haiku of Basho}}, publisher = p_penguin, address = {Harmondsworth}, note = {Translated by Lucien Stryk}, year = {1985} } @book{Basho1986a, author = {Basho, Matsuo}, title = {{Back Roads to Far Towns}}, publisher = {White Pine Press}, address = {New York}, note = {Translated by Cid Corman and Kamaika Susumu}, year = {1986} } @book{Basho1996a, author = {Basho, Matsuo}, title = {{The Narrow Road to Oku}}, publisher = {Kodansha International}, address = {Tokyo}, note = {Translated by Donald Keene and Miyatu Masyuki}, year = {1996} } @article{Baskett1999a, author = {Baskett, Pat}, title = {{Cultural Conquerors}}, journal = {New Zealand Herald}, year = 1999, month = {22 May}, note = {Review essay}, annote = {Subject: SLAVE PIANOS}} @article{Basoli1999a, author = {A.G. Basoli}, title = {{The Wrath of Klaus Kinski: An Interview with Werner Herzog}}, journal = {Cineaste}, year = 1999, month = {September 22}} @book{Basualdo2008a, editor = {Carlos Basualdo}, title = {{William Kentridge: Tapestries}}, publisher = {Philadelphia Museum of Art / Yale University Press}, year = 2008, address = {Philadelphia}, unimelb = {UniM Bail f 741.968 KENT}, isbn = {978-0-87633-256-6} } @book{Bataille1986a, author = {Bataille, Georges}, title = {{Erotism: Death and Sensuality}}, publisher = {City Lights Books}, year = 1986, address = {San Francisco}, note = {Translated by Mary Dalwood} } @article{Batstone1969a, author = {Batstone, Philip}, title = {{Musical Analysis as Phenomenology}}, journal = j_pnm, volume = {7}, number = {2}, pages = {94--110}, year = {1969}, unimelb = {UniM Music P PERS} } @article{Batstone1972a, author = {Batstone, Philip}, title = {{Multiple Order Functions In Twelve-Tone Music}}, journal = j_pnm, volume = {10}, number = {2}, pages = {60--71}, year = {1972}, unimelb = {UniM Music P PERS} } @book{Battcock1968a, editor = {Battcock, G.}, title = {{Minimal Art: A Critical Anthology}}, publisher = {Dutton}, year = 1968, address = {New York}} @book{Battier1999a, editor = {Marc Battier}, title = {{Aesthetics of live electronic music}}, publisher = {Harwood Academic}, year = 1999, series = j_cmr, unimelb = {UniM Music 786.74 AEST} } @book{Baudrillard1983a, author = {Baudrillard, Jean}, title = {{In the Shadow of the Silent Majorities}}, publisher = {Semiotext(e)}, year = 1983, address = {New York}} @book{Baudrillard1983b, author = {Jean Baudrillard}, title = {{Simulations}}, publisher = {Semiotext(e)}, year = 2003, series = {Foreign Agents Series}, address = {New York}, note = {Translated by Paul Foss, Paul Patton and Philip Beitchman}} @incollection{Baudrillard1988a, author = {Jean Baudrillard}, title = {{Simulacra and Simulations}}, crossref = {Poster1988a}} @article{Baudrillard1997a, author = {Jean Baudrillard}, title = {{A Conjuration of Imbeciles}}, journal = {ctheory}, year = 1997, volume = 3, note = {Originally published as ``La conjuration des imbeciles'' in {\em Liberation}, May 7, 1997}, _url = {http://www.egs.edu/faculty/baudrillard/baudrillard-a-conjuration-of-imbeciles.html} } @article{Bauer-Mengelbe1965, author = {Bauer-Mengelberg, Stefan and Ferentz, Melvin}, title = {{On Eleven-Interval Twelve-Tone Rows}}, journal = j_pnm, volume = {3}, number = {2}, pages = {93--103}, year = {1965}, unimelb = {UniM Music P PERS} } @phdthesis{Bauer1996a, author = {Bauer, Amy}, title = {{Compositional Process and Parody in the Music of Gyorgy Ligeti}}, school = {Yale University}, year = {1996} } @book{Bauer2008a, editor = {Karin Bauer}, title = {{Everybody Talks About the Weather . . . We Don't: The Writings of Ulrike Meinhof}}, publisher = {Seven Stories Press}, year = 2008, month = {June}, note = {Preface by Elfriede Jelinek}} @techreport{Bawden1993a, author = {Bawden, Alan}, title = {{Implementing Distributed Systems Using Linear Naming}}, institution = o_mit_ai, year = 1993, number = 1627, month = {March} } @inproceedings{Bawden1999a, author = {Bawden, Alan}, title = {{Quasiquotation in Lisp}}, booktitle = {Partial Evaluation and Semantic-Based Program Manipulation}, pages = {4--12}, year = 1999, } @inproceedings{Bawden2000a, author = {Bawden, Alan}, title = {{First-class macros have types}}, booktitle = c_popl, year = 2000, volume = 27, address = {Boston}, month = {January}, pages = {133--141}, annote = {Brandeis University} } @article{Bayle1977a, author = {Bayle, F.}, title = {{Support/escape}}, journal = {Cahiers Recherche/Musique}, year = 1977, volume = 5, pages = {13--39}} @article{Bazelow1976a, author = {Bazelow, Alexander and Brickle, Frank}, title = {{A Partition Problem Posed by Milton Babbitt}}, journal = j_pnm, volume = {14}, number = {2}, pages = {280--293}, year = {1976}, unimelb = {UniM Music P PERS} } @misc{Bazelow1979a, author = {Bazelow, Alexander}, title = {{A Combinatorial Problem in Music Theory}}, type = {Audiorecord}, year = {1979}, note = {Audiovisual Material} } @article{Beach1976a, author = {Beach, David}, title = {{Segmental Invariance and the Twelve-Tone System}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {20}, number = {2}, pages = {157--184}, year = {1976} } @book{Beach1977a, author = {Beach, Eric}, title = {{In Occupied Territory}}, publisher = {Saturday Centre}, year = 1977, address = {Cammeray, NSW} } @book{Beach1978a, author = {Beach, Eric}, title = {{A photo of some people in a football stadium}}, publisher = {Overland}, year = 1978, address = {Melbourne}, unimelb = {UniM Bail P A820.5 O968} } @article{Beach1979a, author = {Beach, David}, title = {{Pitch Structure and the Analytic Process in Atonal Music: An Interpretation of the Theory of Sets}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {1}, pages = {7--22}, year = {1979} } @book{Beach1996a, author = {Beach, Eric}, title = {{Weeping for Lost Babylon}}, publisher = p_ar, year = 1996, address = {Pymble, NSW} } @book{Beach2000a, author = {Beach, Eric}, title = {{Red Heart My Country}}, publisher = {Pardalote Press}, year = 2000, address = {Lauderdale, TAS} } @incollection{Beal2002a, author = {Beal, Amy}, title = {{Time Canvasses: Morton Feldman and the Painters of the New York School}}, crossref = {Leggio2002a}, pages = {227--245}} @article{Bear1976a, author = {Bear, Liza and Sharp, Willoughby}, title = {{A Telephone Conversation with Mary Sue Ader, Los Angeles, May 28th, 1976}}, journal = {Avalanche}, year = 1976, volume = 13, pages = {26--27}, month = {Summer} } @article{Beardslee1976a, author = {Beardslee-Winham, Bethany}, title = {{Thoughts on `I.B.' from `L.W.'}}, journal = j_pnm, volume = {14}, number = {2}, pages = {81--82}, year = {1976}, unimelb = {UniM Music P PERS} } @misc{Beauchamp, author = {Beauchamp, James and others}, title = {{Music4C}}, howpublished = {Software}, _url = {http://lejaren.music.uiuc.edu/cmp/software/m4c.html} } @article{Beauchamp1979a, author = {Beauchamp, James}, title = {{Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear Functions}}, journal = j_cmj, year = 1979, volume = 3, number = 2, pages = {35--43}} @article{Beauchamp1979b, author = {Beauchamp, James}, title = {{Practical Sound Synthesis Using a Nonlinear Processor (Waveshaper) and a High-Pass Filter}}, journal = j_cmj, year = 1979, volume = 3, number = 3, pages = {42--49}} @book{Beck2002a, author = {Beck, Haig and Cooper, Jackie}, title = {{Glenn Murcutt: A singular architectural practice}}, publisher = {Images Publishing}, year = 2002, address = {Mulgrave} } @book{Becker1965a, editor = {Becker, Jurgen and Vostell, Wolf}, title = {{Happenings: Fluxus. Pop art. Nouveau r\'ealisme. Eine Dokumentation.}}, publisher = {Rowohlt}, year = 1965, address = {Reinbek b. Hamburg}, unimelb = {UniM ERC B 709.04 B395} } @book{Becker1992a, editor = {Becker, Bob}, title = {{Contemporary percussion: performer's perspectives}}, publisher = p_hap, year = 1992, volume = {7/1}, series = j_cmr, address = {Switzerland}, } @book{BeckerHo2007a, author = {Alice Becker-Ho and Guy Debord}, title = {{A Game of War}}, publisher = {Atlas Press}, year = 2007, month = {November}, note = {Translated by Donald Nicholson-Smith. English version of game devised by Guy Debord, with a board and counters for playing. Book: 160 pp., 21 x 17 cm, board 42 x 34 cm.}} @book{Beckett1957a, author = {Beckett, Samuel}, title = {{All that fall [1957]}}, publisher = p_ff, year = 1957, address = {London} } @book{Beckett1962a, author = {Beckett, Samuel}, title = {{Malone Dies [1956]}}, publisher = p_penguin, year = 1962, note = {Translated by the author}, annote = {First published in French as ``Malone meurt'', 1951}, unimelb = {UniM Bail 822.91 BECKETT} } @book{Beckett1964a, author = {Beckett, Samuel}, title = {{How It Is [1964]}}, publisher = {Grove Press}, address = {New York}, year = {1964}, unimelb = {UniM Bail 822.91 B396C1} } @article{Beckett1966a, author = {Beckett, Alan}, title = {{Feldman Interview}}, journal = {International Times}, year = 1966, volume = 3, month = {November}, annote = {Subject: Morton Feldman} } @book{Beckett1971a, author = {Beckett, Samuel}, title = {{Waiting for Godot [1954]}}, publisher = p_ff, address = {London}, year = 1971, unimelb = {UniM VCA 822.91 Bec /0309}, } @book{Beckett1972a, author = {Samuel Beckett}, title = {{Our examination round his factification for incamination of Work in progress}}, publisher = {Faber and Faber Ltd}, year = 1972, address = {London}, unimelb = {UniM Bail 823.91 J89W.O} } @book{Beckett1975a, author = {Beckett, Samuel}, title = {{Mercier and Camier [1974]}}, publisher = {Grove Weidenfeld}, year = 1975, address = {New York}, unimelb = {UniM Store Q37462}} @book{Beckett1976a, author = {Beckett, Samuel}, title = {{Molloy [1955] - Malone Dies [1956] - The Unnamable [1958]}}, publisher = p_jc, year = 1976, address = {London} } @book{Beckett1977a, author = {Beckett, Samuel}, title = {{Ends and Odds: plays and sketches}}, publisher = p_ff, year = 1977, address = {London}, note = {Ends: Not I (1973), That Time (1974), Footfalls (1975), Ghost Trio (1976), ...but the clouds... (1976). Odds: Theatre I (1960), Theatre II (1960), Radio I (1960), Radio II (1960)}, unimelb = {UniM Bail 822.91 B396E} } @book{Beckett1979a, author = {Beckett, Samuel}, title = {{Endgame [1958]}}, publisher = p_ff, address = {London}, year = 1979, unimelb = {UniM VCA 822.91 Bec /0860} } @book{Beckett1980a, author = {Beckett, Samuel}, title = {{The Expelled and Other Novellas}}, publisher = p_penguin, year = 1980, address = {London}, note = {First Love, Calmative, The End} } @book{Beckett1981a, author = {Beckett, Samuel}, title = {{Watt [1953]}}, publisher = p_jc, year = 1981, address = {London}, unimelb = {UniM Bail 822.91 B396W1} } @book{Beckett1983a, author = {Beckett, Samuel}, title = {{More Pricks than Kicks [1934]}}, publisher = {Pan Books}, year = 1983, unimelb = {UniM Bail 822.91 B396M}, } @book{Beckett1984a, author = {Beckett, Samuel}, title = {{Collected Shorter Plays}}, publisher = p_ff, address = {London}, year = 1984, unimelb = {UniM VCA 822.91 Bec /1099} } @incollection{Beckett1984b, author = {Beckett, Samuel}, title = {{Film [1963]}}, crossref = {Beckett1984a} } @incollection{Beckett1984c, author = {Beckett, Samuel}, title = {{Ghost Trio [1975]}}, crossref = {Beckett1984a} } @incollection{Beckett1984d, author = {Beckett, Samuel}, title = {{Quad [1982]}}, crossref = {Beckett1984a} } @book{Beckett1984e, author = {Beckett, Samuel}, title = {{Collected poems, 1930-1978}}, publisher = {J. Calder}, year = 1984, address = {London}, unimelb = {UniM Bail 841.914 BECKETT} } @book{Beckett1989a, author = {Beckett, Samuel}, title = {{Nohow On - Company (1979), Ill Seen Ill Said (1981), Worstward Ho (1983)}}, publisher = p_jc, address = {London}, year = 1989, unimelb = {UniM Bail 823.912 BECKETT} } @book{Beckett1993a, author = {Beckett, Samuel}, title = {{Dream of Fair to Middling Women}}, publisher = {Arcade Publishing}, year = 1993, address = {New York}, unimelb = {UniM Bail 822.912 BECKETT} } @book{Beckett1995a, author = {Beckett, Samuel}, title = {{The Complete Short Prose: 1929 - 1989}}, publisher = {Grove Press}, address = {New York}, year = 1995, unimelb = {UniM Bail 848.91409 BECKETT} } @book{Beckett2006a, author = {Beckett, Samuel}, title = {{Samuel Beckett: works for radio: the original broadcasts}}, publisher = {British Library Board}, year = 2006, address = {London}, note = {[Sound recording]}, unimelb = {UniM ERC CD 822.91 BECK} } @article{Beckett2008a, author = {Beckett, Samuel}, title = {{bon bon il est un pays / Mort de A.D. / a elle l'acte calme / Ascension / La Mouche / Arenes de Lutece}}, journal = {Poetry Magazine}, year = 2008, month = {February}, note = {Translated by Philip Nikolayev}} @book{Bede1955a, author = {Bede}, title = {{A History of the English Church and People}}, publisher = p_penguin, address = {Harmondsworth}, note = {Translated by Leo Sherley-Price}, year = 1955 } @book{Beerbohm1912a, author = {Beerbohm, Max}, title = {{A Christmas Garland}}, publisher = p_hm, year = 1912, address = {London} } @book{Beerbohm1920a, author = {Beerbohm, Max}, title = {{And Even Now}}, publisher = p_hm, year = 1920, address = {London} } @book{Beerbohm1930a, author = {Beerbohm, Max}, title = {{Works and More}}, publisher = p_bodley, year = 1930, address = {London} } @book{Beerbohm1943a, author = {Beerbohm, Max}, title = {{The Poet's Corner}}, publisher = p_penguin, year = 1943, address = {London} } @book{Beerbohm1950a, author = {Beerbohm, Max}, title = {{Seven Men and Two Others}}, publisher = p_hm, year = 1930, address = {London} } @book{Beerbohm1952a, author = {Beerbohm, Max}, title = {{Zuleika Dobson}}, publisher = p_penguin, year = 1952, address = {Harmondsworth} } @book{Begault1994a, author = {Durand R. Begault}, title = {{3-D Sound for Virtual Reality and Multimedia}}, publisher = {Academic Press}, year = 1994, address = {Cambridge, MA} } @article{Behles1998a, author = {Behles, G. and Starke, S. and Roebel, A.}, title = {{Quasi-Synchronous and Pitch-Synchronous Granular Sound Processing with Stampede II}}, journal = j_cmj, year = 1998, volume = 22, number = 2 } @incollection{Behrman1976a, author = {Behrman, David}, title = {{What Indeterminate Notation Determines}}, pages = {74--89}, crossref = {Boretz1976a}, } @article{Belet1987a, author = {Belet, Brian}, title = {{An Interview with James Tenney}}, journal = j_pnm, year = 1987, volume = 25, number = {1--2}, pages = {459--466}, unimelb = {UniM Music P PERS} } @book{Belloc1958a, author = {Belloc, Hilaire}, title = {{Selected Essays}}, publisher = p_penguin, address = {Harmondsworth}, year = 1958 } @book{Bellow1966a, author = {Bellow, Saul}, title = {{Seize the Day}}, publisher = p_penguin, address = {Harmondsworth}, year = 1966 } @article{Below1973a, author = {Below, Robert}, title = {{Elliott Carter's ``Piano Sonata''}}, journal = {MR}, volume = {34}, pages = {283--293}, year = {1973} } @book{BenZvi2007a, editor = {Linda Ben-Zvi and Angela Moorjani}, title = {{Beckett at 100: revolving it all}}, publisher = {Oxford University Press}, year = 2007, address = {New York}, note = {{Introduction / Linda Ben-Zvi -- Images. for Ruby Cohn -- Still for Ruby / Peter Gidal -- Beckett the Tourist: Bamberg and Wurzburg / James Knowlson -- Part I. Thinking Through Beckett -- Apnea and True Illusion: Breath(less) in Beckett / Herbert Blau -- From Contumacy to Shame: Reading Beckett's Testimonies with Agamben / David Houston Jones -- Projections: Beckett's Krapp's Last Tape and Not I as Autobiographies / Carla Locatelli -- "I Am Not a Philosopher," / H. Porter Abbott -- Recovering Beckett's Bergsonism / S. E. Gontarski -- "No Body Is at Rest": The Legacy of Leibniz's Force in Beckett's Oeuvre / Naoya Mori -- Part II. Shifting Perspectives -- "Just Looking": Ne(i)ther-World Icons, Elsheimer Nocturnes, and Other Simultaneities in Beckett's Play / Angela Moorjani -- Beckett's Romanticism / Enoch Brater -- Film and Film: Beckett and Early Film Theory / Matthijs Engelberts -- Beckett's Theater: Embodying Alterity / Anna McMullan -- Beckett's Posture in the French Literary Field / Jurgen Siess -- The Spear of Telephus in Krapp's Last Tape / Irit Degani-Raz -- Re-Figuring the Stage Body through the Mechanical Re-Production of Memory / Antonia Rodriguez-Gago -- Part III. Echoing Beckett -- Words and Music, ... but the clouds..., and Yeats's "The Tower," / Minako Okamuro -- Beckett-Feldman-Johns / Catherine Laws -- Ontological Fear and Anxiety in the Theater of Beckett, Betsuyaku, and Pinter / Mariko Hori Tanaka -- The Midcentury Godot: Beckett and Saroyan / Mary Bryden -- Beckett, McLuhan, and Television: The Medium, the Message, and "the Mess," / Linda Ben-Zvi -- Beckett and Caryl Churchill along the Mobius Strip / Elin Diamond -- Beckett and Paul Auster: Fathers and Sons and the Creativity of Misreading / Julie Campbell -- Staging Sam: Beckett as Dramatic Character / Hersh Zeifman}}, unimelb = {UniM Bail 848.91409 BECKETT/ BECK}, isbn = 9780195325485 } @book{Benade1990a, author = {Benade, A. H.}, title = {{Fundamentals of Musical Acoustics}}, publisher = {Dover Press}, year = 1990, address = {New York} } @book{Bender1994a, editor = {Bender, Gretchen and Druckrey, Timothy}, title = {{Culture on the Brink: Ideologies of Technology}}, publisher = {Bay Press}, year = 1994, number = 9, series = {Discussions in Contemporary Culture Series}, address = {Seattle, WA}, note = {A series of lectures originally delivered at the DIA Art Foundation in NY.} } @article{Benguerel1991a, author = {Benguerel, Andre-Pierre and Westdal, Carol}, title = {{Absolute Pitch and the Perception of Sequential Musical Intervals}}, journal = j_mp, volume = {9}, number = {1}, pages = {105--120}, year = {1991} } @book{Benitez1987a, editor = {Benitez, J.M. and others}, title = {{Listening}}, publisher = p_hap, year = 1987, volume = {2/2}, series = j_cmr, address = {London}, } @book{Benjamin1968a, author = {Benjamin, Walter}, title = {{Illuminations}}, edition = {First}, publisher = {Harcourt, Brace and World}, address = {New York}, note = {Translated by Harry Zohn}, year = {1968}, } @article{Benjamin1974a, author = {Benjamin, William}, title = {{Review of ``The Structure of Atonal Music'' by Allen Forte}}, journal = j_pnm, volume = 13, number = 1, pages = {170--190}, year = 1974, unimelb = {UniM Music P PERS} } @article{Benjamin1975a, author = {Benjamin, William}, title = {{Towards a Typology for Pitch Equivalence}}, journal = j_ito, volume = {1}, number = {6}, pages = {3--8}, year = {1975} } @inproceedings{Benjamin1976a, author = {Benjamin, William}, title = {{On Pitch Relationships: Unmasking Some Myths About Octave Equivalence}}, booktitle = {Proceedings of the American Society of University Composers}, volume = 11, pages = {28--37}, year = 1976 } @article{Benjamin1979a, author = {Benjamin, William}, title = {{Ideas of Order in Motivic Music}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {1}, pages = {23--34}, year = {1979} } @article{Benjamin1981a, author = {Benjamin, William}, title = {{Schenker's Theory and the Future of Music}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {25}, pages = {155--173}, year = {1981} } @incollection{Benjamin1994a, author = {Benjamin, Roger}, title = {{Tony Clark: Chinoiserie}}, booktitle = {Transcultural Painting: Catalogue}, pages = {23--27}, publisher = {Asialink}, year = 1994, editor = {Gates, Merryn and Lindsay, Francis}, address = {Melbourne} } @book{Benjamin2003a, author = {Walter Benjamin}, title = {{Selected writings; edited by Marcus Bullock and Michael W. Jennings}}, publisher = {Belknap Press}, year = {1996-2003}, address = {Cambridge, MA}, note = {Four Volumes}, isbn = {978-0674945852}, } @incollection{Bennett1989a, author = {Bennett, Gerald and Rodet, Xavier}, title = {{Synthesis of the Singing Voice}}, crossref = {Mathews1989a} } @book{Bennett2001a, author = {Bennett, Alan}, title = {{Laying On Of Hands: A Story}}, publisher = {London Review of Books}, year = 2001, address = {London}, isbn = {1 86197 374 8}} @article{Bennighof1987a, author = {Bennighof, James}, title = {{Set-Class Aggregate Structuring, Graph Theory and Some Compositional Strategies}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {31}, number = {1}, pages = {51--98}, year = {1987}} @book{Bentham1791a, author = {Jeremy Bentham}, title = {{Panopticon; Or, The Inspection-house: Containing the Idea of a New Principle of Construction Applicable to Any Sort of Establishment, in which Persons of Any Description are to be Kept Under Inspection: and in Particular to Penitentiary-houses, Prisons, Houses of Industry, Mad Houses, Work Houses, Lazarettos, Poor Houses, Hospitals and Schools}}, publisher = {T. Payne}, year = 1791, address = {London}} @book{Bentham1802a, author = {Bentham, Jeremy}, title = {{Letter to Lord Pelham \&c. \&c. \&c. giving a comparative view of the system of penal colonization in New South Wales and the home penitentiary}}, publisher = {Wilks and Taylor}, year = 1802, address = {London}, unimelb = {UniM Bail SpC/MCL Cr-Aust BENT} } @book{Bentham1812a, author = {Bentham, Jeremy}, title = {{Panopticon versus New South Wales, or, The Panopticon penitentiary system, and the penal colonization system, compared: containing, 1. Two letters to Lord Pelham, Secretary of State, comparing the two systems on the ground of expediency. 2. Plea for the constitution: representing the illegalities involved in the penal colonization system}}, publisher = {Robert Baldwin}, year = 1812, address = {London}} @book{Bentley1968a, editor = {Bentley, Eric}, title = {{The Theory of the Modern Stage}}, publisher = p_penguin, year = 1968, address = {Harmondsworth} } @article{Berg1952a, author = {Berg, Alban}, title = {{Why is Schoenberg's Music So Hard to Understand?}}, journal = j_mr, volume = {13}, number = {2}, note = {Translated by Anton Swarowsky and Jospeh Lederer}, year = {1952} } @article{Berg1979a, author = {Berg, Paul}, title = {{PILE - A Language for Sound Synthesis}}, journal = j_cmj, year = 1979, volume = 3, number = 1, pages = {30--41}} @article{Berg1980a, author = {Paul Berg and Robert Rowe and David Theriault}, title = {{SSP and Sound Description}}, journal = j_cmj, year = 1980, volume = 4, number = 1, pages = {25--35}, month = {Spring}, doi = {10.2307/3679439}, } @article{Berger1963a, author = {Berger, Arthur}, title = {{Problems of Pitch Organization in Stravinsky}}, journal = j_pnm, volume = 2, number = 1, year = 1963, unimelb = {UniM Music P PERS} } @article{Berger1976a, author = {Berger, Arthur}, title = {{Some Notes on Babbitt and His Influence}}, journal = j_pnm, volume = 14, number = 2, pages = {32--36}, year = 1976, unimelb = {UniM Music P PERS} } @book{Berger2007a, author = {Berger, Karol}, title = {{Bach's cycle, Mozart's arrow: an essay on the origins of musical modernity}}, publisher = {University of California Press}, year = 2007, address = {Berkeley, CA}, unimelb = {UniM Lenton Parr 780.9033 Ber} } @book{Berghaus2005a, author = {Berghaus, Gunter}, title = {{Avant-garde performance: live events and electronic technologies}}, publisher = {Palgrave Macmillan}, year = 2005, address = {New York} } @book{Bergman1960a, author = {Bergman, Ingmar}, title = {{The Seventh Seal: Screenplay}}, publisher = {Simon \& Schuster}, year = 1960, series = {Modern Film Scripts}, address = {New York}, note = {Translated by Lars Malmstrom and David Kushner}} @book{Bergson1994a, author = {Bergson, Henri}, title = {{Matter and Memory [1896]}}, publisher = {Zone Books}, year = 1994, address = {New York}, note = {Translated by N.M. Paul and W.S. Palmer}} @article{Berio1993a, author = {Luciano Berio and Jonathan Harvey and Frederic Rzewski and Iannis Xenakis}, title = {{Four Envois}}, journal = {Perspectives of New Music}, year = 1993, volume = 31, number = 2, pages = {132--135}, month = {Summer}, annote = {kw: John Cage}} @book{Berkeley1982a, author = {Berkeley, George}, title = {{A Treatise Concerning the Priciples of Human Knowledge}}, publisher = {Hackett Publishing Company}, address = {Indianapolis}, year = {1982} } @book{Berkman1970a, author = {Berkman, Alexander}, title = {{Prison Memoirs of an Anarchist}}, publisher = {Frontier Press}, address = {Pittsburgh}, year = {1970} } @book{Berkman1992a, author = {Berkman, Alexander}, title = {{A.B.C. of Anarchism}}, publisher = {Freedom Press}, address = {London}, year = {1992} } @article{Berlin1989a, author = {Berlin, Brigid and Morrissey, Paul}, title = {{Factory Days}}, journal = {Interview}, year = 1989, volume = {XIX}, number = 2, annote = {Subject: Andy Warhol} } @phdthesis{Bernard1977a, author = {Bernard, Jonathan}, title = {{A Theory of Pitch and Register for the Music of Edgard Var\`ese}}, school = {Yale University}, year = 1977, annote = {kw: Edgard Varese} } @article{Bernard1980a, author = {Bernard, Jonathan}, title = {{Review of ``The New Worlds of Edgard Var\`ese: A Symposium'', edited by Sherman Van Solkema, with papers by Elliot Carter, Chou Wen-chung and Robert P. Morgan}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 24, number = 2, pages = {277--283}, year = 1980, annote = {kw: Edgard Varese}} @article{Bernard1981a, author = {Bernard, Jonathan}, title = {{Pitch/Register in the Music of Edgard Var\`ese}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = 3, pages = {1--25}, year = 1981, annote = {kw: Edgard Varese}} @article{Bernard1983a, author = {Bernard, Jonathan}, title = {{Spatial Sets in Recent Music of Elliott Carter}}, journal = j_ma, volume = 2, number = 1, pages = {5--34}, year = 1983 } @book{Bernard1987a, author = {Bernard, Jonathan}, title = {{The Music of Edgard Var\`ese}}, publisher = p_yup, address = {New Haven}, year = 1987, annote = {kw: Edgard Varese}, unimelb = {UniM VCA 780.924 Var /0921}} @article{Bernard1988a, author = {Bernard, Jonathan}, title = {{The Evolution of Elliott Carter's Rhythmic Practice}}, journal = j_pnm, volume = {26}, number = {2}, pages = {164--203}, year = {1988}, unimelb = {UniM Music P PERS} } @article{Bernard1990a, author = {Bernard, Jonathan}, title = {{Review of David I.H. Harvey's ``The Later Music of Elliot Carter''}}, journal = j_ma, volume = {9}, number = {3}, pages = {344--356}, year = {1990} } @article{Bernard1990b, author = {Bernard, Jonathan}, title = {{An Interview with Elliott Carter}}, journal = j_pnm, volume = {28}, number = {2}, pages = {180--215}, year = {1990}, unimelb = {UniM Music P PERS} } @article{Bernard1993a, author = {Bernard, Jonathon}, title = {{Problems of Pitch Structure in Elliott Carter's First and Second String Quartets}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {37}, number = {2}, pages = {231--266}, year = {1993} } @article{Bernard1995a, author = {Bernard, Jonathan}, title = {{Elliott Carter and the Modern Meaning of Time}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {79}, number = {4}, pages = {644--682}, year = {1995} } @book{Bernard1997a, author = {Bernard, Jonathan}, title = {{Elliott Carter: Collected Essays and Lectures, 1937--1995}}, publisher = {University of Rochester Press}, address = {Rochester}, year = {1997} } @incollection{Bernard2002a, author = {Bernard, Jonathan}, title = {{Feldman's Painters}}, booktitle = {{The New York Schools of Music and Visual Arts}}, crossref = {Johnson2002a}, pages = {173--215}, publisher = {Routledge}, year = 2002, editor = {Johnson, Steven}, address = {New York}, unimelb = {UniM VCA 700.9747 New /0002}} @article{Bernardini2002a, author = {Bernardini, Nicola and Rocchesso, Davide}, title = {{Making Sounds with Numbers: A Tutorial on Music Software Dedicated to Digital Audio}}, journal = j_jnmr, year = 2002, volume = 31, number = 2, pages = {141--151} } @article{Bernas1972a, author = {Bernas, Richard and Jack, Adrian}, title = {{The Brink of Silence: An interview with Morton Feldman}}, journal = {Music and Musicians}, volume = {June}, pages = {7--8}, year = 1972, unimelb = {UniM Music P MUSI} } @book{Bernhard1970a, author = {Bernhard, Thomas}, title = {{Gargoyles [1967]}}, publisher = p_ucp, year = 1970, note = {Translated by Richard and Clara Winston}, address = {Chicago}, annote = {Verst\"orung} } @incollection{Bernhard1974a, author = {Bernhard, Thomas}, title = {{In the Poorhouse}}, booktitle = {{Postwar German Culture: An Anthology}}, pages = {238--242}, publisher = p_dutton, year = 1974, editor = {McClelland, Charles and Scher, Steven}, address = {New York}, unimelb = {UniM Bail 943.087 POST} } @incollection{Bernhard1976a, author = {Bernhard, Thomas}, title = {{The Joiner}}, booktitle = {{German Short Stories: Volume 2}}, pages = {242--283}, publisher = p_penguin, year = 1976, note = {Translated by David Horrocks}, address = {New York}, unimelb = {UniM VCA 833.9108 Ger} } @book{Bernhard1979a, author = {Bernhard, Thomas}, title = {{Correction [1975]}}, publisher = p_ak, year = 1979, address = {London}, note = {Translated by Sophie Wilkins}, annote = {Originally published in German as {\em Korrektur}, 1975} } @incollection{Bernhard1981a, author = {Bernhard, Thomas}, title = {{At the Timberline}}, booktitle = {An Anthology of Modern Austrian Literature}, pages = {187--191}, publisher = {Oswald Wolff}, year = 1981, editor = {Opel, Adolf}, address = {London} } @book{Bernhard1982a, author = {Bernhard, Thomas}, title = {{The President and Eve of Retirement / Is it a comedy? Is it a tragedy? / The Actor}}, publisher = {Performing Arts Journal Publications}, address = {New York}, note = {Translated by Gitta Honegger}, year = {1982}, unimelb = {UniM Bail 832.914 BERNHAR} } @article{Bernhard1983a, author = {Bernhard, Thomas}, title = {{Appearances are Deceiving}}, journal = {Theatre}, volume = 16, number = 1, year = 1983, note = {Translated by Gitta Honegger} } @book{Bernhard1984a, author = {Bernhard, Thomas}, title = {{Concrete [1982]}}, publisher = p_ucp, year = 1984, address = {Chicago}, note = {Translated by David McLintock}, annote = {Beton}, unimelb = {UniM Bail 833.914 BERHNAR} } @book{Bernhard1985a, author = {Bernhard, Thomas}, title = {{Gathering Evidence: A Memoir [1975-1982]}}, publisher = p_ak, year = 1985, address = {London}, note = {Translated by David McLintock}, annote = {Die Ursache (1975), Der Keller (1976), Der Atem (1978), Die K\"alte (1981), Ein Kind (1982)}, unimelb = {UniM Bail 838.91409 BERNHAR} } @book{Bernhard1986a, author = {Bernhard, Thomas}, title = {{The Lime Works [1970]}}, publisher = p_ucp, address = {Chicago}, year = {1986}, note = {Translated by Sophie Wilkins}, annote = {Originally published in German as {\em Das Kalkwerk}, 1970} } @book{Bernhard1986b, author = {Bernhard, Thomas}, title = {{Wittgenstein's Nephew [1982]}}, publisher = {Quartet Books}, address = {London}, year = 1986, note = {Translated by Ewald Osers}, annote = {Originally published in German as {\em Wittgensteins Neffe}, 1982}, } @book{Bernhard1987a, author = {Bernhard, Thomas}, title = {{Woodcutters: A Novel [1984]}}, publisher = p_ucp, address = {Chicago}, year = 1987, note = {Translated by David McLintock}, annote = {Holzf\"allen: Eine Erregung (1984)}, unimelb = {UniM Bail 833.914 BERNHAR} } @book{Bernhard1988a, author = {Bernhard, Thomas}, title = {{Cutting Timber: An Irritation [1984]}}, publisher = {Quartet Books}, year = 1988, address = {London}, note = {Translated by Ewald Osers}, annote = {Originally published in German as {\em Holzf\"allen}, 1984} } @book{Bernhard1990a, author = {Bernhard, Thomas}, title = {{Wittgenstein's Nephew [1982]}}, publisher = p_ucp, address = {Chicago}, year = 1990, note = {Translated by David McLintock}, annote = {Originally published in German as {\em Wittgensteins Neffe}, 1982}, unimelb = {UniM Bail 833.914 BERNHAR} } @book{Bernhard1990b, author = {Bernhard, Thomas}, title = {{The Cheap-Eaters [1980]}}, publisher = {Quartet Books}, address = {London}, note = {Translated by Ewald Osers}, year = {1990}, annote = {Der Billigesser (1980)} } @book{Bernhard1990c, author = {Bernhard, Thomas}, title = {{Claus Peymann kauft, sicht eine Hose und geht mit mir essen}}, publisher = p_suhrkamp, address = {Frankfurt}, year = 1990, unimelb = {UniM Bail 832.914 BERNHAR} } @book{Bernhard1991a, author = {Bernhard, Thomas}, title = {{Histrionics, Three Plays [1968/1984]}}, publisher = {Quartet Books}, year = 1991, address = {London}, note = {Translated by Peter Jansen and Kenneth Northcott}, annote = {A Party for Boris (Ein Fest f\"ur Boris, 1968), Ritter, Dene, Voss (1984), Histrionics (Der Theatermacher, 1984)}, unimelb = {UniM VCA 832.914 Ber} } @book{Bernhard1992a, author = {Bernhard, Thomas}, title = {{Old Masters: A Comedy [1985]}}, publisher = p_ucp, year = 1992, address = {Chicago}, note = {Translated by Ewald Osers}, annote = {Originally published in German as {\em Alte Meister}, 1985} } @book{Bernhard1992b, author = {Bernhard, Thomas}, title = {{Yes: A Novel [1978]}}, publisher = p_ucp, year = 1992, address = {Chicago}, note = {Translated by Ewald Osers}, annote = {Originally published in German as {\em Ja}, 1978} } @book{Bernhard1993a, author = {Bernhard, Thomas}, title = {{On the Mountain [1959]}}, publisher = {Quartet Books}, year = 1993, address = {London}, note = {Translated by Russell Stockman}, annote = {In Der H\"ohe (1959)} } @book{Bernhard1995a, author = {Bernhard, Thomas}, title = {{Extinction [1986]}}, publisher = {Quartet Books}, year = 1995, address = {London}, note = {Translated by David McLintock}, annote = {Originally published in German as {\em Ausloschung: Ein Zerfall}, 1986}, unimelb = {UniM Bail 833.914 BERN} } @book{Bernhard1996a, author = {Bernhard, Thomas}, title = {{The Loser [1983]}}, publisher = p_ucp, address = {Chicago}, year = {1996}, note = {Translated by Jack Dawson}, annote = {Der Untergeher (1983)}, unimelb = {UniM Bail 833.914 BERNHAR} } @book{Bernhard1997a, author = {Bernhard, Thomas}, title = {{The Voice Imitator [1978]}}, publisher = p_ucp, year = 1997, address = {Chicago}, note = {Translated by Kenneth J. Northcott}, annote = {Der Stimmenimitator (1978)}, unimelb = {UniM Bail 833.914 BERNHAR} } @book{Bernhard2003a, author = {Bernhard, Thomas}, title = {{Three Novellas: Amras, Playing Watten, Walking [1964/1971]}}, publisher = p_ucp, year = 2003, address = {Chicago}, note = {Translated by Peter Jansen and Kenneth Northcott}, annote = {Amras (1964), Playing Watten (Watten, 1964), Walking (Gehen, 1971)}, unimelb = {UniM Bail 833.914 BERNHAR} } @book{Bernhard2006a, author = {Bernhard, Thomas}, title = {{Frost [1963]}}, publisher = p_ak, year = 2006, address = {New York}, note = {Translated by Michael Hofmann} } @book{Bernhard2010a, author = {Bernhard, Thomas}, title = {{Prose [1967]}}, publisher = {Seagull Books}, year = 2010, address = {London}, note = {Translated by Martin Chalmers}, isbn = {978 1 9064 9 756 9} } @book{Bernstein2001a, editor = {Bernstein, David W. and Hatch, Christoper}, title = {{Writings through John Cage's Music, Poetry, and Art}}, publisher = p_ucp, year = 2001, address = {Chicago} } @book{Bernstein2008a, author = {Mich\`ele Bernstein}, title = {{All the King's Horses [1960]}}, publisher = {Semiotext(e)}, year = 2008, month = {October}, note = {Translated by John Kelsey, Introduction by John Kelsey, Afterword by Odile Passot}, annote = {kw: Guy Debord, SI} } @article{Berry1976a, author = {Berry, Wallace}, title = {{Apostrophe: A Letter from Ann Arbor}}, journal = j_pnm, volume = {14}, number = {2}, pages = {187--198}, year = {1976}, unimelb = {UniM Music P PERS} } @article{Berry1980a, author = {Berry, Wallace}, title = {{On Structural Levels in Music}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {2}, pages = {19--45}, year = {1980} } @article{Berry1980b, author = {Berry, Wallace}, title = {{Symmetrical Interval Sets and Derivative Pitch Materials in Bartok's ``String Quartet No. 3''}}, journal = j_pnm, volume = {18}, number = {1--2}, pages = {287--379}, year = {1980}, unimelb = {UniM Music P PERS} } @book{Berry1989a, author = {Berry, Wallace}, title = {{Musical Structure and Performance}}, publisher = p_yup, address = {New Haven and London}, year = {1989} } @article{Berry1992a, author = {G. Berry and G. Gonthier}, title = {{The Esterel synchronous programming language: design, semantics,implementation}}, journal = {Science of Computer Programming}, year = 1992, volume = 2, number = 19, pages = {87--152}} @book{Berryman1991a, author = {Berryman, John}, title = {{Collected Poems, 1937 - 1971}}, publisher = p_nd, address = {New York}, year = {1989} } @phdthesis{Bersano1979a, author = {Bersano, James}, title = {{Formalized Aspect Analysis of Sound Texture}}, school = {Indiana University}, year = {1979} } @book{Bertrand1994a, author = {Bertrand, Aloysius}, title = {{Louis "Aloysius" Bertrand's Gaspard de la nuit: fantasies in the manner of Rembrandt and Callot}}, publisher = {University Press of America}, year = 1994, address = {Lanham, MD}, unimelb = {UniM Bail 841.7 BERT}, note = {Translated by John T. Wright}, isbn = {0-819193453} } @inproceedings{Bestavros1991a, author = {Bestavros, Azer}, title = {{Specification and Verification of Real-time Embedded Systems using Time-constrained Reactive Automata}}, booktitle = {Proceedings of the 12th IEEE Real-time Systems Symposium}, year = 1991} @phdthesis{Bestavros1992a, author = {Azer Bestavros}, title = {{Time-constrained reactive automata: a novel development methodology for embedded real-time systems}}, school = {Harvard University}, year = 1992, address = {Cambridge, MA}, annote = {http://portal.acm.org/citation.cfm?id=165743} } @book{Beuys1975a, author = {Beuys, Joseph}, title = {{Joseph Beuys: Wasserfarben 1936--1963}}, publisher = {Propylaen Verlag}, address = {Franfurt}, year = {1975} } @book{Beuys1976a, author = {Beuys, Joseph}, title = {{Zeige Deine Wunde}}, publisher = {Verlag Schellmanne Kluser}, address = {Muchen}, year = {1976} } @book{Beuys1979a, author = {Beuys, Joseph}, title = {{Joseph Beuys}}, publisher = p_th, address = {London}, year = {1979}, } @book{Beuys1981a, author = {Beuys, Joseph}, title = {{Joseph Beuys: Olfarben 1936--1965}}, publisher = {Prestel-Verlag}, address = {Munchen}, year = {1981} } @book{Beuys1986a, author = {Beuys, Joseph}, title = {{In Memoriam Joseph Beuys: Obituaries, Essays, Speeches}}, publisher = {Inter Nationes}, address = {Bonn}, note = {Translated by Timothy Nevill}, year = {1986} } @misc{Beuys1987a, author = {Beuys, Joseph and Rothko, Mark}, title = {{Beuys - Klein - Rothko: Transformation and Prophecy: Anthony D'Offy Gallery 5 January - 3 July 1987}}, year = {1987} } @book{Beuys1988a, author = {Beuys, Joseph}, title = {{Joseph Beuys und Das Kapital}}, publisher = {Hallen fur Neuen Kunst}, address = {Schaffhausen}, year = {1988} } @book{Beuys1988b, author = {Beuys, Joseph}, title = {{Joseph Beuys, Ideas and Actions}}, publisher = {Hirschl and Adler Modern}, address = {New York}, year = {1988}, note = {Exhibition: Nov 5 - Dec 10, 1988} } @book{Beuys1990a, author = {Beuys, Eva and Beuys, Wenzel and Beuys, Jessyka}, title = {{Joseph Beuys - Block Beuys}}, pages = {400+}, publisher = {Schirmer/Mosel}, address = {Munchen}, year = {1990} } phdthesis{Bittmann19??, author = {Bittmann, Antonius}, title = {{Brahms, Wagner and Competing Modernisms: The Tortuous Path of Max Reger}}, school = {Eastman School of Music}, year = {??} } @book{Beuys1990b, author = {Beuys, Joseph}, title = {{Energy Plan for the Western Man}}, publisher = {Four Walls Eight Windows}, address = {New York}, year = {1990} } @misc{Beuys1993a, author = {Beuys, Joseph}, title = {{Joseph Beuys: Kunsthaus Zurich 26 November 1993 - 20 February 1994}}, year = {1993} } @book{Beuys1994a, author = {Beuys, Joseph}, title = {{Arena - where would I have got if I had been intelligent!}}, publisher = {Dia Center for the Arts}, address = {New York}, year = {1994}, } @book{Beuys1999a, author = {Beuys, Joseph}, title = {{The Secret Block for a Secret Person in Ireland}}, publisher = {Royal Academy of Arts}, year = 1999, address = {London}, note = {Exhibition Catalogue}} @book{Beyeler2001a, author = {Ernst Beyeler and Georg Frei and Peter Gidal and Edward Sanders}, title = {{Andy Warhol: Series and Singles}}, publisher = {Dumont Buchverlag}, year = 2001} @article{Bialosky1977a, author = {Bialosky, Marshall}, title = {{Remembering Dallapiccola}}, journal = {ASUC}, volume = {11--12}, pages = {86--93}, year = {1977} } @book{Bianchini2000a, author = {Bianchini, Riccardo and Cipriani, Allesandro}, title = {{Suono Virtuale}}, publisher = {Con Tempo}, year = 2000, address = {Rome} } @article{Bidlack1992a, author = {Bidlack, Rick}, title = {{Chaotic Systems as Simple (but Complex) Compositional Algorithms}}, journal = j_cmj, year = 1992, volume = 16, number = 3, pages = {33--47}} @techreport{Bikson2004a, author = {Bikson, Marom}, title = {{A review of hazards associated with exposure to low voltage}}, institution = {Consolidated Edison of New York / City University of New York}, year = 2004, _url = {http://bme.ccny.cuny.edu/faculty/mbikson/BiksonMSafeVoltageReview.pdf}, note = {Report submitted to the New York State Public Service Commission}} @inproceedings{Bilmes1993a, author = {Jeff A. Bilmes}, title = {{Techniques to foster drum machine expressivity}}, booktitle = {{Proc. Int. Computer Music Conference}}, year = 1993} @inproceedings{Bilsen1995a, author = {G. Bilsen and M. Engels and R. Lauwereins and J.A. Peperstraete}, title = {{Cyclo-static data flow}}, booktitle = {{IEEE International Conference ASSP}}, pages = {3255--3258}, year = 1995, month = {May}} @article{Birch1997a, author = {Birch, Tony}, title = {{Black Armbands and White Veils: John Howard's Moral Amnesia}}, journal = {Melbourne Historical Journal}, year = 1997, volume = 25, pages = {8--16} } @article{Birch1999a, author = {Birch, Tony}, title = {{Come see the Giant Koala: Inscription and Landscape in Western Victoria}}, journal = {Meanjin}, year = 1999, volume = 3, pages = {60--72}, unimelb = {UniM Bail A820.5 M483}} @book{Birch2006a, author = {Birch, Tony}, title = {{Shadowboxing}}, publisher = {Scribe}, year = 2006, address = {Melbourne} } @book{Bird1982a, author = {Bird, John}, title = {{Percy Grainger}}, publisher = {Sun Books Pty Ltd}, year = 1982, address = {Melbourne} } @article{Bird1987a, author = {Bird, Carmel}, title = {{Gerald Murnane's Tasmania: island in a dream atlas}}, journal = {Fine Line}, year = 1987, volume = 2, pages = {38--44}, month = {September}} @book{Bird1988a, author = {R. Bird}, title = {{Introduction to Functional Programming using Haskell}}, publisher = {Prentice Hall}, year = 1998, address = {New York}} @book{Bird1996a, author = {Richard Bird and Oege de Moor}, title = {{The Algebra of Programming}}, publisher = {Prentice-Hall}, year = 1996} @article{Bird1999a, author = {Bird, Nicky}, title = {{The Queen is Dead}}, journal = {Art Monthly}, year = 1999, month = {April}, note = {Review essay}, annote = {Subject: SLAVE PIANOS} } @book{Birkerts1987a, author = {Birkerts, Sven}, title = {{An Artificial Wilderness}}, publisher = {William Morrow and Company}, year = 1987, address = {New York} } @article{Birns1989a, author = {Birns, Nicholas}, title = {{Gerald Murnane and the Power of Landscape}}, journal = {New Literatures Review}, year = 1989, month = {Winter}} @article{Birns1991a, author = {Nicholas Birns}, title = {{Murnane Brings Love into the Postmodern Age: Review of {\em Velvet Waters}}}, journal = {Antipodes}, year = 1991, volume = 5, pages = {67--68}, unimelb = {UniM Bail P A820 ANTI}} @article{Birns1995a, author = {Birns, Nicholas}, title = {{Indefinite Desires: Love and the Search for Truth in the Fiction of Gerald Murnane}}, journal = {Southerly}, year = 1995, volume = 55, number = 3, month = {Spring}, unimelb = {UniM Bail P A820.5 S727}} @article{Birns2000a, author = {Nicholas Birns}, title = {{Murnane Recognized}}, journal = {Antipodes}, year = 2000, volume = 14, number = 1, pages = 67, month = {June}, unimelb = {UniM Bail P A820 ANTI}} @article{Birns2000b, author = {Birns, Nicholas}, title = {{May in September: Australian literature as Anglophone alternative}}, journal = {Australian Studies}, year = 2000, volume = 15, number = 2, pages = {112--132}, month = {Winter}, note = {Paper in: {\em Contemporary Issues in Australian Literature}, Callahan, David (ed.)}, annote = {kw: Gerald Murnane}} @article{Birns2002a, author = {Birns, Nicholas}, title = {{Fraga inte efter namn (Do Not Ask For Names)}}, journal = {ARTES (Journal of Swedish Academy, Stockholm)}, year = 2002, volume = 28, number = 4, note = {Translated from English to Swedish by Lars Ahlstrom}, annote = {Subject: Gerald Murnane} } @article{Birns2004a, author = {Birns, Nicholas}, title = {{Gerald Murnane. {\em The Plains}}}, journal = {Review of Contemporary Fiction}, year = 2004, pages = 138, month = {June}, unimelb = {UniM Bail P 809.3005 REVI}} @article{Birns2005a, author = {Nicholas Birns}, title = {{Soundings from down under}}, journal = {Antipodes}, year = 2005, volume = 19, number = 2, pages = {232--235}, month = {December}, annote = {Subject: Gerald Murnane}, unimelb = {UniM Bail P A820 ANTI} } @book{Birns2007a, editor = {Birns, Nicholas and McNeer, Rebecca}, title = {{A Companion to Australian Literature Since 1900}}, publisher = {Camden House}, year = 2007, address = {Rochester, NY}, unimelb = {UniM Bail 820.99940904 COMP}} @book{Birtwhistle1973a, author = {Birtwhistle, G.M. and others}, title = {{Simula Begin}}, publisher = {Studentlitteratur}, year = 1973, address = {Lund, Sweden} } @article{Bischoff1991a, author = {Bischoff, J.}, title = {{Software as Sculpture: Creating Music from the Ground Up}}, journal = {Leonardo Music Journal}, year = 1991, volume = 1, number = 1, pages = {37--40}} @article{Bishop2004a, author = {Claire Bishop}, title = {{Antagonism and Relational Aesthetics}}, journal = {October}, year = 2004, volume = 110, pages = {51--79}, month = {Fall}} @techreport{Black1994a, author = {Black, Samantha}, title = {{Towards a Feminist Theory of Music}}, institution = {LaTrobe University}, type = {Honours Thesis}, year = {1994} } @techreport{Black2002a, author = {Andrew P. Black and Magnus Carlsson and Mark P. Jones and Richard Kieburtz and Johan Nordlander}, title = {{Timber: A programming language for real-time embedded systems}}, institution = {OGI/OHSU}, year = 2002 } @book{Blackler2007a, author = {Blackler, Deane}, title = {{Reading W. G. Sebald: adventure and disobedience}}, publisher = {Camden House}, year = 2007, address = {Rochester, NY}, unimelb = {UniM Bail 833.914 SEBA/ BLAC}, isbn = 9781571133519 } @inproceedings{Blackwell2005a, author = {Blackwell, Alan and Collins, Nick}, title = {{The Programming Language as a Musical Instrument}}, booktitle = {PPPIG 17}, pages = {120--130}, year = 2005, editor = {Romero, P. and others}, month = {June}} @book{Blake1958a, author = {Blake, William}, title = {{William Blake: A Selection of Poems and Letters edited with an Introduction by J. Bronowski}}, publisher = p_penguin, year = 1958, address = {Harmondsworth}} @incollection{Bland1980a, author = {Bland, William}, title = {{Morton Feldman}}, pages = {455--456}, crossref = {Sadie1980a}, } @book{Blasius1997a, author = {Blasius, Leslie}, title = {{The Music Theory of Godfrey Winham}}, publisher = p_pup, address = {Princeton, NJ}, year = {1997} } @book{Blauert1983a, author = {Blauert, J.}, title = {{Spatial Hearing. The Psychophysics of Human Sound Localization}}, publisher = p_mit, edition = {Revised}, address = {Cambridge, MA}, year = 1996 } @book{Blaukopf1987a, author = {Blaukopf, Kurt}, title = {{Mahler}}, publisher = {Limelight Editions}, year = 1987, address = {New York}} @article{Blaus2004a, author = {Blaus, Leslie}, title = {{Late Feldman and the remnants of virtuosity}}, journal = j_pnm, year = 2004, volume = 42, number = 1, pages = {32--83}, unimelb = {UniM Music P PERS} } @book{Block1985a, editor = {Ren\'e Block}, title = {{5/5. F\"unf vom F\"unften: Richard Dunn, John Lethbridge, Mike Parr, Peter Tyndall, Ken Unsworth: 2. September bis 6. Oktober 1985}}, publisher = {Daadgalerie}, year = 1985, address = {Berlin}, note = {Veranstalter der Ausstellung und Herausgeber des Katalogs: Berliner K\"unstlerprogramm des DAAD, Visual Arts Board of the Australia Council}, unimelb = {UniM ERC B 709.94 FUNF} } @proceedings{Block1990a, title = {{Art is Easy and all music is the same}}, year = 1990, editor = {Rene Block}, organization = {8th Sydney Biennale, Museum of Contemporary Art}, } @article{Block1994a, author = {Block, Steven and Douthett, Jack}, title = {{Vector Products and Intervallic Weighting}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 38, number = 1, pages = {21--41}, year = 1994 } @article{Blombach1988a, author = {Blombach, Ann and Parrish, Regena}, title = {{Acquiring Aural Interval Identification Skills: Random Vs. Ordered Grouping}}, journal = j_jmtp, volume = {2}, number = {1}, pages = {113--132}, year = {1988} } @book{Bloom1989a, editor = {Bloom, Harold}, title = {{Paul Valery}}, publisher = {Chelsea House Publishers}, year = 1989, series = {Modern Critical Views}, address = {New York}} @book{Blyth1952a, author = {Blyth, R.H.}, title = {{Haiku (4 volumes)}}, publisher = {Hokuseido}, address = {Tokyo}, year = {1952} } @article{Bobbitt1959a, author = {Bobbitt, Richard}, title = {{The Physical Basis of Intervallic Quality and Its Application to the Problem of Dissonance}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {3}, pages = {173--207}, year = {1959} } @book{Bockris1989a, author = {Bockris, Victor}, title = {{The Life and Death of Andy Warhol}}, publisher = {Bantam Books}, year = 1989, address = {New York}} @incollection{Bohman2008a, author = {James Bohman and William Rehg}, title = {{Jürgen Habermas}}, booktitle = {The Stanford Encyclopedia of Philosophy}, editor = {Edward N. Zalta}, publisher = {Stanford University}, url = {http://plato.stanford.edu/archives/fall2008/entries/habermas/}, year = {Fall 2008} } @incollection{Bohman2008b, author = {James Bohman}, title = {{Critical Theory}}, booktitle = {The Stanford Encyclopedia of Philosophy}, editor = {Edward N. Zalta}, publisher = {Stanford University}, url = {http://plato.stanford.edu/archives/fall2008/entries/critical-theory/}, year = {Fall 2008} } @book{Bois1980a, author = {Bois, Mario}, title = {{Iannis Xenakis: the man and his music: a conversation with the composer and a description of his works [1967]}}, publisher = {Greenwood Press}, year = 1980, address = {Westport}, unimelb = {UniM VCA 780.924 Xen /0679} } @article{Bokesoy2003a, author = {Sinan Bokesoy and Gerard Pape}, title = {{Stochos: Software for Real-Time Synthesis of Stochastic Music}}, journal = {Computer Music Journal}, year = 2003, volume = 27, number = 3, pages = {33--43}, note = {Autumn}} @mastersthesis{Boland1999a, author = {Boland, Marguerite}, title = {{The All-trichord-hexachord: Compositional strategies in Elliott Carter's ``Con Leggerezza Pensosa'' and ``Gra''}}, school = {La Trobe University}, year = 1999 } @book{Bolano2004a, author = {Roberto Bolaño}, title = {{Distant star (Estrella Distante, 1996)}}, publisher = {New Directions Publishers}, year = 2004, note = {Translated by Chris Andrews}, isbn = 0811215865 } @book{Bolano2007a, author = {Bolaño, Roberto}, title = {{The Savage Detectives (1998)}}, publisher = {Farrar, Straus and Giroux}, year = 2007, address = {New York}, note = {Translated from the Spanish by Natasha Wimmer}, isbn = {978-0-330-50952-7}} @book{Bolano2010a, author = {Bolaño, Roberto}, title = {Antwerp (Amberes, 1908/2002)}, publisher = {Picador}, year = 2010, address = {London}, note = {Translated by Natasha Wimmer}, isbn = {978-0-330-51058-5} } @book{Bolsky1989a, author = {Bolsky, Morris and Korn, David}, title = {{The KornShell Command and Programming Language}}, publisher = p_ph, year = {1989} } @book{Bolsky1995a, author = {Bolsky, Morris and Korn, David}, title = {{The New KornShell Command and Programming Language}}, publisher = p_ph, year = {1995} } @book{BonitoOliva1990a, editor = {Bonito Oliva, Achille and De Mila, Gabriella and Cerritelli, Claudio}, title = {{Ubi fluxus ibi motus 1990--1962}}, publisher = {Mazzotta}, year = 1990, address = {Milano}} @article{Bonyhady1999a, author = {Tim Bonyhady}, title = {{Bludgeon, Dirk and Grease}}, journal = {Eureka Street}, year = 1999, pages = {34--40}, month = {July/August}} @article{Boon2001a, author = {Boon, Marcus}, title = {{Henry Flynt}}, journal = {The Wire}, year = 2001, volume = 212, month = {October}} @book{Booth1983a, author = {Booth, Wayne}, title = {{The Rhetoric of Fiction}}, publisher = p_ucp, year = 1983, address = {Chicago}, edition = {Second}, unimelb = {UniM Bail 808.3 BOOT} } @phdthesis{Borders1979a, author = {Borders, Barbara Anne}, title = {{Formal Aspects in Selected Instrumental Works of Milton Babbitt}}, school = {University of Kansas}, year = {1979} } @book{Boretz1968a, editor = {Boretz, Benjamin and Cone, Edward}, title = {{Perspectives On Schoenberg and Stravinsky}}, publisher = p_norton, address = {New York}, year = {1968} } @article{Boretz1970a, author = {Boretz, Benjamin}, title = {{Sketch of a Musical System (Meta-Variations, Part II)}}, journal = j_pnm, volume = {8}, number = {2}, pages = {49--111}, year = {1970}, unimelb = {UniM Music P PERS} } @phdthesis{Boretz1970b, author = {Boretz, Benjamin}, title = {{Meta-Variations: Studies in the Foundations of Musical Thought}}, school = {Princeton University}, year = {1970} } @article{Boretz1970c, author = {Boretz, Benjamin}, title = {{Conversation with Elliott Carter}}, journal = j_pnm, volume = {8}, number = {2}, pages = {1--22}, year = {1970}, unimelb = {UniM Music P PERS} } @book{Boretz1971a, editor = {Boretz, Benjamin and Cone, Edward}, title = {{Perspectives On American Composers}}, publisher = p_norton, address = {New York}, year = 1971, unimelb = {UniM Store S32758} } @book{Boretz1972a, editor = {Boretz, Benjamin and Cone, Edward}, title = {{Perspectives On Contemporary Music Theory}}, publisher = p_norton, address = {New York}, year = {1972} } @incollection{Boretz1974a, author = {Boretz, Benjamin}, title = {{Babbitt, Milton}}, crossref = {Vinton1974a}, } @book{Boretz1976a, editor = {Boretz, Benjamin and Cone, Edward}, title = {{Perspectives on Notation and Performance}}, publisher = p_norton, year = 1976, address = {New York}, unimelb = {UniM VCA 781.24 Per /0010} } @article{Boretz1977a, author = {Boretz, Benjamin}, title = {{Two Replies}}, journal = j_pnm, volume = {15}, number = {2}, year = {1977}, unimelb = {UniM Music P PERS} } @article{Boretz1977b, author = {Boretz, Benjamin}, title = {{What Lingers On (, when the song is ended)}}, journal = j_pnm, volume = {16}, number = {1}, year = {1977}, unimelb = {UniM Music P PERS} } @article{Boretz1989a, author = {Boretz, Benjamin}, title = {{The Logic of What?}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 33, number = 1, pages = {107--116}, year = 1989 } @book{Boretz1991a, author = {Boretz, Benjamin}, title = {{Music Columns from The Nation: 1962--1968}}, publisher = {Open Space}, year = 1991, address = {New York}, note = {Elaine Barkin (ed.)}} @article{Boretz1992a, author = {Boretz, Benjamin}, title = {{Experiences With No Names}}, journal = j_pnm, volume = 30, number = 1, year = 1992, unimelb = {UniM Music P PERS} } @book{Borges1962a, author = {Borges, Jorge Luis}, title = {{Ficciones}}, publisher = p_grove, year = 1962, address = {New York}, note = {Translated by Anthony Kerrigan} } @book{Borges1964a, author = {Borges, Jorge Luis}, title = {{Other inquisitions, 1937 - 1952}}, publisher = {University of Texas Press}, year = 1964, address = {Austin}, note = {Translated by Ruth L. C. Simms} } @book{Borges1968a, author = {Borges, Jorge Luis}, title = {{Dreamtigers}}, publisher = {University of Texas Press}, year = 1968, address = {Austin}, note = {Translated by Mildred Boyer and Harold Moorland} } @book{Borges1970a, author = {Borges, Jorge Luis}, title = {{The Book of Imaginary Beings}}, publisher = p_dutton, year = 1970, address = {New York}, note = {Translated by Norman Thomas di Giovanni} } @book{Borges1974a, author = {Borges, Jorge Luis}, title = {{In Praise of Darkness}}, publisher = p_dutton, year = 1974, address = {New York}, note = {Translated by Norman Thomas di Giovanni} } @book{Borges1979a, author = {Borges, Jorge Luis}, title = {{The Book of Sand}}, publisher = p_penguin, year = 1979, address = {Harmondsworth}, note = {Translated by Norman Thomas di Giovanni and Alastair Reid} } @book{Borges1980a, author = {Borges, Jorge Luis}, title = {{Seven Nights}}, publisher = {New Directions}, year = 1980, address = {New York}, note = {Translated by Eliot Weinberger} } @article{Boros1990a, author = {Boros, James}, title = {{Some Properties of the All-Interval Hexachord}}, journal = j_ito, volume = {11}, number = {6}, pages = {19--41}, year = {1990} } @article{Boros1991a, author = {Boros, James}, title = {{A Conversation with Donald Martino}}, journal = j_pnm, volume = {29}, number = {2}, pages = {212--280}, year = {1991}, unimelb = {UniM Music P PERS} } @article{Boros1995a, author = {Boros, James}, title = {{A ``New Totality''?}}, journal = j_pnm, volume = {33}, number = {1--2}, pages = {538--553}, year = {1995}, unimelb = {UniM Music P PERS} } @article{Boss1992a, author = {Boss, Jack}, title = {{Schoenberg's Op.22 Radio Talk and Developing Variation in Atonal Music}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {14}, number = {2}, pages = {125--149}, year = {1992} } @book{Bosseur1993a, author = {Jean-Yves Bosseur}, title = {{Sound and the Visual Arts: intersections between music and plastic arts today}}, publisher = {Dis Voir}, year = 1993, address = {Paris}, note = {Translated by Brian Holmes and Peter Carrier}, unimelb = {UniM VCA 780.1 Sou /0054} } @incollection{Bosseur1993b, author = {Jean-Yves Bosseur}, title = {{Interview with Iannis Xenakis [April 1992]}}, crossref = {Bosseur1993a}} @book{Boswell1923a, author = {Boswell, James}, title = {{Boswell's Life of Doctor Johnson}}, publisher = p_dent, year = 1923, address = {London}, note = {{In Two Volumes}} } @book{Boswell1951a, author = {Boswell, James}, title = {{Boswell's London Journal}}, publisher = p_hm, year = 1951, address = {Melbourne} } @inproceedings{Botlan2003a, author = {D. Le Botlan and D. Remy}, title = {{MLF: raising ML to the power of system F}}, booktitle = {{Proceedings of the eighth ACM SIGPLAN international conference on Functional programming}}, pages = {27--38}, year = 2003, publisher = {ACM Press}} @book{Botta1997a, author = {Botta, Mario}, title = {{Museum Jean Tinguely Basel}}, publisher = {Benteli}, year = 1997, address = {Bern} } @book{Botvinnik1970a, author = {M. M. Botvinnik}, title = {{Computers, chess and long-range planning}}, publisher = {Springer-Verlag}, year = 1970, address = {New York}, note = {Translated by Arthur Brown} } @inproceedings{Boulanger2000a, author = {Boulanger, Richard and Smaragdis, Paris and ffitch, John}, title = {{Scanned Synthesis: An Introduction and Demonstration of a New Synthesis and Signal Processing Technique}}, booktitle = c_icmc, pages = {372--375}, year = 2000, organization = o_icma, } @book{Boulanger2000b, editor = {Richard Boulanger}, title = {{The Csound book: perspectives in software synthesis, sound design, signal processing, and programming}}, publisher = {MIT Press}, year = 2000, address = {Cambridge, MA}, unimelb = {UniM Music 786.7413453 CSOU} } @book{Boulez1970a, author = {Boulez, Pierre}, title = {{Thoughts on Music}}, publisher = p_hup, address = {Cambridge}, year = {1970} } @book{Boulez1971a, author = {Boulez, Pierre}, title = {{Boulez on Music Today}}, publisher = p_ff, address = {London}, year = {1971} } @book{Boult1984a, author = {Boult, Jenny}, title = {{the white rose \& the bath}}, publisher = {Friendly Street Poets}, year = 1984, address = {Unley} } @book{Bourne1978a, author = {Bourne, S. R.}, title = {{An Introduction to the UNIX Shell}}, publisher = o_bell, year = {1978} } @article{Bourne1978b, author = {Bourne, S. R.}, title = {{The UNIX Shell}}, journal = j_bltj, volume = {57}, number = {6}, year = {1978} } @book{Bouveresse1995a, author = {Bouveresse, Jacques}, title = {{Wittgenstien Reads Freud: The Myth of the Unconscious}}, publisher = {Princeton University Press}, year = 1995, address = {Princeton, NJ}, note = {Translated from the French by Carol Cosman}} @book{Bouwsma1986a, author = {Bouwsma, Oets}, title = {{Wittgenstein: Conversations, 1949--1951}}, publisher = {Hackett}, address = {Indianapolis}, year = {1986}, } @article{Bowers1989a, author = {Bowers, Jane}, title = {{Feminist Scholarship and the Field of Musicology: I}}, journal = {College Music Symposium}, volume = {29}, number = {1}, year = {1989} } @article{Bowers1990a, author = {Bowers, Jane}, title = {{Feminist Scholarship and the Field of Musicology: II}}, journal = {College Music Symposium}, volume = {32}, number = {1}, year = {1990} } @article{Boy1996a, author = {A.H.S. Boy}, title = {{Biding Spectacular Time}}, journal = {Postmodern Culture}, year = 1996, volume = 6, number = 2, month = {January}} @inproceedings{Boyer1989a, author = {Boyer, F. and Kronland-Martinet, R.}, title = {{Granular resynthesis and transformation of sounds through wavelet transformation and anlaysis}}, booktitle = c_icmc, year = {1989}, address = {San Fransisco}, organization = o_icma, } @article{Boykan1964a, author = {Boykan, Martin}, title = {{Elliott Carter and the Postwar Composers}}, journal = j_pnm, volume = {2}, number = {2}, pages = {125--128}, year = {1964}, unimelb = {UniM Music P PERS} } @article{Boykan1976a, author = {Boykan, Martin}, title = {{For Milton}}, journal = j_pnm, volume = {14}, number = {2}, pages = {202}, year = {1976}, unimelb = {UniM Music P PERS} } @book{Bozarth1990a, editor = {Bozarth, George}, title = {{Brahms Studies: Analytical and Historical Perspectives}}, publisher = {Clarendon Press}, address = {Oxford}, year = {1990} } @book{Brand1997a, author = {Brand, Juliane and Hailey, Christopher}, title = {{Constructive Dissonance: Arnold Schoenberg and the Transformation of Twentieth-Century Culture}}, publisher = p_ucap, year = {1997} } @inproceedings{Brandt1998a, author = {Brandt, Eli and Dannenberg, Roger}, title = {{Low-Latency music software using off-the-shelf operating systems}}, booktitle = c_icmc, year = 1998} @inproceedings{Brandt1999a, author = {Brandt, Eli and Dannenberg, Roger}, title = {{Time in Distributed RealTime Systems}}, booktitle = c_icmc, year = 1999} @inproceedings{Brandt2000a, author = {Brandt, Eli}, title = {{Temporal type constructors for computer music programming}}, booktitle = c_icmc, year = 2000} @inproceedings{Brandt2001a, author = {Brandt, Eli}, title = {{Implementing temporal type constructors for music programming}}, booktitle = c_icmc, year = 2001} @book{Branfman1972a, editor = {Branfman, Fred}, title = {{Voices from the Plain of Jars; life under an air war}}, publisher = {Harper \& Row}, year = 1972, address = {New York}, note = {Compiled, with an introd. and pref. by Fred Branfman}, unimelb = {UniM ERC B 959.704 V889} } @book{Brater1989a, author = {Brater, Enoch}, title = {{Why Beckett}}, publisher = p_th, year = 1989, address = {London}, unimelb = {UniM Bail 842.914 BECKETT/BRAT}} @article{BraunBau1996a, author = {Braun-Bau, Susanne}, title = {{A conversation with Gerald Murnane}}, journal = {Antipodes}, year = 1996, volume = 10, number = 1, pages = {43--48}, month = {June}, unimelb = {UniM Bail P A820 ANTI}} @incollection{Brecht1938a, author = {Brecht, Bertolt}, title = {{The Street Scene. A Basic Model for an Epic Theatre}}, crossref = {Bentley1968a}, year = 1938 } @book{Brecht1965a, author = {Brecht, Bertolt}, title = {{Threepenny Novel}}, publisher = p_penguin, address = {Harmondsworth}, year = 1965, note = {Translated by Desmond I. Vesey, verses translated by Chritopher Isherwood} } @misc{Breer1968a, author = {Robert Breer}, title = {{Homage to Jean Tinguely's 'Homage to New York'}}, howpublished = {16mm Black \& White Film}, address = {New York}, duration = {9.5 minutes}, year = 1968, } @book{Bregman1994a, author = {Albert S. Bregman}, title = {{Auditory Scene Analysis: The Perceptual Organization of Sound}}, publisher = {MIT Press}, year = 1994, address = {Cambridge, MA}, isbn = {978-0-262-52195-6} } @book{Breillat2008a, author = {Catherine Breillat}, title = {{Pornocracy}}, publisher = {Semiotext(e)}, year = 2008, address = {Los Angeles}, note = {Translated by Paul Buck and Catherine Petit, Introduction by Chris Kraus, Afterword by Peter Sotos}} @incollection{Breton1944a, author = {Breton, Andre}, title = {{Profanation}}, crossref = {List2005a}, note = {Reproduction of wall text.} } @book{Brian2005a, author = {Brian, Denis}, title = {{Sing Sing: the inside story of a notorious prison}}, publisher = {Prometheus Books}, year = 2005, address = {Amherst, NY}} @phdthesis{Brickle1980a, author = {Brickle, Frank}, title = {{On The Various Rhythms of Three Passages}}, school = {Princeton University}, year = {1980} } @book{Brindle1966a, author = {Brindle and Reginald Smith}, title = {{Serial Composition}}, publisher = {Oxford University Press}, address = {London}, year = {1966} } @book{Bringhurst1993a, author = {Robert Bringhurst}, title = {{The Elements of Typographic Style}}, publisher = {Hartley and Marks Publishers}, year = 1993, unimelb = {UniM Bail 686.224 BRIN}, isbn = {0-88179-110-5} } @article{Brinkman1986a, author = {Brinkman, Alexander}, title = {{A Binomial Representation of Pitch for Computer Processing of Musical Data}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {8}, pages = {44--57}, year = {1986} } @article{Brinkman1986b, author = {Brinkman, Alexander}, title = {{Representing Musical Scores for Computer Analysis}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {30}, pages = {225--275}, year = {1986} } @book{Brinkman1990a, author = {Brinkman, A.}, title = {{Pascal Programming For Music Research}}, publisher = p_ucp, year = 1990 } @inproceedings{BristowJohnson1996a, author = {Bristow-Johnson, Robert}, title = {{Wavetable synthesis 101: a fundamental perspective}}, booktitle = {Proc. AES 101 st}, year = 1996, note = {AES Reprint No. 4400}} @article{Brody1977a, author = {Brody, Martin}, title = {{Sensibility Defined: Set Projection in Stefan Wolpe's ``FORM for Piano''}}, journal = j_pnm, volume = {15}, number = {2}, pages = {3--22}, year = {1977}, unimelb = {UniM Music P PERS} } @article{Brody1986a, author = {Brody, Martin and Blaustein, Susan}, title = {{Criteria for Grouping in Milton Babbitt's ``Minute Waltz or 3/4 + 1/8''}}, journal = j_pnm, volume = {24}, number = {2}, pages = {30--79}, year = {1986}, unimelb = {UniM Music P PERS} } @article{Brody1993a, author = {Brody, Martin}, title = {{Music for the Masses: Milton Babbitt's Cold War Music Theory}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {77}, number = {2}, pages = {161--192}, year = {1993} } @article{Brody1995a, author = {Brody, Martin}, title = {{Our Music}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {79}, number = {3}, pages = {544--551}, year = {1995} } @phdthesis{Broekema1962a, author = {Broekema, Andrew}, title = {{A Stylistic Comparison of the Solo Vocal Works of Arnold Schoenberg, Alban Berg and Anton Webern}}, school = {University of Texas}, year = {1962} } @article{Brolsma1978a, author = {Brolsma, Bruce}, title = {{On Interval Content: Its Measurement and Description}}, journal = j_ito, volume = {4}, number = {1}, year = {1978} } @book{Bronson1959a, editor = {Bronson, Bertrand Harris}, title = {{The traditional tunes of the Child ballads: with their texts, according to the extant records of Great Britain and America}}, publisher = p_pup, year = {1959--72}, address = {Princeton, NJ} } @book{Bronte1953a, author = {Bronte, Charlotte}, title = {{Villette}}, publisher = p_collins, year = 1953, address = {London} } @book{Bronte1959a, author = {Bronte, Emily}, title = {{Wuthering Heights}}, publisher = p_penguin, year = 1959, address = {Harmondsworth} } @book{Bronte1981a, author = {Bronte, Charlotte}, title = {{Jane Eyre}}, publisher = p_penguin, year = 1981, address = {Harmondsworth}, note = {First published 1846} } @book{Brook1972a, editor = {Brook, B. and Downes, E. and Solkema, S. van}, title = {{Perspectives in Musicology}}, publisher = p_norton, year = 1972, address = {New York} } @inproceedings{Brooks1984a, author = {Brooks, Rodney A. and Gabriel, Richard P.}, title = {{A Critique of Common Lisp}}, booktitle = c_lafp, pages = {1--8}, year = 1984, organization = o_acm } @book{Brouwer2001a, editor = {Marianne Brouwer}, title = {{Dan Graham, Works 1965 -- 2000}}, publisher = {Richter Verlag}, year = 2001, address = {D\"usseldorf}, note = {On the occasion of the Exhibition {\em Dan Graham Works 1965--2000}, organized by the Museu de Arte Contempor\^anea de Serralves, Porto, January 13 through March 25, 2001}} @book{Brower1961a, author = {Brower, Robert and Miner, Earl}, title = {{Japanese Court Poetry}}, publisher = {Stanford University Press}, year = 1961, address = {Stanford} } @book{Brown1973a, author = {Brown, Edward Espie}, title = {{Tassajara Cooking}}, publisher = p_shm, year = 1973, address = {Boulder} } @article{Brown1989a, author = {Brown, Matthew and Dempster, Douglas}, title = {{The Scientific Image of Music Theory}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {33}, number = {1}, pages = {65--106}, year = {1989} } @article{Brown1993a, author = {Brown, J.C. and Puckette, Miller}, title = {{A high resolution fundamental frequency determination based on phase changes of the fourier transform}}, journal = j_jasa, year = 1993, volume = 94, number = 2, pages = {662--667} } @article{Brown2002a, author = {Brown, Katherine}, title = {{The Uncertainty Principle}}, journal = {The Guardian, Review}, year = 2002, pages = {14--15}, month = {Saturday 3rd August}, annote = {Subject: John Cage, Etchings} } @book{Browne1958a, author = {Browne, Thomas}, title = {{Urne Buriall and The Garden of Cyrus}}, publisher = {Cambridge University Press}, year = 1958, address = {Cambridge}, note = {Edited by John Carter}, unimelb = {UniM Store S1445}, annote = {Uniform title: Hydriotaphia} } @article{Browne1976a, author = {Browne, Richmond}, title = {{Re: The Babbitt Mallalieu Fully Cyclically Permutational Row}}, journal = j_ito, volume = {2}, number = {7}, pages = {10--14}, year = {1976} } @article{Browne1981a, author = {Browne, Richmond}, title = {{Tonal Implications of the Diatonic Set}}, journal = j_ito, volume = {5}, number = {6}, pages = {3--21}, year = {1981} } @book{Browne1981b, editor = {Browne, Richmond}, title = {{Music Theory, Special Topics}}, publisher = {Academic Press}, year = 1981, address = {New York} } @article{Brun1963a, author = {Brun, Herbert}, title = {{Against Plausibility}}, journal = j_pnm, year = 1963, volume = 2, number = 1, pages = {43--50}, unimelb = {UniM Music P PERS}} @incollection{Brun1969a, author = {Brun, Herbert}, title = {{Infraudibles}}, crossref = {VonFoerster1969a}, pages = {117--121}} @incollection{Brun1970a, author = {Brun, Herbert}, title = {{From musical ideas to computers and back}}, crossref = {Lincoln1970a}, pages = {23--26}} @article{Brun1973a, author = {Brun, Herbert}, title = {{... to hold discourse, at least with a computer...}}, journal = {Guildhall School of Music and Drama Review}, year = 1973, pages = {16--21}} @article{Brun1973b, author = {Brun, Herbert}, title = {{Drawing distinctions links contradictions}}, journal = j_pnm, year = 1973, volume = 12, number = 2, pages = {29--39}, unimelb = {UniM Music P PERS}} @article{Brun1981a, author = {Herbert Brun}, title = {{Computer-Plotted Graphics}}, journal = j_cmj, year = 1981, volume = 5, number = 2, pages = {29--35}, month = {Spring}, doi = {10.2307/3679877} } @book{Brun2004a, author = {Herbert Br\"un, Arun Chandra}, title = {{When music resists meaning: the major writings of Herbert Br\"un}}, publisher = {Wesleyan University Press}, year = 2004, isbn = 9780819566706} @inbook{Brun2004b, author = {Herbert Br\"un}, chapter = {Wayfaring Sounds [1962]}, crossref = {Brun2004a}} @article{Bruyn2004a, author = {Eric de Bruyn}, title = {{``Sound is Material'': Dan Graham in Conversation}}, journal = {Grey Room}, year = 2004, volume = 17, pages = {108--117}} @book{Bryden1998a, editor = {Bryden, Mary}, title = {{Samuel Beckett and Music}}, publisher = p_oup, year = 1998, address = {Oxford}, annote = {Subject: Morton Feldman}, unimelb = {UniM Bail 848.91409 BECKETT/ SAMU}, } @phdthesis{Buccheri1975a, author = {Buccheri, John}, title = {{An Approach to Twelve-Tone Music: Articulation of Serial Pitch Units in Piano Works of Schoenberg, Webern, Krenek, Dallapiccola and Rochberg}}, school = {University of Rochester}, year = {1975} } @misc{Buchler1994a, author = {Buchler, Michael}, title = {{Setmaker for Macintosh}}, series = {4.}, edition = {6a}, address = {Rochester, NY}, year = {1994}, note = {Computer Program} } @book{Buchner1971a, author = {Buchner, Georg}, title = {{The Plays of Georg Buchner}}, publisher = p_oup, year = 1971, address = {Oxford} } @phdthesis{Buck1993a, author = {Joseph T. Buck}, title = {{Scheduling Dynamic Dataflow Graphs with Bounded Memory Using the Token Flow Model}}, school = {Dept. of EECS, University of California}, year = 1993, address = {Berkeley, CA}, note = {UCB/ERL 93/69}} @article{Buckeye2008a, author = {Robert Buckeye}, title = {{Review of {\em Guy Debord and Alice Becker-Ho. A Game of War}}}, journal = {The Review of Contemporary Fiction}, year = 2008, month = {Summer}, unimelb = {UniM Bail P 809.3005 REVI}} @book{Buckley2001a, editor = {Brad Buckley and John Conomos}, title = {{Republics of ideas: republicanism culture visual arts}}, publisher = {Pluto Press Australia and Artspace Visual Arts Centre}, year = 2001, address = {Annandale, NSW}, unimelb = {UniM Lenton Parr 321.80994 Rep /0001}, note = {Acknowledgments / Playing the Other in Australias Psychological Terra Nullius / Bludgeon, Dirk and Grease / The Strange Case of Michael Stevenson / Globalise Mobalise: Why the Left Needs a New Response to Globlisation / Australia as a Creative Nation or Towards a Digital Republic / Civic Pluralism and Total Globalisation / Antipodean Geurillas: The Wombat Manifesto / The Republican Referendum / A Socialists Republic / Thinking Through Cultural Politics / Artists in the Agora / The Third City} } @book{Budd1987a, author = {Budd, Timothy}, title = {{A Little Smalltalk}}, publisher = p_aw, year = 1987, address = {Reading, MA} } @book{Bugayevskiy1995a, author = {Lev M. Bugayevskiy and John P. Snyder}, title = {{Map projections: a reference manual}}, publisher = {Taylor \& Francis}, year = 1995, address = {London}, unimelb = {UniM Archit 526.8 BUGA}, isbn = 0748403035 } @book{Bulgakov1967a, author = {Bulgakov, Mikhail}, title = {{The Master \& Margarita [1939]}}, publisher = {Collins and Harvill Press}, year = 1967, address = {London}, note = {Translated by Michael Glenny}} @book{Bulgakov1967b, author = {Bulgakov, Mikhail}, title = {{Black snow: a theatrical novel}}, publisher = {Hodder and Stoughton}, year = 1967, address = {London}, note = {Translated by Michael Glenny}, unimelb = {UniM VCA 891.73 Bul} } @book{Bulgakov1967c, author = {Bulgakov, Mikhail}, title = {{The master and Margarita}}, publisher = {Grove Press}, year = 1967, address = {New York}, note = {Translated by Mirra Ginsburg}, unimelb = {UniM Bail 891.734 B933M} } @book{Bulgakov1971a, author = {Bulgakov, Mikhail}, title = {{The White Guard [1925]}}, publisher = p_mh, year = 1971, address = {New York}, note = {Translated by Michael Glenny}, unimelb = {UniM VCA 891.72 Bul /0098}} @book{Bulgakov1975a, author = {Bulgakov, Mikhail}, title = {{A country doctor's notebook}}, publisher = {Collins}, year = 1975, address = {London}, note = {Translated by Michael Glenny. The embroidered towel. The steel windpipe. Black as Egypt's night. Baptism by rotation. The speckled rash. The blizzard. The vanishing eye. Morphine. The murderer.}, unimelb = {UniM Bail 891.734 B933C} } @book{Bulgakov1983a, author = {Bulgakov, Mikhail}, title = {{Moliere or The Union of Hypocrites [1929]}}, publisher = {Methuen London Ltd}, year = 1983, note = {Translated by Dusty Hughes and Helen Rappaport}, unimelb = {UniM VCA 822.91 Hug /0593}} @book{Bulgakov1985a, author = {Bulgakov, Mikhail}, title = {{Flight [1928] \& Bliss [1934]}}, publisher = {New Directions Books}, year = 1985, address = {New York}, note = {Translated by Mirra Ginsburg}, unimelb = {UniM Bail 891.7242 BULGAKO}} @book{Bulgakov1986a, author = {Bulgakov, Mikhail}, title = {{The Life of Monsieur de Moliere [1936]}}, publisher = {New Directions Books}, year = 1986, address = {New York}, note = {Translated by Mirra Ginsburg}} @book{Bulgakov1990a, author = {Bulgakov, Mikhail}, title = {{The Heart of a Dog [1925] and other stories}}, publisher = {Raduga Publishers}, year = 1990, address = {Moscow}, note = {Translated by Kathleen Cook-Horujy and Avril Pyman}} @book{Bunger1981a, author = {Bunger, Richard}, title = {{The Well-Prepared Piano}}, edition = {Second}, publisher = {Litoral Arts Press}, address = {San Pedro}, year = {1981} } @book{Burgi1997a, author = {B\"urgi, Bernhard and Kraus, Chris}, title = {{Julie Becker; Researchers, Residents, a Place to Rest}}, publisher = {Kunsthalle Zurich}, year = 1997, address = {Zurich}, note = {Exhibition Catalogue}} @article{Burgmer1995a, author = {Burgmer, Brigitte}, title = {{Chromatic Notation of Music: Transforming Bach and Webern into Color and Light}}, journal = j_lmj, year = 1995, volume = 5, pages = {5--10} } @article{Burkhart1973a, author = {Burkhart, Charles}, title = {{Schoenberg's ``Farben''}}, journal = j_pnm, volume = {12}, number = {1}, pages = {141--172}, year = {1973}, unimelb = {UniM Music P PERS} } @article{Burkholder1994a, author = {Burkholder, J. Peter}, title = {{The Uses of Existing Music: Musical Borrowing as a Field}}, journal = {Notes}, year = 1994, volume = 50, number = 3, pages = {851--870}} @book{Burkholder1995a, author = {Burkholder, J. Peter}, title = {{All made of tunes: Charles Ives and the uses of musical borrowing}}, publisher = {Yale University Press}, year = 1995, address = {New Haven}, unimelb = {UniM Music 780.92 IVES/ BURK} } @phdthesis{Burns1994a, author = {Burns, Kristine}, title = {{The History and Development of Algorithms in Music Composition, 1957--93}}, school = {Ball State University}, year = {1994} } @article{Burns2002a, author = {Christopher Burns}, title = {{Realizing Lucier and Stockhausen: Case Studies in the Performance Practice of Electroacoustic Music}}, journal = {Journal of New Music Research}, year = 2002, volume = 31, number = 1, pages = {59--68}, month = {March}, doi = {10.1076/jnmr.31.1.59.8104} } @inproceedings{Burns2005a, author = {Michael Burns and Janek Klawe and Szymon Rusinkiewicz and Adam Finkelstein and Doug DeCarlo}, title = {{Line drawings from volume data}}, booktitle = {ACM SIGGRAPH 2005 Papers}, address = {Los Angeles, CA}, year = 2005, pages = {512--518} } @article{Burstall1977a, author = {Burstall, Rod and Darlington, John}, title = {{A Transformation System for Developing Recursive Programs}}, journal = j_jacm, year = 1977, volume = 24, number = 1, pages = {44--67} } @article{Burton1988a, author = {F. W. Burton}, title = {{Nondeterminism with referential transparency in functional programming languages}}, journal = {The Computer Journal}, year = 1988, volume = 31, number = 3, pages = {243--247}, month = {June}} @book{Burton1989a, author = {Burton, Robert}, title = {{Anatomy of Melancholy}}, publisher = {Clarendon Press}, year = {1989}, address = {Oxford}, note = {{Edited by Thomas Faulkner and Nicolas Kiessling and Rhonda Blair}}, } @book{Bussman1993a, editor = {Bussmann, Klaus and Matzner, Florian}, title = {{Nam June Paik. Eine DATAbase. (La Biennale di Venezia. XLV Esposizione Internazionale D´arte. Padiglione tedesco. German Pavilion. Deutscher Pavillon. 13.6.-10.10.1993)}}, publisher = {Edition Cantz}, year = 1993, address = {Ostfildern-Ruit}} @book{Butenhof1997a, author = {Butenhof, David}, title = {{Programming with POSIX threads}}, publisher = p_aw, address = {Reading, MA}, year = {1997} } @book{Butler1996a, author = {Butler, Rex}, title = {{An uncertain smile: Australian art in the '90s}}, publisher = {Artspace Visual Arts Centre Ltd.}, year = 1996, address = {Woolloomooloo, NSW}, isbn = 1876017155, unimelb = {UniM Lenton Parr 709.94 But /0193} } @book{Butler1996b, editor = {Rex Butler}, title = {{What is appropriation?: an anthology of critical writings on Australian art in the '80s and '90s}}, publisher = {Power Publications and IMA}, year = 1996, address = {Sydney, NSW}, unimelb = {UniM Lenton Parr 701.180994709 Wha /0001} } @incollection{Butler2001a, author = {Rex Butler}, title = {{The Strange Case of Michael Stevenson}}, note = {}, crossref = {Buckley2001a}} @book{Butler2002a, author = {Rex Butler}, title = {{A secret history of Australian art}}, publisher = {Craftsman House Fine Art Publishing}, year = 2002, address = {St Leonards, NSW}, unimelb = {UniM Bail 709.94 BUTL}, isbn = 1877004219 } @book{Butler2005a, editor = {Rex Butler}, title = {{Radical revisionism: an anthology of writings on Australian art}}, publisher = {Institute of Modern Art}, year = 2005, address = {Fortitude Valley, Qld}, unimelb = {UniM Bail 709.94 RADI}, isbn = 1875792554} @article{Buxton1977a, author = {Buxton, W.}, title = {{A Composer's Introduction to Computer Music}}, journal = j_if, year = 1977, volume = 6, number = 2, address = {Amsterdam}, _url = {http://billbuxton.com/computerMusicIntro.pdf}, } @article{Buxton1978a, author = {Buxton, W. and Fogels, A. and Fedorkow, G. and Sasaki, L. and Smith, K. C.}, title = {{An Introduction to the SSSP Digital Synthesizer}}, journal = j_cmj, year = 1978, volume = 4, pages = {28--38}, _url = {http://billbuxton.com/ssspDigital.pdf}, } @article{Buxton1979a, author = {Buxton, W. and Sniderman, R. and Reeves, W. and Patel, S. and Baecker, R.}, title = {{The Evolution of the SSSP Score Editing Tools}}, journal = j_cmj, year = 1979, volume = 3, number = 4, pages = {14--25}, _url = {http://billbuxton.com/evolutionSSSP.pdf}, } @article{Buxton1981a, author = {Buxton, W. and Patel, S. and Reeves, W. and Baecker, R.}, title = {{Scope in Interactive Score Editors}}, journal = j_cmj, year = 1981, volume = 5, number = 3, pages = {50--56}, _url = {http://billbuxton.com/scopeScoreEditors.pdf}, } @article{Buxton1982a, author = {Buxton, W. and Patel, S. and Reeves, W. and Baecker, R.}, title = {{Objed and the Design of Timbral Resources}}, journal = j_cmj, year = 1982, volume = 6, number = 2, pages = {323--344}, url_ = {http://billbuxton.com/objedDesign.pdf}, } @mastersthesis{Byrne1994a, author = {Byrne, Andrew}, title = {{Donald Martino's ``Fantasies and Impromptus'': A Study of a Twelve-Tone System and Its Applications}}, school = {LaTrobe University}, type = {M.A. Thesis}, address = {Melbourne}, year = {1994} } @book{CAPP1974a, author = {Committee for the Abolition of Political Police}, title = {{Australia's secret police}}, publisher = {Committee for the Abolition of Political Police}, year = 1974, address = {North Balwyn, Vic}, isbn = 0959826009, unimelb = {Bail SpC/MCL CRIME-AUST COMM}, annote = {kw: Joan Coxsedge}} @misc{CNMAT, author = {Centre for New Music and Technology}, title = {{OSC: Open Sound Control}}, howpublished = {Software}, url_ = {http://cnmat.berkeley.edu/OSC/} } @book{Cabanne1971a, editor = {Cabanne, Pierre}, title = {{Dialogues with Marcel Duchamp}}, publisher = p_th, year = 1971, address = {London}, note = {Translated by Ron Padgett} } @book{Cabaud1964a, author = {Jacques Cabaud}, title = {{Simone Weil: A Fellowship in Love}}, publisher = {Harvill Press}, year = 1964, address = {London}} @article{Cadieu1969a, author = {Cadieu, Martine and Feldma, Morton}, title = {{Morton Feldman - Waiting}}, journal = {Les Lettres francaise}, year = 1969 } @article{Caesar2006a, author = {Ed Caesar}, title = {{Drama on the waves: The Life And Death of Donald Crowhurst}}, journal = {The Independent}, year = 2006, month = {October 28}} @book{Cage1966a, author = {Cage, John}, title = {{Silence}}, publisher = p_mit, address = {Cambridge, MA}, year = {1966} } @book{Cage1967a, author = {Cage, John}, title = {{A Year from Monday}}, publisher = p_wesleyan, year = 1967, address = {Middletown, Connecticut} } @incollection{Cage1972a, author = {Cage, John and Duchamp, Teeny}, title = {{Madame Duchamp}}, crossref = {Bailey1972a}} @book{Cage1988a, author = {Cage, John}, title = {{New River Watercolours}}, publisher = {Virginia Museum of Fine Arts}, year = {1988}, address = {Richmond, VA}, note = {Exhibition Catalog}, } @book{Cage1988b, author = {Cage, John}, title = {{Anarchy}}, publisher = p_wesleyan, year = 1988, address = {Middletown, Connecticut}, } @incollection{Cage1989a, author = {Cage, John}, title = {{[Untitled] [mesostic on the name of Andy Warhol]}}, crossref = {McShine1989a} } @book{Cage1990a, author = {Cage, John}, title = {{I-VI}}, publisher = p_wesleyan, year = 1990, address = {Hannover, NH} } @book{Cage1993a, author = {Cage, John and Feldman, Morton}, title = {{Radio Happenings I-V. Conversations 1966--67}}, publisher = {MusikTexte}, address = {Cologne}, year = 1993, note = {With a Preface by Christian Wolff}, } @book{Cage1996a, author = {Cage, John}, title = {{Musicage: Cage muses on words, art, music}}, publisher = p_wesleyan, year = 1996, address = {Hannover, NH}, note = {Edited by Joan Retallack} } @article{Cage1997a, author = {Helms, Hans G. and Cage, John}, title = {{John Cage \& Reflections of a Progressive Composer on a Damaged Society}}, journal = {October}, year = 1997, volume = 82, month = {Fall}} @book{Calandra1983a, author = {Calandra, Denis}, title = {{New German Dramatists}}, publisher = p_mm, year = 1983, address = {London} } @book{Caldwell1960a, author = {Caldwell, Helen}, title = {{The Brazilian Othello of Machado de Assis}}, publisher = p_ucap, year = 1960, address = {Berkeley, CA} } @book{Cameron1999a, author = {Dan Cameron and Carolyn Christov-Bakargiev and J.M. Coetzee}, title = {{William Kentridge}}, publisher = {Phaidon}, year = 1999, address = {London}, unimelb = {UniM Bail f 741.5968 KENT/ CAME}, isbn = {0-7148-3829-2} } @article{Camhi2006a, author = {Leslie Camhi}, title = {{The Tense of Trauma: Novelist Chris Kraus ponders the meaning of ``It would have been''}}, journal = {Next Book}, year = 2006, month = {7 July}, _url = {http://www.nextbook.org/cultural/feature.html?id=339} } @article{Camilleri1987a, author = {Camilleri, L. and Carreras, P. and others}, title = {{A Software Tool for Music Analysis}}, journal = j_if, volume = 16, pages = {23--38}, year = 1987, unimelb = {UniM Music P INTE} } @article{Camilleri1998a, author = {Camilleri, Lelio}, title = {{The Analysis of Electroacoustic Music: Introduction}}, journal = j_jnmr, year = 1998, volume = 27, number = {1--2}, pages = {3--12}} @misc{Campbell1950a, author = {John Campbell}, title = {{Cal-Tech, EE-200. Seminar in sound.}}, year = 1950, note = {Interview of Schoenberg by John Campbell. On composition, melody, and harmony.}, annote = {http://www.schoenberg.at/6_archiv/voice/voice40_e.htm} } @book{Campbell1975a, author = {David Campbell and Rosemary Dobson and Natalie Staples}, title = {{Moscow Trefoil: Poems from the Russian of Anna Akhmatova and Osip Mandelstam}}, publisher = {Australian National University Press}, year = 1975, address = {Canberra}, note = {Foreword by A.D. Hope}} @book{Campbell1984a, editor = {Campbell, J.A.}, title = {{Implementations of PROLOG}}, publisher = p_wiley, year = 1984, address = {New York} } @book{Canetti1973a, author = {Canetti, Elias}, title = {{Auto da Fe}}, publisher = {Penguin Books in association with Jonathon Cape}, address = {Harmondsworth}, year = 1973, note = {Translated by C. V. Wedgwood}, annote = {Originally published in German as {\em Die Blendung}, 1935} } @book{Canetti1986a, author = {Canetti, Elias}, title = {{The Human Province}}, publisher = {Picador}, year = 1986, note = {Translated by Joachim Neugroschel}, annote = {Originally published in German as {\em Die Provinz des Menschen: Aufzeichnungen}, 1973} } @book{Canetti1987a, author = {Canetti, Elias}, title = {{The Conscience of Words \& Earwitness}}, publisher = {Picador}, year = 1987, note = {Translated by Joachim Neugroschel}, annote = {Originally published in German as {\em Das Gewissen der Worte}, 1976 and {\em Der Ohrenzeuge: Funfzig Charaktere}, 1979} } @book{Canetti1990a, author = {Canetti, Elias}, title = {{The Torch in My Ear}}, publisher = {Picador}, year = 1990, address = {London}, note = {Translated by Joachim Neugroschel}, annote = {Originally published in German as {\em Die Fackel im Ohr}}, } @book{Canetti1991a, author = {Canetti, Elias}, title = {{The Play of the Eyes}}, publisher = {Picador}, year = 1991, address = {London}, annote = {Originally published in German as {\em Das Augenspiel}} } @article{Cann1979a, author = {Cann, Richard}, title = {{An Analysis/Synthesis Tutorial}}, journal = j_cmj, year = 1979, volume = 3, number = 3, pages = {6--11}} @article{Capalbo1981a, author = {Capalbo, Mark}, title = {{Charts}}, journal = j_pnm, volume = 19, number = 1, pages = 311, year = 1981, note = {{Babbitt's ``Sextets''}}, unimelb = {UniM Music P PERS} } @article{Capers2006a, author = {Capers, Bennett}, title = {{On Andy Warhol's Electric Chair}}, journal = {California Law Review}, year = 2006, volume = {Forthcoming}, note = {Hofstra University School of Law, Research Paper No. 05--27}} @book{Capote1957a, author = {Capote, Truman}, title = {{The Muses are Heard}}, publisher = p_hm, year = 1957, address = {London} } @book{Capote1961a, author = {Capote, Truman}, title = {{Breakfast at Tiffany's / House of Flowers / A Diamond Guitar / A Christmas memory}}, publisher = p_penguin, year = 1961, address = {Harmondsworth} } @book{Capote1966a, author = {Capote, Truman}, title = {{The Grass Harp}}, publisher = p_penguin, year = 1966, address = {Harmondsworth} } @book{Capote1967a, author = {Capote, Truman}, title = {{In Cold Blood}}, publisher = p_penguin, year = 1967, address = {Harmondsworth} } @book{Capote1967b, author = {Capote, Truman}, title = {{The Thanksgiving Visitor / A Christmas Memory}}, publisher = p_rh, year = 1967, address = {New York} } @book{Capote1980a, author = {Capote, Truman}, title = {{Music for Chameleons}}, publisher = {Random House}, year = 1980, address = {New York} } @book{Capote2004a, author = {Capote, Truman}, title = {{Other Voices, Other Rooms}}, publisher = p_penguin, year = 2004, address = {Harmondsworth} } @incollection{Caras1982a, author = {Caras, Tracy and Gagne, Cole}, title = {{Morton Feldman}}, booktitle = {Soundpieces: Interviews with American Composers}, pages = {163--177}, publisher = {The Scarecrow Press Inc}, address = {Metuchen, New Jersey}, year = 1982, unimelb = {UniM VCA 780.922 Sou /0076} } @article{Cardelli1985a, author = {L. Cardelli and P. Wegner}, title = {{On understanding types, data abstraction, and polymorphism}}, journal = {ACM Computing Surveys}, year = 1985, volume = 17, number = 4, pages = {471--522}} @article{Cardelli1991a, author = {L. Cardelli and J. Mitchell}, title = {{Operations on records}}, journal = {Journal of Mathematical Structures in Computer Science}, year = 1991, volume = 1, number = 1, pages = {3--48}, month = {March}} @incollection{Cardelli1994a, author = {Cardelli, Luca}, title = {{Extensible Records in a Pure Calculus of Subtyping}}, year = 1994, booktitle = {Theoretical Aspects of Object-Oriented Programming}, editor = {C. A. Gunter and J. C. Mitchell}, publisher = {MIT Press}, address = {London}, pages = {373--425}, crossref = {Gunter1994a}, } @inbook{Cardelli1997a, author = {Cardelli, Luca}, title = {Type Systems}, editor = {Tucker, Allen B.}, booktitle = {{Handbook of Computer Science and Engineering}}, chapter = {103}, publisher = {CRC Press}, year = 1997, crossref = {Tucker1997a}, } @article{Cardew1961a, author = {Cardew, Cornelius}, title = {{Notation, Interpretation, etc}}, journal = {Tempo}, year = 1961, volume = 58, pages = {21--33}, month = {Summer}, unimelb = {UniM Music P TEMP}} @book{Cardew1971a, author = {Cardew, Cornelius}, title = {{Treatise Handbook}}, publisher = {Hinrichsen}, year = 1971, address = {London}} @book{Cardew1974a, author = {Cardew, Cornelius}, title = {{Stockhausen Serves Imperialism}}, publisher = {Latimer New Dimensions Limited}, year = 1974, address = {London}, url_ = {http://www.ubu.com/historical/cardew/cardew_stockhausen.pdf} } @article{Carey1989a, author = {Carey, Norman and Clampitt, David}, title = {{Aspects of Well-formed Scales}}, journal = j_mts, unimelb = {UniM Music P MUSI}, year = 1989, volume = 11, number = 2, pages = {187--206} } @inbook{Carlson2000a, author = {Wendy Carlson}, title = {{Uncommon World: Aspects of Contemporary Australian Art}}, chapter = {{Slave Pianos}}, publisher = {National Gallery of Australia}, year = 2000, address = {Canberra}, month = {July-October}, note = {Catalogue essay}, } @inbook{Carlsson2003a, author = {Magnus Carlsson and Johan Nordlander and Dick Kieburtz}, title = {{Lecture Notes in Computer Science}}, chapter = {{The Semantic Layers of Timber}}, publisher = {Springer Berlin / Heidelberg}, year = 2003, volume = 2895, pages = {339-356}} @book{Carlyle1983a, author = {Carlyle, Thomas}, title = {{Sartor Resartus}}, publisher = {Chelsea House}, year = 1983, address = {New York} } @book{Carnap1947a, author = {Carnap, Rudolf}, title = {{Meaning and Necessity, A Study in Semantics and Modal Logic}}, publisher = p_ucp, year = 1947, address = {Chicago} } @article{Carpenter1967a, author = {Carpenter, Patricia}, title = {{The Musical Object}}, journal = j_cm, volume = {5}, pages = {56--87}, year = {1967} } @article{Carter1955a, author = {Carter, Elliott}, title = {{The Rhythmic Basis of American Music}}, journal = {The Score}, volume = {12}, year = {1955} } @article{Carter1959a, author = {Carter, Elliot}, title = {{On the Nature of Music Theory [letter to the editor]}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {3}, pages = {170}, year = {1959} } @article{Carter1962a, author = {Carter, Elliott}, title = {{The Milieu of the American Composer}}, journal = j_pnm, volume = {1}, number = {1}, pages = {149--151}, year = {1962}, unimelb = {UniM Music P PERS} } @article{Carter1963a, author = {Carter, Elliot}, title = {{... the different methods of notation of `artificial divisions' ... [letter to the editor]}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 7, pages = {270--273}, year = 1963, unimelb = {UniM Music P JOUR} } @article{Carter1963b, author = {Carter, Elliott}, title = {{Letter from Europe}}, journal = j_pnm, volume = {1}, number = {2}, pages = {195--205}, year = {1963}, unimelb = {UniM Music P PERS} } @article{Carter1965a, author = {Carter, Elliott}, title = {{Expressionism and American Music}}, journal = j_pnm, volume = {4}, number = {1}, pages = {1--13}, year = {1965}, unimelb = {UniM Music P PERS} } @incollection{Carter1967a, author = {Carter, Elliott}, title = {{Shop Talk by an American Composer}}, crossref = {Schwartz1967a}, } @incollection{Carter1970a, author = {Carter, Elliott}, title = {{The Orchestral Composer's Point of View}}, crossref = {Hines1970a}, } @article{Carter1971a, author = {Carter, Elliott}, title = {{Stravinsky (1882--1971): A Composers' Memorial}}, journal = j_pnm, volume = {9}, number = {2}, pages = {1--6}, year = {1971}, unimelb = {UniM Music P PERS} } @article{Carter1972a, author = {Elliott Carter and Milton Babbitt and Charles Wuorinen and Larry Stempel}, title = {{In Memoriam: Stefan Wolpe (1902--1972)}}, journal = j_pnm, volume = {11}, number = {1}, pages = {3--5}, year = {1972}, unimelb = {UniM Music P PERS} } @article{Carter1976a, author = {Carter, Elliot}, title = {{To Think Of Milton Babbitt}}, journal = j_pnm, volume = {14}, number = {2}, pages = {29--31}, year = {1976}, unimelb = {UniM Music P PERS} } @incollection{Carter1976b, author = {Carter, Elliott}, editor = {Grubbs, John}, title = {{Music and the Time Screen}}, booktitle = {{Current Thoughts in Musicology}}, publisher = {University of Texas Press}, address = {Austin}, year = {1976} } @book{Carter1977a, author = {Carter, Elliott}, title = {{The Writings of Elliott Carter}}, publisher = {Indiana Press}, address = {Bloomington}, year = {1977}, note = {Edited by Kurt Stone}, } phdthesis{Chang19??, author = {Chang, Sangtae}, title = {{Predicament of Structure: Row Ordering and Its Subversion in Pierre Boulez's {\em Sonatine for Flute and Piano} (1946)}}, school = {University of North Texas}, year = {19??} } @book{Carter1989a, author = {Carter, Elliott}, title = {{In Conversation with Enzo Restagno for Settembr Musica}}, publisher = {ISCAM}, address = {New York}, year = {1989} } @book{Casanova1997a, author = {Casanova, Giacomo}, title = {{History of My Life in Twelve Volumes}}, publisher = {John Hopkins Univeristy Press}, year = 1997, address = {Baltimore and London}, note = {Translated by Willard R. Trask}, annote = {First published in French as ``Histoire de ma vie'', 1960} } @book{Casanova2003a, author = {Casanova, Giacomo}, title = {{The Duel}}, publisher = {Hesperus}, year = 2003, address = {London}, note = {Translated by J. G. Nichols}, annote = {First published in Italian as ``Il Duello'', 1780} } @article{Cascone2000a, author = {Kim Cascone}, title = {{The Aesthetics of Failure: "Post-Digital" Tendencies in Contemporary Computer Music}}, journal = {Computer Music Journal}, year = 2000, volume = 24, number = 4, pages = {12--18}, month = {December}, doi = {10.1162/014892600559489} } @inproceedings{Caspi1996a, author = {Paul Caspi and Marc Pouzet}, title = {{Synchronous Kahn Networks}}, booktitle = {ACM SIGPLAN International Conference on Functional Programming}, year = 1996, month = {May}, address = {Philadelphia, Pensylvania}, } @inproceedings{Castine1990a, author = {Castine, Peter and Brinkman, Alexander and Harris, Craig}, title = {{Contemporary Music Analysis Package (CMAP) for Macintosh}}, booktitle = c_icmc, year = {1990}, address = {San Fransisco}, organization = o_icma, note = {Computer Program} } @book{Castine1994a, author = {Castine, Peter}, title = {{Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal Music}}, publisher = {Peter Lang}, address = {Frankfurt}, year = 1994, unimelb = {UniM Music 781.330285 CAST} } @phdthesis{Castren1994a, author = {Castren, Marcus}, title = {{RECREL: A Similarity Measure for Set-Classes}}, school = {Sibelius Academy, Helsinki}, year = {1994} } @book{Cather1963a, author = {Cather, Willa}, title = {{Sapphira and the Slave Girl}}, publisher = p_hh, year = 1963, address = {London} } @book{Cather2004a, author = {Willa Cather}, title = {{O Pioneers! [1913]}}, publisher = {Barnes \& Noble Classics}, year = 2004, note = {Introduction by Chris Kraus}} @book{Caton1984a, author = {Caton, Joseph Harris}, title = {{The utopian vision of Moholy-Nagy}}, publisher = {UMI Reseach Press}, year = 1984, address = {Ann Arbor, Mich.} } @phdthesis{Cavanagh1996a, author = {Cavanagh, Lynn}, title = {{Tonal Multiplicity in Schoenberg's ``First String Quartet, Op.7''}}, school = {University of British Columbia}, year = {1996} } @article{Chadabe1977a, author = {Chadabe, Joel}, title = {{Some reflections on the nature of the landscape within which computer music systems are designed}}, journal = j_cmj, year = 1977, volume = 1, pages = {5--11}, month = {June} } @book{Chadabe1997a, author = {Chadabe, Joel}, title = {{Electric Sound: The Past and Promise of Electronic Music}}, publisher = p_ph, year = 1997, address = {New Jersey}, unimelb = {UniM Music 786.7 CHAD}, } @article{Chakravarty2001a, author = {Manuel M. T. Chakravarty and Gabriele Keller and Roman Lechtchinsky and Wolf Pfannenstiel}, title = {{Nepal --- Nested Data Parallelism in Haskell}}, journal = {Lecture Notes in Computer Science}, year = 2001, volume = 2150, pages = {524+}} @inproceedings{Chakravarty2007a, author = {Manuel M. T. Chakravarty and Roman Leshchinskiy and Simon Peyton Jones and Gabriele Keller and Simon Marlow}, title = {{Data Parallel Haskell: a status report}}, booktitle = {{DAMP 2007: Workshop on Declarative Aspects of Multicore Programming}}, year = 2007, publisher = {ACM Press}} @book{Chandler1949a, author = {Chandler, Raymond}, title = {{Farewell, My Lovely}}, publisher = p_penguin, year = 1949, address = {Harmondsworth}} @book{Chandler1959a, author = {Chandler, Raymond}, title = {{The Long Good-bye}}, publisher = p_penguin, year = 1959, address = {Harmondsworth}} @book{Chandler1966a, author = {Chandler, Raymond}, title = {{The Lady in the Lake}}, publisher = p_penguin, year = 1966, address = {Harmondsworth}} @article{Chapman1981a, author = {Chapman, Alan}, title = {{Some Intervallic Aspects of Pitch-Class Set Relations}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {25}, number = {2}, pages = {275--290}, year = {1981} } @book{Chaucer1950a, author = {Chaucer, Geoffrey}, title = {{Canterbury Tales}}, publisher = p_dent, year = 1950, address = {London} } @book{Chekhov1927a, author = {Chekhov, Anton}, title = {{The Black Monk And Other Stories}}, publisher = {Duckworth}, year = 1927, address = {London}, note = {Translated by R.E.C.Long}} @book{Chekhov1984a, author = {Chekhov, Anton}, title = {{The Duel / My Wife / Murder / The Black Monk / Terror / The Two Volodyas}}, publisher = p_penguin, year = 1984, address = {Harmondsworth}, note = {Translated by Ronald Wilks} } @book{Chekhov2003a, author = {Chekhov, Anton}, title = {{The Duel}}, publisher = {The Modern Library}, year = 2003, address = {New York}, note = {Translated by Constance Garnett} } @inproceedings{Chen1994a, author = {Chen, Yih-Farn}, title = {{Dagger: A Tool to Generate Program Graphs}}, booktitle = {Proceedings of the USENIX Unix Applications Development Symposium}, pages = {19--35}, year = 1994 } @techreport{Chen1997a, author = {Chen, Yi-Farn and Fowler, Glenn and Koutsofios, Eleftherios and Wallach, Ryan}, title = {{Ciao: A Graphical Navigator for Software and Document Repositories}}, institution = o_bell, type = {Technical Report}, year = {1997}, } @phdthesis{Cherlin1983a, author = {Cherlin, Michael}, title = {{The Formal and Dramatic Organization of Schoenberg's ``Moses und Aron''}}, school = {Yale University}, year = {1983} } @article{Cherlin1986a, author = {Cherlin, Michael}, title = {{Why We Go Into Analysis and What We Get Out Of It}}, journal = {Theory and Practice}, volume = {11}, pages = {53--74}, year = {1986} } @article{Cherlin1986b, author = {Cherlin, Michael}, title = {{Alphonce's Invariance Matrix and Lewin's Inversional Clock: A New Approach Toward Reading Pitch-Class Matrices}}, journal = j_ito, volume = {9}, number = {2}, pages = {47--59}, year = {1986} } @article{Cherlin1991a, author = {Cherlin, Michael}, title = {{Dramaturgy and Mirror Imagery in Schoenberg's ``Moses and Aaron'': Two Paradigmatic Interval Palindromes}}, journal = j_pnm, volume = {29}, number = {2}, pages = {50--71}, year = {1991}, unimelb = {UniM Music P PERS} } @phdthesis{Chihara1965a, author = {Chihara, Paul}, title = {{Studies in Melody in Four Twentieth-Century Composers}}, school = {Cornell University}, type = {{DMA}}, year = {1965} } @book{Child1932a, editor = {Sergent, Helen Child and Kittredge, George Lyman} , title = {{English and Scottish popular ballads, edited from the collection of Francis James Child}}, publisher = {Houghton, Mifflin}, year = 1932, address = {Boston} } @book{Child1965a, editor = {Child, Francis James}, title = {{The English and Scottish popular ballads}}, publisher = {Dover Publications}, year = 1965, address = {New York}, note = {Reprint of first edition, 1882--98} } @article{Child1993a, author = {Child, Peter}, title = {{Voice-Leading Patterns and Interval Collections in Late Shostakovich: Symphony No. 15}}, journal = j_ma, volume = {12}, number = {1}, pages = {71--88}, year = {1993} } @incollection{Childs1967a, author = {Childs, Barney}, crossref = {Schwartz1967a}, title = {{Charles Wuorinen: An Interview with Barney Childs, 1962}}, } @article{Childs1977a, author = {Childs, Barney}, title = {{Time and Music: A Composers Point of View}}, journal = j_pnm, volume = {15}, number = {2}, pages = {194--219}, year = {1977}, unimelb = {UniM Music P PERS} } @article{Chin1992a, author = {Chin, F. and Wu, S.}, title = {{An Efficient Algorithm for Rhythm-finding}}, journal = j_cmj, year = 1992, volume = 16, number = 2 } @book{Chion1976a, author = {Michel Chion and Guy Reibel}, title = {{Les musiques \'electroacoustiques}}, publisher = {INA-GRM}, year = 1976, unimelb = {UniM VCA 789.99 Chi /0004} } @book{Chion1983a, author = {Chion, Michel}, title = {{Guide des objets sonores: Pierre Schaeffer et la recherche musicale}}, publisher = {Buchet/Chastel: Institut national de la communication audiovisuelle}, year = 1983, address = {Paris}, unimelb = {UniM Music 781.1 SCHA/ CHIO} } @book{Chion1994a, author = {Chion, Michel}, title = {{Audio-Vision: sound on screen}}, publisher = p_clup, year = 1994, address = {New York}, note = {Edited and translated by Claudia Gorbman}, unimelb = {UniM VCA 791.43024 Chi /0007}} @book{Chion1995a, author = {Chion, Michel}, title = {{David Lynch}}, publisher = {BFI Pub.}, year = 1995, address = {London}, note = {Translated by Robert Julian}, unimelb = {UniM VCA 791.43092 Lyn /0109} } @book{Chion1999a, author = {Chion, Michel}, title = {{The voice in cinema}}, publisher = {Columbia University Press}, year = 1999, address = {New York}, note = {Edited and translated by Claudia Gorbman}, unimelb = {UniM Bail 791.4302 CHION} } @book{Chion2004a, author = {Chion, Michel}, title = {{The thin red line}}, publisher = {BFI Pub.}, year = 2004, address = {London}, note = {Translated by Trista Selous}, unimelb = {UniM VCA 791.4372 Chi /0437} } @article{Chlouverakis2005a, author = {K. E. Chlouverakis and J. C. Sprott}, title = {{Chaotic Hyperjerk Systems}}, journal = {Chaos, Solitons and Fractals}, year = 2005, volume = 28, pages = {739--746}} @book{Chomsky1957, author = {Chomsky, N.}, title = {{Syntactic Structures}}, publisher = {Mouton}, year = 1957, address = {The Hague}} @article{Chowning1971a, author = {Chowning, John}, title = {{The Simulation of Moving Sound Sources}}, journal = j_jaes, year = 1971, volume = 19, pages = {2--6} } @article{Chowning1973a, author = {Chowning, John}, title = {{The Synthesis of Complex Audio Spectra by Means of Frequency Modulation}}, journal = j_jaes, year = 1973, volume = 21, number = 7, pages = {526--534} } @book{Chowning1986a, author = {Chowning, J. and Bristow, D.}, title = {{FM Theory and Application}}, publisher = {Yamaha Music Foundation}, year = 1986 } @article{Chrisman1971a, author = {Chrisman, Richard}, title = {{Identification and Correlation of Pitch-Sets}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {15}, pages = {58--83}, year = {1971} } @article{Chrisman1977a, author = {Chrisman, Richard}, title = {{Describing Structural Aspects of Pitch-Sets Using Succesive-Interval Arrays}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {21}, number = {1}, pages = {1--28}, year = {1977} } @article{Chrisman1979a, author = {Chrisman, Richard}, title = {{Anton Webern's ``Six Bagatelles for String Quartet'', Op.9: The Unfolding of Intervallic Successions}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {23}, pages = {81--122}, year = {1979} } @incollection{Chtcheglov2006a, author = {Ivan Chtcheglov}, title = {{Formulary for a New Urbanism [1953]}}, crossref = {Knabb2006a}} @book{Church1941a, author = {Church, Alonzo}, title = {{The Calculi of Lambda-Conversion}}, publisher = p_pup, year = 1941, address = {Princeton, NJ} } @article{Church1950a, author = {Church, Alonzo}, title = {{On Carnap's Analysis of Statements of Assertion and Belief}}, journal = {Analysis}, year = 1950, volume = 10} @book{Chvatal1983a, author = {Chvatal, V.}, title = {{Linear Programming}}, publisher = {W. 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Cioran}, title = {{On the Heights of Despair [1934]}}, publisher = {The University of Chicago Press}, year = 1992, address = {Chicago \& London}, note = {Translated \& with an introduction by Ilinca Zarifopol-Johnston}} @inproceedings{Claessen1999a, author = {Koen Claessen and David Sands}, title = {{Observable Sharing for Functional Circuit Description}}, booktitle = {{Asian Computing Science Conference}}, pages = {62--73}, year = 1999} @book{Claren2000a, author = {Claren, Sebastian}, title = {{Neither: Die Musik Morton Feldmans}}, publisher = {Wolke Verlag}, year = 2000, address = {Berlin}} @book{Clark1957a, author = {Clark, James}, title = {{Meister Eckhart: An introduction to the study of his works with an anthology of his sermons}}, publisher = {Thomas Nelson}, year = 1957, address = {London} } @book{Clark1958a, author = {Clark, James and Skinner, John}, title = {{Meister Eckhart: Selected treatises and sermons translated from the Latin and German with an introduction and notes}}, publisher = p_ff, year = 1958, address = {London} } @article{Clark1981a, author = {Clark, Tony}, title = {{ANTI-MUSIC/OPERA}}, journal = {Pnuematic Drill}, year = 1981, volume = 35 } @article{Clark1986a, author = {Clark, Tony}, title = {{Houses, Palaces, Cities}}, journal = {Artlink}, year = 1986, volume = 6, number = 3, month = {Autumn} } @article{Clark1988a, author = {Clark, Tony}, title = {{Fascist Classicism}}, journal = j_aa, year = 1988, volume = 25, number = 3, month = {Autumn} } @article{Clark1990a, author = {Clark, Tony}, title = {{Posterity Will Judge: Tony Clark on de Chirico}}, journal = {Tension}, year = 1990, volume = 21, unimelb = {UniM Bail P 700.5 TENS} } @book{Clark1995a, author = {Larry Clark}, title = {{Kids}}, publisher = {Independent Pictures}, year = 1995, note = {Film. Writer, Harmony Korine; Producer, Cary Woods; Director of photography, Eric Edwards; Editor, Christopher Tellefsen Director, Larry Clark.}, unimelb = {UniM VCA DVD 794} } @book{Clark2003a, author = {Larry Clark}, title = {{Ken Park}}, publisher = {Fortissimofilms}, year = 2003, note = {Screenplay by Harmony Korine; Directed by Larry Clark}, unimelb = {UniM VCA DVD 793} } @article{Clark2003b, author = {Philip Clark}, title = {{Helmut Lachenmann}}, journal = {The Wire}, year = 2003, volume = 228, month = {February}} @book{Clarke1989a, editor = {Clarke, Eric amd Emmerson, Simon}, title = {{Music, mind and structure}}, publisher = p_hap, year = 1989, volume = {3/1}, series = j_cmr, address = {London}, } @book{Clarkson1981a, author = {Clarkson, Austin}, title = {{Stefan Wolpe: A Brief Catalogue of Published Works}}, publisher = {Sound Way Press}, address = {Islington}, year = {1981} } @article{Clarkson1984a, author = {Clarkson, Austin}, title = {{Translation of On New (and Not-So-New) Music in America, by Stefan Wolpe}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {28}, number = {1}, pages = {1--45}, year = {1984} } @incollection{Clarkson1984b, author = {Clarkson, Austin}, editor = {Lang, P.H.}, title = {{Stefan Wolpes Berlin Years}}, booktitle = {Music and Civilisation}, pages = {371--393}, publisher = p_norton, address = {New York}, year = {1984} } @article{Clarkson1985a, author = {Clarkson, Austin}, title = {{The Works of Stefan Wolpe: A Brief Catalogue}}, journal = {MLA Notes}, volume = {June}, pages = {667--682}, year = {1985} } @article{Clarkson1999a, author = {Clarkson, Austin E.}, title = {{Stefan Wolpe in Conversation with Eric Salzman}}, journal = {Musical Quarterly}, volume = 83, number = 3, pages = {378--412}, doi = {10.1093/mq/83.3.378}, year = 1999, } @article{Clarkson2004a, author = {Clarkson, Austin}, title = {{David Tudor's Apprenticeship: The Years with Irma and Stefan Wolpe}}, journal = j_lmj, year = 2004, volume = 14, pages = {5--10} } @book{Clendinnen2003a, author = {Inga Clendinnen}, title = {{Dancing with strangers: Sydney 1788--1800}}, publisher = {Text Publishing}, year = 2003, address = {Melbourne}, isbn = 1920885366, unimelb = {UniM Lenton Parr 994.41 Cle /0003} } @book{Clendinnen2005a, author = {Inga Clendinnen}, title = {{Dancing with strangers: Europeans and Australians at first contact}}, publisher = {Cambridge University Press}, year = 2005, isbn = {978-0521851374} } @article{Clendinning1993a, author = {Jane Piper Clendinning}, title = {{The Pattern-Meccanico Compositions of Gy\"orgy Ligeti}}, journal = {Perspectives of New Music}, year = 1993, volume = 31, number = 1, pages = {192--234}} @article{Clifton1975a, author = {Clifton, Thomas}, title = {{Some Comparisons Between Intuitive and Scientific Descriptions of Music}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {19}, number = {1}, pages = {95--105}, year = {1975} } @inproceedings{Clinger1991a, author = {Clinger, William and Rees, Jonathan}, title = {{Macros that work}}, booktitle = c_popl, pages = {155--162}, year = 1991, volume = 19, month = {January} } @article{Clinger1991b, author = {Clinger, William and Rees, Jonathan}, title = {{Revised(4) Report on the Algorithmic Language Scheme}}, journal = j_lp, year = 1991, volume = 4, number = 3, pages = {1--55} } @article{Clinger1991c, author = {Clinger, William}, title = {{Hygienic Macros Through Explicit Renaming}}, journal = j_lp, year = 1991, volume = 4, number = 4, pages = {17--23} } @article{Clough1965a, author = {Clough, John}, title = {{Pitch-Set Equivalence and Inclusion (A Comment on Forte's Theory of Set-Complexes)}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {9}, number = {1}, pages = {163--171}, year = {1965} } @article{Clough1979a, author = {Clough, John}, title = {{Aspects of Diatonic Sets}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {23}, number = {1}, pages = {45--61}, year = {1979} } @article{Clough1980a, author = {Clough, John}, title = {{Diatonic Interval Sets and Transformational Structures}}, journal = j_pnm, volume = {18}, number = {1--2}, pages = {461--482}, year = {1980}, unimelb = {UniM Music P PERS} } @article{Clough1983a, author = {Clough, John}, title = {{Use of the Exclusion Relation to Profile Pitch-Class Sets}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {27}, pages = {181--201}, year = {1983} } @article{Clough1985a, author = {Clough, John and Myerson, Gerald}, title = {{Variety and Multiplicity in Diatonic Systems}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {29}, number = {2}, pages = {249--270}, year = {1985} } @article{Clough1989a, author = {Clough, John}, title = {{Review of David Lewin's ``Generalized Musial Intervals and Transformations''}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {11}, number = {2}, pages = {226--231}, year = {1989} } @article{Clough1991a, author = {Clough, John and Douthett, Jack}, title = {{Maximally Even Sets}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {35}, number = {1}, pages = {93--173}, year = {1991} } @article{Clough1994a, author = {Clough, John}, title = {{Diatonic Interval Cycles and Hierarchical Structure}}, journal = j_pnm, volume = {32}, number = {1}, pages = {288--253}, year = {1994}, unimelb = {UniM Music P PERS} } @article{Clover2002a, author = {Joshua Clover}, title = {{Pomo Trip}}, journal = {Village Voice}, year = 2002, month = {Tuesday, February 5th}, _url = {http://www.villagevoice.com/2002-02-05/books/pomo-trip/}, annote = {kw: Chris Kraus Sylvere Lotringer} } @article{Clover2009a, author = {Joshua Clover}, title = {{Partisans of Oblivion: A Situationist Novel}}, journal = {The Nation}, year = 2009, month = {January 5}, annote = {kw: Michele Bernstein}, unimelb = {UniM Bail P 051 N277}} @book{Clynes1982a, author = {Clynes, Manfred}, title = {{Music, Mind and Brain: The Neuropsychology of Music}}, publisher = {Plenum Press}, address = {New York}, year 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Text}}, journal = j_if, year = 1991, volume = 20, pages = {1--18}, unimelb = {UniM Music P INTE} } @article{Cody1994a, author = {Cody, M.A.}, title = {{The Wavelet Packet Transform}}, journal = {Dr. Dobb's Journal}, year = 1994, month = apr, } @article{Cody1996a, author = {Cody, J.}, title = {{An Interview with Paul Lansky}}, journal = j_cmj, year = 1996, volume = 20, number = 1 } @phdthesis{Coenen1995a, author = {Coenen, Alcedo}, title = {{Meta-Plus: Stockhausen's Plus-Minus Computerized and Analyzed}}, school = {University of Amsterdam}, year = {1995} } @book{Cogan1976a, author = {Cogan, Robert and Escot, Pozzi}, title = {{Sonic Design: The Nature of Sound and Music}}, publisher = p_ph, address = {Englewood Cliffs, NJ}, year = {1976} } @article{Cohen1973a, author = {Cohen, David}, title = {{A Re-examination of All-Interval Rows}}, journal = {American Society of University Composers}, year = {1973} } @article{Cohen1974a, author = {Cohen, David}, title = {{Anton Webern and the Magic Square}}, journal = j_pnm, volume = {13}, number = {1}, pages = {213--215}, year = {1974} } @inproceedings{Cohen2006a, author = {Albert Cohen and Marc Duranton and Christine Eisenbeis and Claire Pagetti and Florence Plateau and Marc Pouzet}, title = {{$N$-Synchronous Kahn Networks: a Relaxed Model of Synchrony for Real-Time Systems}}, booktitle = {ACM International Conference on Principles of Programming Languages (POPL'06)}, address = {Charleston, South Carolina, USA}, month = {January}, year = 2006, } @article{Cohn1982a, author = {Cohn, Richard}, title = {{The 12x12 Latin Square as found in Babbitt's ``String Quartet No.2''}}, journal = j_sonus, volume = {3}, number = {1}, pages = {57--65}, year = {1982} } @phdthesis{Cohn1986a, author = {Cohn, Richard}, title = {{Transpositional Combination in Twentieth-Century Music}}, school = {Eastman School of Music, University of Rochester}, year = {1986} } @article{Cohn1988a, author = {Cohn, Richard}, title = {{Inversional Symmetry and Transpositional Combination in Bartok}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {10}, pages = {19--42}, year = {1988} } @article{Cohn1989a, author = {Cohn, Richard}, title = {{Review of David Lewin's ``Generalized Musical Intervals and Transformations''}}, journal = {Journal of Musicological Research}, volume = {9}, number = {1}, pages = {47--59}, year = {1989} } @article{Cohn1991a, author = {Cohn, Richard}, title = {{Properties and Generabilty of Transpositionaly Invariant Sets}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {35}, number = {1}, pages = {1--32}, year = {1991} } @article{Cohn1991b, author = {Cohn, Richard}, title = {{Bartok's Octatonic Strategies: A Motivic Approach}}, journal = j_jams, volume = {64}, number = {2}, pages = {262--300}, year = {1991} } @article{Cohn1996a, author = {Cohn, Richard}, title = {{Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romanbic Triadic Progressions}}, journal = j_ma, year = 1996, volume = 15, number = 1, pages = {9--40} } @article{Cohn1997a, author = {Cohn, Richard}, title = {{Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, year = 1997, volume = 41, number = 1, pages = {1--66} } @book{Colacello1990a, author = {Colacello, Bob}, title = {{Holy Terror: Andy Warhol Close Up}}, publisher = {Harper Collins}, year = 1990, address = {New York}} @unpublished{Colaco2005a, author = {Jean-Louis Cola\c{c}o and Marc Pouzet}, title = {{Clocks as First Class Abstract Types}}, note = {Submitted to the Journal of Functional Programming (JFP)}, year = 2005 } @phdthesis{Collaros1996a, author = {Collaros, Pandel}, title = {{Quanti-MAS: A Quantitative System of Melodic Analysis}}, school = {Ohio State Univ}, year = {1996} } @book{Collings2000a, author = {Collings, Matthew}, title = {{This Is Modern Art}}, publisher = {Weidenfeld Nicolson}, year = 2000} @article{Collins2003a, author = {Collins, Nick and McLean, Alex and Rohrhuber, Julian and Ward, Adrian}, year = 2003, title = {{Live Coding Techniques for Laptop Performance}}, journal = {Organised Sound}, volume = 8, number = 3, pages = {321--330}, } @article{Collins2006a, author = {Collins, Nick and Olofsson, Fredrik}, title = {{klipp av: Live Algorithmic Splicing and Audiovisual Event Capture}}, journal = j_cmj, year = 2006, volume = 30, number = 2, pages = {8--18} } @book{Commetant1980a, author = {Comettant, Oscar}, title = {{In the land of kangaroos and gold mines}}, publisher = {Rigby}, year = 1980, address = {Adelaide}, note = {Translated by Judith Armstrong}, unimelb = {UniM Music 994.031 COME} } @article{Comte1997a, author = {Michel Comte}, title = {{A True and Authentic Account of a Twenty Year Skirmish with Various Sad Academics who Stopped Living and Became Mixed-up Post-modern Zombies Instead! 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{117--141}, year = {1989} } @inproceedings{Cook1992a, author = {Cook, Perry}, title = {{A Meta-Wind-Instrument Physical Model, and a Meta-Controller for Real Time Performance Control}}, booktitle = c_icmc, year = 1992, } @article{Cook1997a, author = {Cook, Perry}, title = {{Physically informed sonic modeling (phism): Synthesis of percussive sounds}}, journal = j_cmj, volume = 21, number = 3, pages = {38--49}, year = 1997, } @inproceedings{Cook1999a, author = {Cook, Perry and Scavone, Garry}, title = {{The Synthesis Toolkit (STK)}}, booktitle = c_icmc, year = 1999, } @book{Cook1999b, editor = {Cook, Perry}, title = {{Music, cognition and computerized sound: an introduction to psychoacoustics}}, publisher = p_mit, year = 1999, address = {Cambridge, MA} } @book{Cook1999c, editor = {Cook, Nicholas and Everist, Mark}, title = {{Rethinking Music}}, publisher = p_oup, address = {Oxford}, year = {1999}, } @book{Cooper1960a, author = {Cooper, Grosvenor and Meyer, Leonard}, title = {{The Rhythmic Structure of Music}}, publisher = p_ucp, address = {Chicago}, year = {1960} } @article{Cooper1989a, author = {Cooper, D.H. and Bauck, J.L.}, title = {{Prospects for transaural recording}}, journal = j_jaes, year = 1989, volume = 37, pages = {3--19} } @article{Cooper1996a, author = {Cooper, D. and Ng, K.C.}, title = {{A Monophonic Pitch-tracking Algorithm Based On Waveform Periodicity Determinations Using Landmark Points}}, journal = j_cmj, year = 1996, volume = 20, number = 3 } @techreport{Cooper2004a, author = {Cooper, Gregory and Krishnamurthi, Shiram}, title = {{FrTime: Functional Reactive Programming in PLT Scheme}}, institution = {Dept. of Computer Science, Brown University}, year = 2004, number = {CS-03--20}, address = {Providence, Rhode Island}, month = {April} } @book{Cope1977a, author = {Cope, David}, title = {{New Music Composition}}, publisher = {Schirmer}, address = {New York}, year = {1977} } @article{Copeland2002a, author = {Copeland, Roger}, title = {{Merce Cunnigham and the Aesthetic of Collage}}, journal = {The Drama Review}, year = 2002, volume = 46, number = 1, pages = {11--27}} @book{Copenhaver1992a, author = {Brian P. Copenhaver}, title = {{Hermetica: the Greek Corpus Hermeticum and the Latin Asclepius in a new English translation, with notes and introduction}}, publisher = {Cambridge University Press}, year = 1992, address = {Cambridge}, isbn = 0521361443, unimelb = {UniM Bail 135.4 HERM}} @book{Copland1952a, author = {Copland, Aaron}, title = {{Music and Imagination}}, publisher = p_hup, address = {Cambridge}, year = {1952} } @article{Corbett1992a, author = {Corbett, John}, title = {{The Conversation Game: John Cage}}, journal = {New Art Examiner}, year = 1992, note = {Reprinted in Corbett 1994, pp.181--191}} @book{Corbett1994a, author = {Corbett, John}, title = {{Extended Play: Sounding off from John Cage to Dr. Funkenstein}}, publisher = {Duke University Press}, year = 1994, address = {Durham} } @book{Corman1990a, author = {Cormen, Thomas and Leiserson, Charles and Rivest, Ronald}, title = {{Introduction to Algorithms}}, publisher = p_mit, year = 1990, address = {Cambridge, MA} } @article{Cory1987a, author = {Cory, Eleanor}, title = {{Review of Milton Babbitt's ``Words About Music''}}, journal = {Theory and Practice}, volume = {12}, pages = {67--73}, year = {1987} } @book{Cott1973a, author = {Cott, Jonathon}, title = {{Stockhausen: Conversations with the Composer}}, publisher = p_sas, address = {New York}, year = {1973} } @article{Couprie2004a, author = {Couprie, Pierre}, title = {{Graphical representation: an analytical and publication tool for electroacoustic music}}, journal = {Organised Sound}, year = 2004, volume = 9, pages = {109-113}} @article{Courchene2001a, author = {Courchene, Kim}, title = {{A Conversation with Beatriz Ferreyra}}, journal = j_cmj, year = 2001, volume = 25, number = 3, pages = {14--21} } @article{Cousineau2001a, author = {Cousineau, Thomas}, title = {{Thomas Bernhard}}, journal = {Review of Contemporary Fiction}, year = 2001, volume = {XXI}, number = 2, pages = {41--70}, unimelb = {UniM Bail P 809.3005 REVI}} @inproceedings{Coutts2007a, author = {Duncan Coutts and Roman Leshchinskiy and Don Stewart}, title = {{Stream Fusion: From Lists to Streams to Nothing at All}}, booktitle = {Proceedings of the ACM SIGPLAN International Conference on Functional Programming, ICFP 2007}, year = 2007, month = {April}} @book{Covell1967a, author = {Covell, Roger}, title = {{Australia's music; themes of a new society}}, publisher = {Sun Books}, year = 1967, address = {Melbourne}, unimelb = {UniM Bail 780.994 C873} } @book{Cowell1930a, author = {Cowell, Henry}, title = {{New Musical Resources}}, publisher = p_ak, address = {New York}, year = 1930 } @article{Cowell1952a, author = {Cowell, Henry}, title = {{Current Chronicle}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {January}, pages = {131--136}, year = 1952 } @book{Cowell1969a, author = {Cowell, Henry}, title = {{Charles Ives and his music}}, publisher = {Oxford University Press}, year = 1969, address = {London} } @book{Cox2004a, author = {Christoph Cox and Daniel Warner}, title = {{Audio Culture: Readings in Modern Music}}, publisher = {Continuum International}, year = 2004} @book{Coxsedge1982a, author = {Joan Coxsedge, Ken Coldicutt, Gerry Harant}, title = {{Rooted in secrecy: the clandestine element in Australian politics}}, publisher = {Committee for the Abolition of Political Police}, year = 1982, address = {Balwyn North, Vic}, isbn = 0959826025, unimelb = {Archives 327.120994 COXS}, nla = {NL 327.120994 C879} } @book{Coxsedge1984a, author = {Joan Coxsedge and Gerry Harant}, title = {{Security threat: the urgent need to abolish secret agencies}}, publisher = {Committee for the Abolition of Political Police}, year = 1984, address = {North Balwyn, Vic}, isbn = 0959826033, nla = {NLp 363.2830994 C879} } @book{Coxsedge1986a, author = {Joan Coxsedge}, title = {{Thank God for the revolution: a journey through Central America}}, publisher = {Pluto Press}, year = 1986, address = {Sydney}, isbn = 0949138053, unimelb = {Bail 972.8053 COXS}, nla = {NL 972.84053 C879} } @book{Coxsedge2007a, author = {Joan Coxsedge}, title = {{Cold tea for brandy: a tale of protest, painting and politics}}, publisher = {Vulcan Press}, year = 2007, address = {Balwyn North, Vic}, isbn = 9780646479354, nla = {N 994.506092 C879C} } @book{Coyle1995a, editor = {Rebecca Coyle}, title = {{Sound In Space: Adventures in Australian Sound Art}}, publisher = {Museum of Contemporary Art}, year = 1995, address = {Sydney, NSW}, note = {Exhibition catalogue. 26 May - 22 August, 1995}} @book{Coyle2005a, author = {Daniel Coyle}, title = {{Lance Armstrong's War: One Man's Battle Against Fate, Fame, Love, Death, Scandal, and a Few Other Rivals on the Road to the Tour de France}}, publisher = {Harper Collins}, year = 2005, month = {June}, isbn = {0-06-073497-3}, } @article{Cramer1983a, author = {Cramer, Sue}, title = {{Review: Tall Poppies}}, journal = {Art Network}, year = 1983, volume = 10, pages = {44--45}, month = {Winter} } @article{Cramer1984a, author = {Cramer, Sue}, title = {{Tony Clark: Classical Pop and Beyond. An Interview by Sue Cramer}}, journal = {Tension}, year = 1984, volume = 5, month = {October}, pages = {34--37}, unimelb = {UniM Bail P 700.5 TENS} } @phdthesis{Cramer1997a, author = {Cramer, Alfred}, title = {{Music for the Future: Sounds of Early Twentieth-Century Psychology and Language in Works of Schoenberg, Webern and Berg, 1908 to the First World War}}, school = {University of Pennsylvania}, year = {1997} } @article{Cramer1997b, author = {Cramer, Alfred}, title = {{Review of Coherence, Counterpoint, Instrumentation, Instruction in Form and The Musical Idea: and the Logic, Technique and Art of its Presentation}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {19}, number = {1}, pages = {87--92}, year = {1997} } @incollection{Crane1997a, author = {Jonathan Crane}, title = {{Sadism and Seriality: The Disaster Prints}}, crossref = {Pratt1997a} } @article{Craven1990a, author = {Craven, Peter}, title = {{Master of Words Who Gathers Strength from the Land}}, journal = {The Age}, year = 1990, month = {24 November}, pages = 8, annote = {Subject: Gerald Murnane}, unimelb = {UniM Bail MIC/o A265} } @article{Craven1996a, author = {Craven, Peter}, title = {{Out of the shadows of art}}, journal = {The Age}, year = 1996, month = {23rd of November}, note = {Review of Thomas Bernhard's ``Extinction''}, unimelb = {UniM Bail MIC/o A265} } @book{Crawford2002a, editor = {Crawford, Ashley}, title = {{Wimmera: the work of Philip Hunter}}, publisher = p_th, year = 2002, address = {London}, unimelb = {UniM VCA 759.994 Hun /0632} } @article{Crimp1999a, author = {Douglas Crimp}, title = {{Getting the Warhol We Deserve: Cultural Studies and Queer Culture}}, journal = {In Visible Culture}, year = 1999, volume = 1} @article{Crisp1995a, author = {Deborah Crisp}, title = {{The piano in Australia, 1770 to 1900: some literary sources}}, journal = {Musicology Australia}, year = 1995, volume = 18, pages = {25--38}, issn = {0814-5857}, abstract = {{The beginning of the piano's rise to popularity at the end of the eighteenth century coincided with the begin-nings of European settlement in Australia. For the upwardly mobile middle class in Europe, the piano was a highly significant acquisition: ownership of such an instrument indicated not only a degree of wealth, but also culture, education and gentility. In colonial Australia, the symbolism attached to the piano was doubly potent. In a land barely touched by European civilisation, there was an urgent need to assert European values and European culture. The presence of a piano fulfilled this need in a surprising number of ways. It was potentially a vehicle for all of the musical repertoire of the time, orchestral and chamber, operatic, vocal and choral, as well as keyboard. In addition, it provided a means of continuing the more homely folk traditions of Europe, the songs and ballads, and dances. At the same time, the instrument was a model of technical ingenuity - perhaps the most complex and sophisticated artefact to emerge from the Industrial Revolution. Thus many of the cultural values of Europe were embodied in the piano. For this reason, in addition to the enhancement of individual prestige, the piano was a highly significant factor in the European acculturation of Australia. From the earliest days of European settlement, pianos were frequently seen as an indispensable item, despite the difficulty and expense of transporting them. By the middle of the nineteenth century, a solid infrastructure of support for domestic music making had developed, paving the way for the emergence of Australian musicians into the mainstream of international music culture.}} } @book{Crochiere1983a, author = {Crochiere, Ronald and Rabiner, Lawrence}, title = {{Multirate digital signal processing}}, publisher = p_ph, year = 1983, address = {Englewood Cliffs, NJ} } @book{Cronin1996a, author = {Cronin, Anthony}, title = {{Samuel Beckett: The Last Modernist}}, publisher = {Harper Collins}, address = {London}, year = 1996, unimelb = {UniM Bail 848.91409 BECKETT/ CRON} } @book{Cronin2003a, editor = {Cronin, Paul}, title = {{Herzog on Herzog}}, publisher = {Faber \& Faber}, year = 2003, address = {London}} @article{Cross1968a, author = {Lowell Cross}, title = {{Electronic Music, 1948-1953}}, journal = {Perspectives of New Music}, year = 1968, volume = 7, number = 1, pages = {32--65}, month = {Autumn/Winter}} @book{Cross1993a, editor = {Cross, Ian and Deliege, Irene}, title = {{Music and the cognitive sciences 1990}}, publisher = p_hap, year = 1993, volume = 9, series = j_cmr, address = {Switzerland}, } @article{Cross1999a, author = {Cross, Lowell}, title = {{``Reunion'': John Cage, Marcel Duchamp, Electronic Music and Chess}}, journal = j_lmj, year = 1999, volume = 9, pages = {35--42}} @article{Crotty2000a, author = {Crotty, Joel}, title = {{DeFLOCKEDeD}}, journal = {The Age}, year = 2000, month = {Thursday 24th August}, note = {Review essay}, annote = {Subject: SLAVE PIANOS}, unimelb = {UniM Bail MIC/o A265} } @book{Crumb1993a, author = {Robert Crumb}, title = {{R. Crumb Draws the Blues}}, publisher = {Last Gasp}, year = 1993, address = {San Fransisco, CA}, month = {August}} @incollection{Crumb1993b, author = {Robert Crumb}, title = {{Charley Patton [1984]}}, crossref = {Crumb1993a}} @book{Cumes1979a, author = {James William C. Cumes}, title = {{Their chastity was not too rigid: leisure times in early Australia}}, publisher = {Longman Cheshire}, year = 1979, address = {Melbourne}, unimelb = {UniM Bail 306.4 CUME}, isbn = 0582714567 } @book{Cummings1960a, author = {Cummings, E. E.}, title = {{selected poems}}, publisher = p_ff, year = 1960, address = {London} } @misc{Cuomo2001a, author = {Cuomo, J. and Sebald, W. G.}, title = {{The Meaning of Coincidence - An interview with the writer W. G. Sebald}}, howpublished = {Television interview}, month = {March}, year = 2001, note = {Queens College, New York}, annote = {Transcribed extract}, } @book{Curnow1995a, editor = {Curnow, Ben}, title = {{Double Vision: Artists' Portraits of Artists}}, publisher = {Ivan Dougherty Gallery }, year = 1995, address = {Sydney}, note = {Exhibition Catalogue}, annote = {Subject: Peter Tyndall}, unimelb = {UniM Store AB f 704.9420994 DOUB} } @book{Curry1958a, author = {H.B. Curry and R. Feys}, title = {{Combinatory Logic}}, publisher = {North-Holland Pub. Co.}, year = 1958, address = {Amsterdam}} @book{Curtis1991a, editor = {J. A. E. Curtis}, title = {{Manuscripts don't burn: Mikhail Bulgakov, a life in letters and diaries}}, publisher = {Bloomsbury}, year = 1991, address = {London}, note = {Translated by J. A. E. Curtis}, unimelb = {UniM Bail 891.784209 BULGAKO/CURT}} @article{Curtis1999a, author = {Curtis, Cathy}, title = {{`Search': An Artist Meets Death in His Medium}}, journal = {Los Angeles Times}, year = 1999, month = {March 9}, annote = {Subject: Bas Jan Ader}} @article{Cyr1971a, author = {Cyr, Gordon}, title = {{Intervallic Structural Elements in Ives's ``Fourth Symphony''}}, journal = j_pnm, volume = {10}, number = {1}, pages = {291--303}, year = {1971} } @misc{Dack2001a, author = {Dack, John}, title = {{At the limits of Schaeffer's TARTYP}}, year = 2001, url_ = {http://www.scientificcommons.org/41538670} } @book{Dahl1972a, author = {Dahl, O.J. and Dijkstra, E.W. and Hoare, A.}, title = {{Structured Programming}}, publisher = {Academic Press}, year = 1972, address = {London} } @book{Dahlhaus1968a, author = {Dahlhaus, Carl}, title = {{Arnold Schoenberg: Variationen fur Orchester, Op.31}}, publisher = {Fink}, address = {Munich}, year = {1968} } @book{Dahlhaus1980a, author = {Dahlhaus, Carl}, title = {{Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century}}, edition = {German}, publisher = p_ucap, address = {Berkeley and Los Angeles}, year = {1980}, note = {Translated by Mary Whittal}, } @book{Dahlhaus1982a, author = {Dahlhaus, Carl}, title = {{Esthetics of Music}}, publisher = {Cambridge University Press}, address = {Cambridge}, year = {1982}, note = {Translated by William Austin}, } @book{Dahlhaus1983a, author = {Dahlhaus, Carl}, title = {{Foundations of Music History}}, publisher = {Cambridge University Press}, address = {Cambridge}, note = {Translated by J.B. Robinson}, year = {1983} } @book{Dahlhaus1983b, author = {Dahlhaus, Carl}, title = {{Analysis and Value Judgement}}, publisher = {Pendragon Press}, address = {New York}, note = {Translated by S. Levariel}, year = {1983} } @book{Dahlhaus1987a, author = {Dahlhaus, Carl}, title = {{Schoenberg and the New Music: Essays}}, publisher = {Cambridge University Press}, address = {Cambridge}, note = {Translated by Derrick Puffet and Alfred Clayton}, year = {1987} } @book{Dahlhaus1989a, author = {Dahlhaus, Carl}, title = {{The Idea of Absolute Music}}, publisher = p_ucp, note = {Translated by Roger Lustig}, year = {1989} } @book{Dahlhaus1990a, author = {Dahlhaus, Carl}, title = {{Studies on the Origin of Harmonic Tonality}}, publisher = p_pup, address = {Princeton, NJ}, note = {Translated by Robert Gjerdinger}, year = {1990} } @article{Dallapiccola1951a, author = {Dallapiccola, Luigi}, title = {{On the Twelve-Note Road}}, journal = {Music Survey}, volume = {4}, number = {1}, year = {1951} } @article{Dallapiccola1966a, author = {Dallapiccola, Luigi and Carter, Elliott and Nin, Anais and Szathmary, Arthur and Feldman, Morton and Wilkinson, Marc}, title = {{In Memoriam: Edgard Var\`ese (1883--1965)}}, journal = j_pnm, volume = 4, number = 2, pages = {1--13}, year = 1966, unimelb = {UniM Music P PERS}, annote = {kw: Edgard Varese} } @incollection{Dallapiccola1970a, author = {Dallapiccola, Luigi}, crossref = {Hines1970a}, title = {{My Choral Music}}, } @book{Dalmonte1985a, author = {Rosanna Dalmonte and B\'alint Andr\'as Varga}, title = {{Luciano Berio: Two Interviews}}, publisher = {Marion Boyars Publishers Ltd}, year = 1985, address = {London}, month = {February}, note = {Translated and edited by David Osmond-Smith}, isbn = {978-0714528298}, unimelb = {UniM Music 780.92 BERI} } @book{Dalstra2006a, editor = {Dalstra, Koos and Wijk, Marion van}, title = {{Bas Jan Ader: Ocean Wave}}, publisher = {Artimo}, year = 2006, address = {Amsterdam}} @book{Dalstra2007a, editor = {Koos Dalstra, Marion van Wijk}, title = {{Bas Jan Ader: In Search of the Miraculous, Discovery File 143/76 pad}}, publisher = {Veenman}, year = 2007, address = {Rotterdam}} @book{Daly2004a, author = {Glyn Daly and Slavoj Žižek}, title = {{Conversations with Žižek}}, year = 2004, publisher = {Polity}, address = {Cambridge, UK}, note = {{Introduction: Risking the impossible -- Opening the space of philosophy -- The madness of reason: encounters of the real kind -- Subjects of modernity: virtuality and the fragility of the real -- Tolerance and the intolerable: enjoyment, ethics and event -- Miracles do happen: globalization(s) and politics}}, isbn = 0745628966, } @inproceedings{Damas1982a, author = {L. Damas and R. Milner}, title = {{Principal type schemes for functional programs}}, booktitle = {{Proceedings of the 9th ACM Symposium on Principles of Programming Languages}}, pages = {207--212}, year = 1982, address = {Albuquerque, NM}, month = {January}} @article{Damisch1979a, author = {Hubert Damisch}, title = {{The Duchamp Defense}}, journal = {October}, year = 1979, volume = 10, pages = {5--28}, month = {Fall}, note = {Translated by Rosalind Krauss}} @incollection{Danhauser1987a, author = {Danhauser, Hermann}, editor = {Danhauser, Hermann and others}, title = {{Auf der Suche nach einer Nationalen Musikasthetik [In Search of a Musical Aesthetic]}}, booktitle = {Amerikanische Musik seit {Charles Ives}}, pages = {51--59}, publisher = {Laaber Verlag}, address = {Laaber}, year = {1987} } @book{Daniel1988a, author = {Daniel, Helen}, title = {{LIARS. Australian New Novelists}}, publisher = {Penguin}, year = 1988, address = {Melbourne}, annote = {Subject: Gerald Murnane}, unimelb = {UniM Bail A823.3 DANI} } @inproceedings{Danks1997a, author = {Danks, Mark}, title = {{Real-time Image and Video Processing in GEM}}, booktitle = c_icmc, pages = {220--223}, year = 1997} @article{Dannatt2000a, author = {Dannatt, Adrian}, title = {{Duchamp and Beuys, Not Debussy and Beethoven}}, journal = {The Art Newspaper}, year = 2000, volume = 99, month = {January}, note = {Review essay}, annote = {Subject: SLAVE PIANOS} } @misc{Dannenberg, author = {Dannenberg, Roger}, title = {{Nyquist}}, howpublished = {Software}, url_ = {http://www.cs.cmu.edu/~music/nyquist/} } @article{Dannenberg1986a, author = {Dannenberg, Roger and others}, title = {{Arctic: a functional language for real-time systems}}, journal = j_cmj, year = 1986, volume = 10, number = 4, pages = {67--78} } @article{Dannenberg1989a, author = {Roger B. Dannenberg}, title = {{The Canon Score Language}}, journal = j_cmj, year = 1989, volume = 13, number = 1, pages = {47--56}, month = {Spring}, doi = {10.2307/3679854}} @inproceedings{Dannenberg2002a, author = {Dannenberg, Roger}, title = {{A Language for Interactive Audio Applications}}, booktitle = c_icmc, pages = {509--515}, year = 2002 } @article{Danner1990a, author = {Danner, Gregory}, title = {{Voicing Relations in Pitch-class Set Analysis}}, journal = j_if, year = 1990, volume = 19, number = 4, pages = {273--291}, unimelb = {UniM Music P INTE} } @book{Danner2004a, author = {Danner, Mark}, title = {{Torture and Truth: America, Abu Ghraib, and the War on Terrror}}, publisher = p_rh, year = 2004, address = {New York} } @book{Dante1950a, author = {Dante Alighieri}, title = {{The Divine Comedy}}, publisher = {Random House}, year = 1950, address = {New York}, note = {Translated by J.A.Carlyle, T.Okey and P.H.Wickstead}} @book{Dante1951a, author = {Dante Alighieri}, title = {{The Divine Comedy}}, publisher = p_oup, year = 1951, address = {London}, note = {Translated by Melville Anderson}} @article{Danvy2003a, author = {Olivier Danvy and Lasse R. Nielsen}, title = {{A first-order one-pass CPS transformation}}, journal = {Theor. Comput. Sci.}, volume = {308}, number = {1-3}, year = {2003}, pages = {239--257}, doi = {http://dx.doi.org/10.1016/S0304-3975(02)00733-8}, publisher = {Elsevier Science Publishers Ltd.}, address = {Essex, UK}, } @book{Darmon2007a, author = {Eric Darmon and Franck Mallet}, title = {{Pierre Henry, the art of sounds [videorecording]}}, publisher = {Ideale Audience International}, year = 2007, address = {Paris}, annote = {UniM VCA DVD 2285} } @article{Dashow1980a, author = {Dashow, James}, title = {{Spectra as Chords}}, journal = j_cmj, year = 1980, volume = 4, number = 1, pages = {43--52} } @article{Dashow1986a, author = {Dashow, James}, title = {{New Approaches to Digital Sound Synthesis and Transformation}}, journal = j_cmj, year = 1986, volume = 10, number = 4, pages = {55--66}, month = {Winter}, doi = {10.2307/3680097}} @article{Dashow1987a, author = {Dashow, James}, title = {{Looking into ``Sequence Symbols''}}, journal = j_pnm, year = 1987, volume = 25, number = {1--2}, pages = {108--137} } @article{Davidian1990a, author = {Davidian, Teresa}, title = {{Intervallic Process and Autonomy in the First Movement of Debussy's ``Sonata for Cello and Piano''}}, journal = {Theory and Practice}, volume = {15}, pages = {1--12}, year = {1990} } @book{Davies1963a, editor = {Davies, R. T.}, title = {{Medieval English Lyrics: A Critical Anthology}}, publisher = p_ff, year = 1963, address = {London}} @article{Davies1983a, author = {Davies, Stephen}, Title = {{Attributing Significance to Unobvious Musical Relationships}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {27}, year = {1983} } @article{Davies1983b, author = {Davies, Suzanne}, title = {{Review: Peter Tyndall - Art Projects}}, journal = {Art Network}, year = 1983, volume = 11, pages = 52, month = {Spring} } @book{Davies2003a, author = {Davies, Stephen}, title = {{Themes in the Philosophy of Music}}, publisher = p_oup, address = {Oxford}, year = 2003, } @misc{Davis, author = {Davis, Paul and others}, title = {{Jack: Jack Audio Connection Kit}}, howpublished = {Software}, url_ = {http://jackit.sf.net} } @article{Davis1963a, author = {Davis, Peter}, title = {{Feldman and Brown}}, journal = {Musical America}, volume = {November}, pages = {33--34}, year = {1963}, unimelb = {UniM Music MIC/o 1139} } @book{Davis1988a, author = {Davis, Angela}, title = {{An Autobiography}}, publisher = p_ip, year = 1988, address = {New York} } @book{Davis1990a, author = {Davis, D.}, title = {{A Computer Music Bibliography}}, publisher = {A-R Editions}, year = 1990, volume = {1--2} } @book{Davis1990b, author = {Davis, Mike}, title = {{City of quartz: excavating the future in Los Angeles}}, publisher = {Verso}, year = 1990, address = {London}, note = {Photographs by Robert Morrow}} @book{Davis2001a, author = {Davis, Mike}, title = {{Late Victorian holocausts: El Ni\~no famines and the making of the third world}}, publisher = {Verso}, year = 2001, address = {New York}} @article{Davis2005a, author = {Davis, Ben}, title = {{We Are Duchampians}}, journal = {artnet}, year = 2005, month = {November}, note = {Review of ``The Imagery of Chess Revisited,'' Oct. 21, 2005 - Mar. 5, 2006, at the Noguchi Museum}, url_ = {http://www.artnet.com/magazineus/reviews/davis/davis11--1-05.asp} } @article{Davis2005b, author = {Davis, Nicole}, title = {{I Love Kippenberger}}, journal = {artnet}, year = 2005, month = {October}, _url = {http://www.artnet.com/Magazine/features/davis/davis3-10-05.asp} } @incollection{Davis2007a, author = {Mike Davis}, title = {{Buda's Wagon: A Brief History of the Car Bomb}}, crossref = {Sorkin2007a}} @book{Davis2007b, author = {Mike Davis}, title = {{Buda's Wagon: A Brief History of the Car Bomb}}, publisher = {Verso}, year = 2008, address = {London}} @book{Davismoon1999a, editor = {Stephen Davismoon}, title = {{Luigi Nono: The Suspended Song}}, publisher = {Routledge}, year = 1999, series = {Contemporary Music Review, Volume 18, Issues 1 \& 2}, month = {June}, isbn = {978-9057551123} } @book{Davismoon2004a, editor = {Davismoon, Stephen}, title = {{Edgard Var\`ese ... Offerings}}, publisher = p_rl, year = 2004, volume = {23/1}, series = j_cmr, annote = {kw: Edgard Varese}, unimelb = {UniM Music 780.92 VARE/ EDGA} } @book{DeBellis1995a, author = {DeBellis, Mark}, title = {{Music and Conceptualization}}, publisher = {Cambridge University Press}, address = {Cambridge}, year = {1995} } @article{DeFotis1978a, author = {DeFotis, William}, title = {{Berg's Op.5: Rehearsal Instructions}}, journal = j_pnm, volume = {17}, number = {1}, pages = {131--137}, year = {1978} } @article{DeLio1980a, author = {Thomas DeLio}, title = {{Iannis Xenakis' "Nomos Alpha": The Dialectics of Structure and Materials}}, journal = {Journal of Music Theory}, year = 1980, volume = 24, number = 1, pages = {63--95}, month = {Spring}} @article{DeLio1981a, author = {DeLio, Thomas}, title = {{Spatial Design in Elliott Carter's ``Canon for 3''}}, journal = {ITR}, volume = {4}, number = {1}, pages = {1--12}, year = {1981} } @article{DeLio1983a, author = {DeLio, Thomas}, title = {{Toward an Art of Imminence: Morton Feldman's Durations III, No. 3}}, journal = j_if, volume = {12}, number = {3}, pages = {465--480}, year = {1983}, unimelb = {UniM Music P INTE} } @book{DeLio1984a, author = {DeLio, Thomas}, title = {{Contigous Lines: Issues and Ideas in the Music of the 60's and 70's}}, publisher = {University Press of America}, address = {Lanham, MD}, year = {1984} } @book{DeLio1984b, author = {DeLio, Thomas}, title = {{Circumscribing the open universe}}, publisher = {University Press of America}, year = 1984, address = {Lanham, MD}, unimelb = {UniM Music 780.973 DELI} } @article{DeLio1985a, author = {DeLio, Thomas}, title = {{A Proliferation of Canons: Luigi Dallapiccola's ``Goethe Lieder No.2''}}, journal = j_pnm, volume = {23}, number = {2}, pages = {186--195}, year = {1985} } @article{DeLio1987a, author = {DeLio, Thomas}, title = {{A Proliferation of Canons II: Luigi Dallapiccola's ``Goethe Lieder \#6''}}, journal = j_if, volume = {16}, pages = {39--47}, year = {1987}, unimelb = {UniM Music P INTE} } @article{DeLio1987b, author = {Thomas DeLio}, title = {{Structure and strategy: Iannis Xenakis' {\em Linaia-Agon}}}, journal = {Journal of New Music Research}, year = 1987, volume = 16, number = 3, pages = {143--164}, doi = {10.1080/09298218708570498} } @article{DeLio1993a, author = {DeLio, Thomas}, title = {{Time Transfigured: Erik Satie's ``Parade''}}, journal = j_cmr, volume = {7}, pages = {141--162}, year = {1993} } @book{DeLio1995a, author = {DeLio, Thomas}, title = {{The Music of Morton Feldman}}, publisher = {Excelsior}, address = {New York}, year = {1995}, unimelb = {UniM Music 780.92 FELD/MUSI} } @book{DeLio1996a, editor = {DeLio, Thomas}, title = {{The Music of Morton Feldman}}, publisher = {Greenwood Press}, year = 1996, address = {Westport, CT}, unimelb = {UniM VCA 780.92 Fel /0108}} @book{DeNora2003a, author = {De Nora, Tia}, title = {{After Adorno. Rethinking Music Sociology}}, publisher = p_cup, year = 2003, address = {Cambridge} } @book{DePoli1991a, editor = {De Poli, G. and Piccialli, A. and Roads, C.}, title = {{Representations of Musical Signals}}, publisher = p_mit, address = {Cambridge, MA}, year = 1991 } @book{Debord1977a, author = {Debord, Guy}, title = {{Society of the Spectacle [1967]}}, publisher = {Black \& Red}, year = 1977, edition = {Revised}, note = {Translated by Black \& Red}, annote = {First published in 1967 as {\em La Societe Spectacle} by Editions Buchet-Chastel (Paris)}, unimelb = {UniM Bail 302 DEBO} } @book{Debord1990a, author = {Debord, Guy}, title = {{Comments on the Society of the Spectacle [1988]}}, publisher = {Verso}, year = 1990, address = {London}, note = {Translated by Malcolm Imrie}, unimelb = {UniM Bail 302 DEBO}} @book{Debord1994a, author = {Debord, Guy}, title = {{The society of the spectacle}}, publisher = {Zone Books}, year = 1994, address = {New York}, note = {Translated by Donald Nicholson-Smith}, unimelb = {UniM VCA 320.01 Deb} } @article{Debord1997a, author = {Guy Debord and Gil J. Wolman}, title = {{Why Lettrism? [1955]}}, journal = {Not Bored}, volume = 27, month = {May}, year = 1997, note = {Originally published in {\em Potlatch No. 22} 9 September, 1955. Translated by Luther Blissett and Not Bored}} @incollection{Debord2003a, author = {Guy Debord}, title = {{Howls for Sade [1952]}}, crossref = {Knabb2003a}} @incollection{Debord2003b, author = {Guy Debord}, title = {{On The Passage of a Few Persons through a Rather Brief Period of Time [1959]}}, crossref = {Knabb2003a}} @incollection{Debord2003c, author = {Guy Debord}, title = {{Critique of Separation [1961]}}, crossref = {Knabb2003a}} @incollection{Debord2003d, author = {Guy Debord}, title = {{The Society of the Spectacle [1973]}}, crossref = {Knabb2003a}} @incollection{Debord2003e, author = {Guy Debord}, title = {{Refutation of All the Judgments, Pro or Con, Thus Far Rendered on the Film The Society of the Spectacle [1975]}}, crossref = {Knabb2003a}} @incollection{Debord2003f, author = {Guy Debord}, title = {{In girum imus nocte et consumimur igni [1978]}}, crossref = {Knabb2003a}} @book{Debord2004a, author = {Debord, Guy}, title = {{Society of the Spectacle [1967]}}, publisher = {Rebel Press}, year = 2004, note = {Translated by Ken Knabb}, annote = {First published in 1967 as {\em La Societe Spectacle} by Editions Buchet-Chastel (Paris)} } @article{Debord2005a, author = {Guy Debord}, title = {{Remarks on the SI Today [1970]}}, journal = {Not Bored}, year = 2005, volume = 37, month = {May}, note = {Translated by Ken Knabb (1981) and Not Bored (2004)}} @incollection{Debord2006a, author = {Guy Debord}, title = {{Introduction to a Critique of Urban Geography [1955]}}, crossref = {Knabb2006a}, note = {Originally published as {\em Introduction \`a une critique de la g\'eographie urbaine} in {\em Les L\`evres Nues No. 6} 1955}} @incollection{Debord2006b, author = {Guy Debord}, title = {{A User's Guide to D\'etournement [1956]}}, crossref = {Knabb2006a}, note = {Originally published as {\em Mode d'emploi du d\'etournement} in {\em Les L\`evres Nues No. 8} May 1956}} @incollection{Debord2006c, author = {Guy Debord}, title = {{Report on the Construction of Situations and on the International Situationist Tendency's Conditions of Organization and Action [1957]}}, crossref = {Knabb2006a}, note = {{\em Rapport sur la construction des situations} was a preparatory text for the July 1957 Situationist International conference at Cosio d'Arroscia, Italy}} @incollection{Debord2006d, author = {Guy Debord}, title = {{Theses on Cultural Revolution [1958]}}, crossref = {Knabb2006a}, note = {Originally published as {\em Th\`eses sur la r\'evolution culturelle} in Internationale Situationniste No. 1, Paris, June 1958}} @incollection{Debord2006e, author = {Guy Debord}, title = {{Theory of the D\'erive [1958]}}, crossref = {Knabb2006a}, note = {Originally published as {\em Th\'eorie de la d\'erive} in {\em Internationale Situationniste No. 2} Paris, December 1958}} @incollection{Debord2006f, author = {Guy Debord}, title = {{Situationist Theses on Traffic [1959]}}, crossref = {Knabb2006a}, note = {Originally published as {\em Positions situationnistes sur la circulation} in {\em Internationale Situationniste No. 3} Paris, December 1959}} @incollection{Debord2006g, author = {Guy Debord}, title = {{Perspectives for Conscious Changes in Everyday Life [1961]}}, crossref = {Knabb2006a}, note = {Originally published as {\em Perspectives de modifications conscientes dans la vie quotidienne} in {\em Internationale Situationniste No. 6} Paris, August 1961}} @incollection{Debord2006h, author = {Guy Debord}, title = {{The Organization Question for the SI [1969]}}, crossref = {Knabb2006a}, note = {Originally published as {\em La question de l'organisation pour l'I.S.} in {\em Internationale Situationniste No. 12} Paris, September 1969}} @incollection{Debord2006i, author = {Guy Debord}, title = {{For a Revolutionary Judgment of Art [1962]}}, crossref = {Knabb2006a}, note = {Originally published as {\em Pour un jugement r\'evolutionnaire de l'art} [February, 1961] in {\em Notes Critiques: bulletin de recherche et d'orientation r\'evolutionnaires No. 3}, Bordeaux, 1962}} @incollection{Debord2006j, author = {Guy Debord}, title = {{The Situationists and the New Forms of Action in Politics and Art [1963]}}, crossref = {Knabb2006a}, note = {Originally published as {\em Les situationnistes et les nouvelles formes d'action dans la politique ou l'art} at {\em Destruction of RSG-6} demonstration in Denmark, June 1963}} @book{Debord2008a, author = {Guy Debord}, title = {{Correspondence: The Foundation of the Situationist International (June 1957-60)}}, publisher = {Semiotext(e)}, year = 2008, month = {December}, note = {Translated by Stuart Kendall and John McHale}, annote = {kw: SI}, unimelb = {UniM Bail 320.530944 DEBO} } @misc{Dechelle, author = {Dechelle, F. and others}, title = {{jMax}}, howpublished = {Software}, url_ = {http://www.ircam.fr/equipes/temps-reel/jmax/} } @inproceedings{Dechelle1998a, author = {Dechelle, F. and others}, title = {{Latest evolution of the jMax real-time engine}}, booktitle = c_icmc, pages = {248--251}, year = 1998, organization = o_icma, } @inproceedings{Dechelle1998b, author = {Dechelle, F. and others}, title = {{jMax: A new Java based editing and control system for real-time musical applications}}, booktitle = c_icmc, pages = {256--259}, year = 1998, organization = o_icma, } @article{Dechelle1999a, author = {Dechelle, F. and others}, title = {{jMax: An environment for real-time musical applications}}, journal = j_cmj, year = 1999, volume = 23, number = 3, pages = {50--58} } @inproceedings{Dechelle2000a, author = {Dechelle, F. and others}, title = {{The jMax Environment: An Overview of New Features}}, booktitle = c_icmc, pages = {252--257}, year = 2000, organization = o_icma, } @article{Delalande1998a, author = {Delalande, Francois}, title = {{Music Analysis and Reception Behaviours: {\em Sommeil} by Pierre Henry}}, journal = j_jnmr, year = 1998, volume = 27, number = {1--2}, pages = {13--66}} @book{Delaney1998a, editor = {Delaney, Max}, title = {{Tony Clark. Public and Private Paintings 1982--1998}}, publisher = {Musuem of Modern Art at Heide}, year = 1998, address = {Melbourne} } @article{Delatour2000a, author = {Thierry Delatour}, title = {{Molecular Music: The Acoustic Conversion of Molecular Vibrational Spectra}}, journal = {Computer Music Journal}, year = 2000, volume = 24, number = 3, pages = {48--68}, month = {October}, doi = {10.1162/014892600559335} } @article{Deleuze1983a, author = {Gilles Deleuze}, title = {{Plato and the Simulacrum}}, journal = {October}, year = 1983, pages = {45--56}, month = {Winter}, note = {Translated by Rosalind Krauss}} @book{Deleuze1987a, author = {Gilles Deleuze and F\'elix Guattari}, title = {{A Thousand Plateaus}}, publisher = {University of Minnesota Press}, year = 1987, address = {Minneapolis}, note = {Translated by Brain Massumi}} @book{Deleuze2004a, author = {Gilles Deleuze}, title = {{Desert Islands and Other Texts, 1953--1974}}, publisher = {Semiotext(e)}, year = 2004, series = {Foreign Agents Series}, address = {Los Angeles and New York}, note = {Edited by David Lapoujade, Translated by Michael Taormina}, annote = {{Introduction, Desert Islands, Jean Hyppolite's Logic and Existence, Instincts and Institutions, Bergson, 1859-1941, Bersson's Conception of Difference, Jean-Jacques Rousseau: Precursor of Kafka, Celine, and Ponse, The Idea of Genesis in Kant's Esthetics, Raymond Roussel, or the Abhorrent Vacuum, How Jarry's Pataphysics Opened the Way for Phenomenolosy, He Was my Teacher, The Philosophy of Crime Novels, On Gilbert Simondon, Humans: A Dubious Existence, The Method of Dramatization, Conclusions on the Will to Power and the Eternal Return, Nietzsche's Burst of Laushter, Mysticism and Masochism, On Nietzsche and the Image of Thought, Gilles Deleuze Talks Philosophy, Gueroult's General Method for Spinoza, The Fissure of Anaxagoras and the Local Fires of Heraclitus, Hume, How Do We Recognize Structuralism?, Three Group-Related Problems, "What Our Prisoners Want From Us...", Intellectuals and Power, Remarks (on Jean-Franoois Lyotard), Deleuze and Guattari Fight Back..., Helene Cixous, or Writing in Strobe, Capitalism and Schizophrenia, Your Special "Desiring-Machines": What Are They?, H.M.'s Letters, Hot and Cool, Nomadic Thought, On Capitalism and Desire, Five Propositions on Psychoanalysis, Faces and Surfaces, Preface to Hocquenghem's L'Apres-Mai des faunes, A Planter's Art}}} @book{Deleuze2006a, author = {Deleuze, Gilles}, title = {{Two Regimes of Madness: Texts and Interviews 1975-1995}}, publisher = {Semiotext(e)}, year = 2006, address = {Los Angeles, CA}, annote = {{Deux régimes de fous et autres textes (2004)}} } @article{Demaine2009a, author = {Demaine, Erik D. and Gomez-Martin, Francisco and Meijer, Henk and Rappaport, David and Taslakian, Perouz and Toussaint, Godfried T. and Winograd, Terry and Wood, David R.}, title = {{The distance geometry of music}}, journal = {Comput. Geom. Theory Appl.}, volume = 42, issue = 5, month = {July}, year = 2009, issn = {0925-7721}, pages = {429--454}, numpages = 26, doi = {10.1016/j.comgeo.2008.04.005}, publisher = {Elsevier Science Publishers B. V.}, address = {Amsterdam, The Netherlands}, } @book{Demetz1986a, author = {Demetz, Peter}, title = {{After the Fires: Recent writings in the Germanies, Austria and Switzerland}}, publisher = p_hbj, year = 1986, address = {San Diego} } @article{Dempster1987a, author = {Elizabeth Dempster}, title = {{Profile: Russell Dumas}}, journal = {New Theatre Australia}, year = 1987, volume = 1, number = 1, pages = {47--49}} @book{Dempster1990a, author = {Elizabeth Dempster}, title = {{Russell Dumas: case study}}, publisher = {Deakin University}, year = 1990, address = {Geelong, Vic.}, isbn = 0730007626 } @article{Dempster1994a, author = {Elizabeth Dempster}, title = {{Dancing the Body: Interview with Russell Dumas}}, journal = {Contact Quarterly}, year = 1994, volume = 19, number = 1, pages = {45--57}, month = {Winter/Spring}} @article{Demske1988a, author = {Demske, Thomas}, title = {{Inversional Common-Note Structure and Interval-Class Content}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {32}, number = {2}, pages = {295--334}, year = {1988} } @phdthesis{Demske1993a, author = {Demske, Thomas}, title = {{Recognizing Melodic Motion in Musical Scores: Rules and Contexts}}, school = {Yale University}, year = {1993} } % note = {Software available from http://pantheon.yale.edu/\~tdemske/m12home.htm} @book{Demske1996a, author = {Demske, Thomas}, title = {{Manual for mod12 v. 3.0}}, publisher = {Yale University}, year = {1996}, } @book{Denham2006a, editor = {Scott Denham and Mark McCulloh}, title = {{W.G. Sebald: history, memory, trauma}}, publisher = {W. de Gruyter}, year = 2006, address = {Berlin}, unimelb = {UniM Bail 833.914 SEBALD/ WGSE}, isbn = 3110182742 } @book{Dennett1991a, author = {Dennett, Daniel}, title = {{Conciousness Explained}}, publisher = {Little Brown and Co.}, address = {Boston}, year = {1991} } @article{Derby1982a, author = {Derby, Richard}, title = {{Carter's ``Duo for Violin and Piano''}}, journal = j_pnm, volume = {20}, number = {1}, pages = {149--168}, year = {1982} } @book{Derrida1973a, author = {Derrida, Jacques}, title = {{Speech and Phenomena and Other Essays on Husserl's Theory of Signs}}, publisher = {Northwestern University Press}, year = 1973, address = {Evanston}, note = {Translated by D.B. Allison}} @book{Derrida1976a, author = {Derrida, Jacques}, title = {{Of Grammatology [1967]}}, publisher = {Johns Hopkins University Press}, year = 1976, address = {Baltimore}, note = {Trans. Gayatri Spivak}} @book{Derrida1981a, author = {Derrida, Jacques}, title = {{Dissemination [1972]}}, publisher = {Chicago University Press}, year = 1981, address = {Chicago}, note = {Translated by Barbara Johnson}} @article{Desain1990a, author = {Desain, Peter}, title = {{LISP as a second language: functional aspects}}, journal = j_pnm, year = 1990, volume = 28, number = 1, pages = {192--223} } @article{Desain1993a, author = {Peter Desain and Henkjan Honing}, title = {{Tempo curves considered harmful}}, journal = {Contemporary Music Review}, year = 1993, volume = 7, number = 2, pages = {123--138}} @article{Desain1994a, author = {Peter Desain and Henkjan Honing}, title = {{Does expressive timing in music performance scale proportionally with tempo?}}, journal = {Psychological Review}, year = 1994, volume = 56, pages = {285--292}} thesis{Doerksen1994, author = {Doerksen, J. F.}, title = {{A Theory of Set-class Salience for Post-tonal Music, with Analyses of Selected Lieder by Anton Webern}}, institution = {University of Western Ontario}, year = {1994} } @article{Desantos1997a, author = {Desantos, S.}, title = {{Acousmatic Morphology: An Interview with Francois Bayle}}, journal = j_cmj, year = 1997, volume = 21, number = 3 } @book{Descartes1949a, author = {Descartes, Rene}, title = {{A Discourse on Method}}, publisher = p_dent, year = 1949, address = {London} } @book{Deutsch1982a, editor = {Deutsch, Diana}, title = {{The Psychology of Music}}, publisher = {Academic Press}, year = 1982 } @article{Deutsch1986a, author = {Deutsch, Diana}, title = {{A musical paradox}}, journal = j_mp, year = 1986, volume = 3, pages = {275--280} } @article{Deutsch1990a, author = {Deutsch, Diana}, title = {{The tritone paradox: An influence of language on music perception}}, journal = j_mp, year = 1990, volume = 8, pages = {335--347} } thesis{Douw1995, author = {Douw, Andre}, title = {{The Construction of Order and Direction in Igor Stravinsky's ``In Memoriam Dylan Thomas'', ``Canticum Sacrum'' and ``Threni''}}, institution = {Utrecht University}, type = {??}, year = {1995} } @article{Deutscher2002a, author = {Guy Deutscher}, title = {{On the misuse of the notion of `abduction' in linguistics}}, journal = {Journal of Linguistics}, year = 2002, volume = 38, pages = {469--485}} @article{Devereaux1991a, author = {Devereaux, Elizabeth}, title = {{PW Interviews: Haruki Murakami}}, journal = {Publisher's Weekly}, year = 1991, month = {September 21} } @book{Dewey1959a, author = {Dewey, John}, title = {{Art as experience}}, publisher = {Capricorn Books}, year = {1959}, address = {New York} } @incollection{DiScipio1994a, author = {DiScipio, Agostino}, title = {{Micro-Time Sonic Design and Timbre Formation}}, crossref = {Emmerson1994a}, pages = {135--148} } @article{DiScipio1995a, author = {Agostino Di Scipio}, title = {{On Different Approaches to Computer Music as Different Models of Compositional Design}}, journal = {Perspectives of New Music}, year = 1995, volume = 33, number = {1/2}, pages = {360--402}, month = {Winter/Summer}} @article{DiScipio1996a, author = {DiScipio, Agostino and Prignano, Ignazio}, title = {{Synthesis by Functional Iterations. A Revitalization of Nonstandard Synthesis}}, journal = j_jnmr, year = 1996, volume = 25, number = 1, pages = {31--46} } @article{DiScipio1997a, author = {Agostino Di Scipio}, title = {{The problem of 2nd-order sonorities in Xenakis' electracoustic music}}, journal = {Organised Sound}, year = 1997, volume = 2, number = 3, pages = {165--178}, month = {December}, doi = {10.1017/S1355771898009029} } @article{DiScipio1998a, author = {Agostino Di Scipio}, title = {{Compositional Models in Xenakis's Electroacoustic Music}}, journal = {Perspectives of New Music}, year = 1998, volume = 36, number = 2, pages = {201--243}, month = {Summer}} @article{DiScipio2000a, author = {DiScipio, Agostino}, title = {{An analysis of Jean-Claude Risset's ``Contours''}}, journal = j_jnmr, year = 2000, volume = 29, number = 1, pages = {1--21} } @article{DiScipio2001a, author = {Agostino Di Scipio}, title = {{Iterated Nonlinear Functions as a Sound-Generating Engine}}, journal = {Leonardo}, year = 2001, volume = 34, number = 3, pages = {249--254}, doi = {10.1162/002409401750287029} } @article{DiScipio2002a, author = {Agostino Di Scipio}, title = {{Systems of Embers, Dust, and Clouds: Observations after Xenakis and Brun}}, journal = {Computer Music Journal}, year = 2002, volume = 26, number = 1, pages = {22--32}, month = {Spring}, note = {In Memoriam Iannis Xenakis}, doi = {10.1162/014892602753633524}} @article{DiScipio2004a, author = {Agostino Di Scipio}, title = {{The Orchestra as a Resource for Electroacoustic Music: On some works by Iannis Xenakis and Paul Dolden}}, journal = {Journal of New Music Research}, year = 2004, volume = 33, number = 2, pages = {173--183}, month = {June}, doi = {10.1080/0929821042000310649}} @book{Dick1981a, author = {Dick, Philip K.}, title = {{VALIS}}, publisher = {Bantam}, year = 1981} @book{Dick2007a, author = {Philip K. Dick}, title = {{Four Novels of the 1960s: The Man in the High Castle / The Three Stigmata of Palmer Eldritch / Do Androids Dream of Electric Sheep? / Ubik}}, publisher = {Library of America}, year = 2007, isbn = {978 1 59853 009 4} } @book{Dick2008a, author = {Philip K. Dick}, title = {{Five Novels of the 1960s \& 70s: Martian Time-Slip / Dr. Bloodmoney / Now Wait for Last Year / Flow My Tears, the Policeman Said / A Scanner Darkly}}, publisher = {Library of America}, year = 2008, isbn = {978 1 59853 025 4} } @book{Dick2008b, author = {Philip K. Dick}, title = {{VALIS and Later Novels: In A Maze of Death (1970) / VALIS (1981) / The Divine Invasion (1981) / The Transmigration of Timothy Archer (1982)}}, publisher = {Library of America}, year = 2009, isbn = {978 1 59853 044 5} } @book{Dick2008c, author = {Philip K. Dick}, title = {{In Milton Lumky Territory (1958)}}, publisher = {Tor}, year = 2008, address = {New York}, isbn = {978-0-7653-1695-0} } @book{Dick2009a, author = {Philip K. Dick}, title = {{The Man Whose Teeth Were All Exactly Alike (1960)}}, publisher = {Tor}, year = 2009, address = {New York}, isbn = {978-0-7653-2306-4} } @book{Dickens1962a, author = {Dickens, Charles}, title = {{Bleak House}}, publisher = p_dent, year = 1962, note = {First published 1852--1853} } @book{Dickens1965a, author = {Dickens, Charles}, title = {{Great Expectations}}, publisher = p_dent, year = 1965, note = {First published 1860--61} } @book{Dickens1968a, author = {Dickens, Charles}, title = {{David Coperfield}}, publisher = p_collins, year = 1968, note = {First published 1850} } @book{Dickens1969a, author = {Dickens, Charles}, title = {{Dombey \& Son}}, publisher = p_collins, year = 1969, address = {London} } @book{Dickens1970a, author = {Dickens, Charles}, title = {{Nicholas Nickelby}}, publisher = p_dent, year = 1970, address = {London} } @book{Dickens1971a, author = {Dickens, Charles}, title = {{A Tale of Two Cities}}, publisher = p_penguin, year = 1971, address = {Harmondsworth} } @book{Dickens1972a, author = {Dickens, Charles}, title = {{Pickwick Papers}}, publisher = p_dent, year = 1972, note = {First published 1837} } @article{Dickinson1966a, author = {Dickinson, Peter}, title = {{Morton Feldman Explains Himself}}, journal = {Music and Musicians}, volume = {July}, pages = {22}, year = {1966}, unimelb = {UniM Music P MUSI} } @book{Diderot1966a, author = {Diderot, Denis}, title = {{Rameau's Nephew}}, publisher = p_penguin, address = {Harmondsworth, England}, note = {Translated by L.W. Tancock}, year = {1966} } @book{Dietrich1993a, author = {Dietrich, Dorothea}, title = {{The collages of Kurt Schwitters}}, publisher = p_cup, year = 1993, address = {Cambridge} } @incollection{Dijkstra1965a, author = {E. W. Dijkstra}, title = {{Cooperating sequential processes}}, booktitle = {{Programming Languages}}, crossref = {Genuys1965a}} @article{Dijkstra1972a, author = {Edsger W. Dijkstra}, title = {{The humble programmer}}, year = 1972, publisher = o_acm, journal = j_cacm, volume = 15, number = 10, pages = {859--866}, note = {Turing Award lecture} } @article{Dijkstra1974a, author = {E. W. Dijkstra}, title = {{Self stabilizing systems in spite of distributed control}}, journal = {Communications of the ACM}, year = 1974, volume = 17, pages = {643--644}} @book{Dijkstra1976a, author = {Dijkstra, E.W.}, title = {{A Discipline of Programming}}, publisher = p_ph, year = 1976, address = {Englewood Cliffs, NJ} } @book{Dillenberger1998a, author = {Dillenberger, Jane}, title = {{The religious art of Andy Warhol}}, publisher = {The Continuum Publishing Company}, year = 1998, address = {New York}} @book{Diserens2003a, editor = {Diserens, Corinne}, title = {Gordon Matta-Clark}, publisher = {Phaidon}, year = 2003, address = {London}, note = {Survey by Thomas Crow; essays by Judith Russi Kirshner and Christian Kravagna.}, unimelb = {UniM Archit 700.92 MATT} } @book{Disher1989a, editor = {Disher, Garry}, title = {{Personal Best: Thirty Australian Authors Choose Their Best Short Stories}}, publisher = p_collins, year = 1989, address = {Sydney}, annote = {Subject: Gerald Murnane}, unimelb = {UniM Bail A823.0108 PERS} } @article{Djoharian1993a, author = {Djoharian, Pirouz}, title = {{Generating Models for Modal Synthesis}}, journal = j_cmj, year = 1993, volume = 17, number = 1, pages = {57--65}, month = {Spring}, doi = {10.2307/3680570}} @book{Dodge1985a, author = {Dodge, Charles and Jerse, Thomas}, title = {{Computer Music: Synthesis, Composition, and Performance}}, publisher = {Schirmer}, address = {New York}, year = {1985}, unimelb = {UniM VCA 789.99 Dod /0013} } @incollection{Dodge1985b, author = {Dodge, Charles}, title = {{``In Celebration'': The composition and its realization in synthetic speech}}, crossref = {Roads1985a}, pages = {47--73}, chapter = 3 } @article{Dodge1988a, author = {Dodge, Charles}, title = {{{\em Profile}: A Musical Fractal}}, journal = j_cmj, year = 1988, volume = 12, number = 3, pages = {10--14}, month = {Autumn}, doi = {10.2307/3680332}} @incollection{Dodge1989a, author = {Dodge, Charles}, title = {{On ``Speech Songs''}}, crossref = {Mathews1989a} } @book{Dogen1995a, author = {Dogen Zenji}, title = {{Rational Zen: The Mind of Dogen Zenji}}, publisher = p_shm, year = 1995, address = {Boston}, note = {Edited, Translated, and Introduced by Thomas Cleary} } @article{Dolson1986a, author = {Dolson, Mark}, title = {{The phase vocoder: A tutorial}}, journal = j_cmj, year = 1986, volume = 10, number = 4, pages = {14--27} } @book{Dostoyevsky1918a, author = {Dostoyevsky, Fyodor}, title = {{White Nights and Other Stories}}, publisher = p_mm, year = 1918, address = {New York}, note = {Translated by Constance Garnett} } @book{Dostoyevsky1945a, author = {Dostoyevsky, Fyodor}, title = {{The Brothers Karazamov}}, publisher = p_hm, year = 1946, address = {London}, note = {Translated by Constance Garnett} } @book{Dostoyevsky1946a, author = {Dostoyevsky, Fyodor}, title = {{Crime and Punishment}}, publisher = p_rh, year = 1946, address = {New York}, note = {Translated by Constance Garnett} } @book{Dostoyevsky1966a, author = {Dostoyevsky, Fyodor}, title = {{The Gambler / Bobok / A nasty story}}, publisher = p_penguin, year = 1966, address = {Harmondsworth}, note = {Translated by Jessie Coulson} } @book{Dostoyevsky1972a, author = {Dostoyevsky, Fyodor}, title = {{Notes from the Underground / The Double}}, publisher = p_penguin, year = 1972, address = {Harmondsworth}, note = {Translated by Jessie Coulson} } @book{Dostoyevsky1975a, author = {Dostoyevsky, Fyodor}, title = {{The House of The Dead}}, publisher = {Dent}, year = 1975, address = {London}, note = {Translated by H. Sutherland Edwards} } @book{Dowden1991a, author = {Dowden, Stephen}, title = {{Understanding Thomas Bernhard}}, publisher = {University of South Carolina Press}, year = 1991, unimelb = {UniM Bail 838.91409 BERNHAR} } @article{Dowling1986a, author = {Dowling, W.J.}, title = {{Context Effects on Melody Recognition: Scale-Step versus Interval Representations}}, journal = j_mp, volume = {3}, number = {3}, pages = {281--296}, year = {1986} } @incollection{Downing2008a, author = {Lisa Downing}, title = {{George Berkeley}}, booktitle = {The Stanford Encyclopedia of Philosophy}, editor = {Edward N. Zalta}, publisher = {Stanford University}, url = {http://plato.stanford.edu/archives/win2008/entries/berkeley/}, year = {Winter 2008} } @misc{Drape1995a, author = {Drape, Rohan}, title = {{Parallelism of Proccess: An Examination of Pitch Class Association Within the Array Structure of Milton Babbitt's ``A Solo Requiem''}}, school = {LaTrobe University}, year = {1995}, type = {Honours Thesis} } @manual{Drape1998a, title = {{pct reference manual}}, author = {Drape, Rohan}, edition = {0.1}, year = 1998 } @manual{Drape1998b, title = {{gf reference manual}}, author = {Drape, Rohan}, edition = {0.1}, year = 1998 } @manual{Drape1999a, title = {{Pim reference manual}}, author = {Drape, Rohan}, edition = {0.1}, year = 1999 } @mastersthesis{Drape1999b, author = {Drape, Rohan}, title = {{Rule-following, pre-compositional environments}}, school = {La Trobe University}, year = {1999}, } @inproceedings{Draves1997a, author = {Draves, Scott}, title = {{Implementing Bit-addressing with Specialization}}, booktitle = {{International Conference on Functional Programming (ICFP '97), Amsterdam, The Netherlands, June 1997}}, address = {New York}, publisher = {ACM}, pages = {239--250}, year = 1997, } @book{Drew1985a, author = {Drew, Philip}, title = {{Leaves of Iron: Glenn Murcutt, pioneer of Australian architectural form}}, publisher = {Law Book Company}, year = 1985, address = {Sydney} } @book{Drew1999a, author = {Drew, Philip}, title = {{Touch This Earth Lightly: Glenn Murcutt in his own words}}, publisher = {Duffy and Snellgrove}, year = 1999, address = {Sydney} } @inproceedings{Dreyfus1989a, author = {Dreyfus, Charles}, title = {{Interview with George Maciunas, New York, May 1974}}, booktitle = {{Happening \& Fluxus}}, year = 1989, address = {Paris}, note = {Exhibition Catalogue}, unimelb = {UniM VCA 709.04074 Hap /0003} } @book{Driver1989a, editor = {Driver, Paul and Christiansen, Rupert}, title = {{Music and text}}, publisher = p_hap, year = 1989, volume = 5, series = j_cmr, address = {London}, } @book{Druckrey1999a, editor = {Druckrey, Timothy}, title = {{Ars Electronica: Facing the Future}}, publisher = p_mit, address = {Cambridge, MA}, year = 1999 } @book{Du2002a, author = {Du, Fu}, title = {{The selected poems of Du Fu}}, publisher = {Columbia University Press}, year = 2002, address = {New York}, isbn = 0231128282, note = {Translated by Burton Watson}, unimelb = {UniM Bail 895.113 DU} } @article{Dubiel1990a, author = {Dubiel, Joseph}, title = {{Three Essays on Milton Babbitt: Part 1: Introduction, `Thick Array/of Depth Immeasurable'}}, journal = j_pnm, volume = {28}, pages = {216--261}, year = {1990} } @article{Dubiel1990b, author = {Dubiel, Joseph}, title = {{Review Essay: ``Composition with Pitch-Classes: A Theory of Compositional Design'' by Robert Morris}}, journal = {Journal of Musicological Research}, volume = {10}, pages = {47--80}, year = {1990} } @article{Dubiel1990c, author = {Dubiel, Joseph}, title = {{When you are a Beethoven: Kinds of Rules in Schenker's Counterpoint}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {34}, number = {2}, pages = {291--340}, year = {1990} } @article{Dubiel1991a, author = {Dubiel, Joseph}, title = {{Three Essays on Milton Babbitt: Part 2: `For Making this Occasion Necessary'}}, journal = j_pnm, volume = {29}, number = {1}, pages = {90--122}, year = {1991} } @article{Dubiel1992a, author = {Dubiel, Joseph}, title = {{Three Essays on Milton Babbitt: Part 3: `The Animation of Lists'}}, journal = j_pnm, volume = {30}, number = {1}, pages = {82--131}, year = {1992} } @incollection{Dubiel1999a, author = {Dubiel, Joseph}, title = {{Composer, Theorist, Composer/Theorist}}, crossref = {Cook1999c} } @article{Dubnov2002a, author = {Shlomo Dubnov and Ziv Bar-Joseph and Ran El-Yaniv and Dani Lischinski and Michael Werman}, title = {{Synthesizing Sound Textures through Wavelet Tree Learning}}, journal = {IEEE Comput. Graph. Appl.}, year = 2002, volume = 22, number = 4, pages = {38--48}, doi = {http://dx.doi.org/10.1109/MCG.2002.1016697}, publisher = {IEEE Computer Society Press}, address = {Los Alamitos, CA, USA}} @book{Dubuffet1988a, author = {Dubuffet, Jean}, title = {{Asphyxiating culture and other writings}}, publisher = {Four Walls Eight Windows}, year = 1988, address = {New York}, note = {Translated by Carol Volk} } @misc{Dubuffet1991a, author = {Dubuffet, Jean}, title = {{Exp\'eriences Musicales [1961]}}, howpublished = {Circ\'e, Catalog No. 87130 LD, Compact Disc and Booklet}, year = 1991 } @book{Duchamp1973a, author = {Duchamp, Marcel}, title = {{Salt Seller; The Writings of Marcel Duchamp}}, publisher = {Oxford University Press}, year = 1973, address = {New York}, note = {Edited by Michel Sanouillet and Elmer Peterson} } @book{Duckworth1995a, author = {Duckworth, William}, title = {{Talking Music}}, publisher = {Schirmer}, address = {New York}, year = {1995} } @inproceedings{Dudas1998a, author = {Dudas, Richard}, title = {{NVM - a Modular Real-Time Physical Modeling Synthesis System for MSP}}, booktitle = c_icmc, pages = {268--271}, year = 1998} @article{Dudley1939a, author = {Dudley, H.}, title = {{The vocoder}}, journal = {Bell Labs Record}, year = 1939, volume = 17, pages = {122--126} } @article{Duersten2003a, author = {Matthew C. Duersten}, title = {{Response to letter {\em Cruel ``Jester''} by The editors of The Rambler}}, journal = {LA Weekly}, year = 2003, month = {December 25}, _url = {http://www.laweekly.com/2003-12-25/news/letters/}, annote = {kw: Giovanni Intra} } @book{Duff2006a, author = {Duff, Charles}, title = {{A Handbook on Hanging}}, publisher = {Nonsuch Publishing}, year = 2006, address = {London}, note = {First published in 1928, revised and enlarged in 1934, 1938, 1948} } @article{Dugdale2003a, author = {Timothy Dugdale}, title = {{Dick Hebdige: Unplugged and Greased Back}}, journal = {The Dudley Randall Center for Print Culture}, year = 2003, month = {May}, _url = {http://liberalarts.udmercy.edu/english/randall/hebdige.htm} } @book{Dumas1995a, author = {Russell Dumas and others}, title = {{And yet}}, publisher = {Dance Exchange}, year = 1995, address = {Sydney}, note = {Photographs by Leslie Solar}, isbn = 0646253158 } @article{Dunsby1977a, author = {Dunsby, Jonathan}, title = {{Schoenberg and the Writings of Schenker}}, journal = j_jasi, volume = {2}, pages = {26--33}, year = {1977} } @article{Dunsby1977b, author = {Jonathan M. Dunsby}, title = {{Jean-Jacques Nattiez: Fondements d'une semiologie de la musique}}, journal = {Perspectives of New Music}, year = 1977, volume = 15, number = 2, pages = {226--233}, month = {Spring - Summer}} @book{Dunsby1981a, author = {Dunsby, Jonathan}, title = {{Structural Ambiguity in Brahms: Analytical Approaches to Four Works}}, publisher = {UMI Research Press}, address = {Ann Arbor, Mich.}, year = {1981} } @book{Dunsby1988a, author = {Dunsby, Jonathon and Whittall, Arnold}, title = {{Music Analysis in Theory and Practice}}, publisher = p_ff, address = {London}, year = {1988} } @book{During1999a, editor = {Simon During}, title = {{The Cultural Studies Reader}}, publisher = {Routledge}, year = 1999, address = {New York}, edition = {Second}} @article{Duve1989a, author = {Thierry de Duve}, title = {{Yves Klein, or The Dead Dealer}}, journal = {October}, year = 1989, volume = 49, pages = {72--90}, month = {Summer}, note = {Translated by Rosalind Krauss}} @book{Dybvig1987a, author = {Dybvig, R. Kent}, title = {{The Scheme Programming Language}}, publisher = p_ph, year = 1987, address = {Englewood Cliffs, NJ}, url_ = {http://www.scheme.com/tspl2d/} } @book{Dylan2004a, author = {Dylan, Bob}, title = {{Chronicles, Volume One}}, publisher = p_sas, year = 2004, address = {New York} } @article{Eades1984a, author = {Eades, Peter}, title = {{A heuristic for graph drawing}}, journal = {Congressus Mumerantium}, year = 1984, volume = 42, pages = {149--160} } @techreport{Eades1989a, author = {Eades, P. and Tamassia, R.}, title = {{Algorithms for Automatic Graph Drawing: An Annotated Bibliography}}, institution = {Brown University, Department of Computer Science}, year = 1989, number = {CS-89--09 (Revised Version)}, note = {October} } @book{Eagleton2007a, author = {Eagleton, Terry}, title = {{Ideology: An Introduction}}, publisher = {Verso}, year = 2007, address = {London}, edition = {Second}, isbn = {978-1-84467-143-4} } @book{Earle1896a, author = {Alice Morse Earle}, title = {{Curious Punishments of Bygone Days}}, publisher = {Herbert S. Stone \& Company}, year = 1896} @article{Eckert1979a, author = {Eckert, Michael}, title = {{Text and Form in Dallapiccola's ``Goethe Lieder''}}, journal = j_pnm, volume = {17}, number = {2}, pages = {98--111}, year = {1979} } @book{Eckhart1994a, author = {Eckhart, Johannes}, title = {{Meister Eckhart: Selected Writings}}, publisher = p_penguin, address = {Harmondsworth}, year = 1994, note = {Selected and translated by Oliver Davies} } @article{Edelstein2002a, author = {Leo Edelstein}, title = {{Interview with Sylv\`ere Lotringer}}, journal = {Log Illustrated}, year = 2002, volume = 15, _url = {http://www.physicsroom.org.nz/log/archive/15/lotringer/}} @book{Edwards1971a, author = {Edwards, A.}, title = {{Flawed Words and Stubborn Sounds}}, publisher = p_norton, address = {New York}, year = {1971} } @book{Edwards1998a, author = {Edwards, Ron}, title = {{The convict maid: authentic reproductions of broadside ballads relating to Australia's early days}}, publisher = {Rams Skull Press}, year = 1988, address = {Kuranda, QLD}, unimelb = {UniM Music F 782.421 6224 EDWA}, isbn = 0909901872 } @article{Edworthy1985a, author = {Edworthy, Judy}, title = {{Interval and Contour in Melody Processing}}, journal = j_mp, volume = {2}, number = {3}, pages = {375--388}, year = {1985} } @book{Egan1999a, author = {Jack Egan}, title = {{Buried alive: Sydney 1788-1792: eyewitness accounts of the making of a nation}}, publisher = {Allen \& Unwin}, year = 1999, annote = {978-1865081380} } @article{Eick1992a, author = {Eick, S.G. and Steffen, J.L. and Sumner, E.E.}, title = {{SeeSoft - tool for visualizing line oriented software}}, journal = c_ieee_tse, year = 1992, volume = 11, number = 18, pages = {957--968} } @book{Eisenberg1988a, author = {Eisenberg, Michael}, title = {{Programming in Scheme}}, publisher = {Scientific Press}, year = 1988, address = {Redwood City, CA} } thesis{Essl1989, author = {Essl, Karlheinz}, title = {{Anton Webern's Idea of Synthesis}}, institution = {University of Vienna}, type = {??}, year = {1989} } @article{Eker2003a, author = {Johan Eker and Jorn Janneck and Edward A. Lee and Jie Liu and Xiaojun Liu and Jozsef Ludvig and Sonia Sachs and Yuhong Xiong}, title = {{Taming heterogeneity - the Ptolemy approach}}, journal = {Proceedings of the IEEE}, year = 2003, volume = 91, number = 1, pages = {127--144}, month = {January}} @book{Elderfield1985a, author = {Elderfield, John}, title = {{Kurt Schwitters}}, publisher = p_th, year = 1985, address = {London} } @book{Elena2005a, author = {Elena, Alberto}, title = {{The Cinema of Abbas Kiarostami}}, publisher = {SAQI}, year = 2005, address = {London}, note = {Translated from the Spanish by Belinda Coombes}, isbn = {0-86356-594-8} } @inproceedings{Elliott2000a, author = {Elliott, Conal and Finne, Sigbjorn and Moor, Oege de}, booktitle = {{SAIG}}, pages = {9--27}, title = {{Compiling Embedded Languages}}, year = 2000, } @inproceedings{Elliott2000b, author = {Elliott, Conal}, title = {{Declarative Event-Oriented Programming}}, url_ = {http://conal.net/papers/ppdp00/}, booktitle = {Principles and Practice of Declarative Programming}, year = 2000, } @inproceedings{Elliott2001a, author = {Elliott, Conal}, title = {{Functional Image Synthesis}}, booktitle = {{Bridges 2001, Mathematical Connections in Art, Music, and Science}}, year = 2001, address = {Redmond} } @inproceedings{Elliott2004a, author = {Elliott, Conal}, title = {{Programming Graphics Processors Functionally}}, booktitle = {{Haskell Workshop, 2004}}, year = 2004 } @book{Elster1987a, author = {Elster, John}, title = {{The Multiple Self}}, publisher = p_cup, address = {Cambridge}, year = {1987} } @book{Embree1990a, author = {Embree, Paul and Kimble, Bruce}, title = {{C Language Algorithms for Digital Signal Processing}}, publisher = p_ph, year = 1990, address = {Englewood Cliffs, NJ} } @article{Emden1976a, author = {M. H. Van Emden and R. A. Kowalski}, title = {{The Semantics of Predicate Logic as a Programming Language}}, journal = {Journal of the ACM}, year = 1976, volume = 23, number = 4, pages = {733--742}, month = {Oct.}, doi = {10.1145/321978.321991} } @article{Emmerik1986a, author = {Emmerik, Paul van}, title = {{Morton Feldman. Chronologisches Werkverzeichnis; Bibliographie}}, journal = {Musik-Konzepte}, year = 1986, volume = {48/49}, pages = {154--183}} @article{Emmerson1978a, author = {Emmerson, Simon}, title = {{Reports: Athens}}, journal = {The Musical Times}, year = 1978, number = 1630, volume = 119, pages = 1070, month = {December}, annote = {kw: Jani Christou, Iannis Xenakis} } @book{Emmerson1986a, editor = {Emmerson, Simon}, title = {{The Language of Electroacoustic Music}}, publisher = p_mm, address = {London}, year = 1986 } @incollection{Emmerson1986b, author = {Emmerson, Simon}, title = {{The Relation of Language to Materials}}, crossref = {Emmerson1986a}, pages = {17--40}, } @article{Emmerson1991a, author = {Emmerson, Simon}, title = {{Live electronic music in Britain: Three case studies}}, journal = j_cmr, year = 1991, volume = 6, pages = {179--195} } @book{Emmerson1994a, editor = {Emmerson, Simon}, title = {{Timbre composition in electroacoustic music}}, publisher = p_hap, year = 1994, volume = {10/2}, series = j_cmr, address = {London}, } @article{Emmerson1994b, author = {Emmerson, Simon}, title = {{'Live' versus 'real-time'}}, journal = j_cmr, year = 1994, volume = 10, pages = {95--101} } @article{Emmerson1998a, author = {Emmerson, Simon}, title = {{Acoustic/Electroacoustic: The relationship with instruments}}, journal = j_jnmr, year = 1998, volume = 27, number = {1--1}, pages = {146--164} } @article{Emmerson1998b, author = {Emmerson, Simon}, title = {{Aural landscape: musical space}}, journal = j_osnd, year = 1998, volume = 3, number = 2, pages = {135--140} } @book{Empson1947a, author = {Empson, William}, title = {{Seven Types of Ambiguity}}, publisher = p_cw, address = {London}, year = {1947} } @book{Empson1984a, author = {Empson, William}, title = {{Using biography}}, publisher = {Chatto \& Windus}, year = 1984, address = {London}, unimelb = {UniM Store Q36635}, latrobe = {820.9 E55u}, isbn = 0701128895 } @book{Empson1993a, author = {William Empson}, title = {{Essays on Renaissance literature}}, publisher = {Cambridge University Press}, year = 1993, address = {New York, NY}, note = {Edited by John Haffenden}, unimelb = {UniM Store 37035}, latrobe = {820.9003 E55e 1993 v.1}, isbn = 0521440432 } @article{Englert1981a, author = {Englert, Giuseppe}, title = {{Automated Composition and Composed Automation}}, journal = j_cmj, year = 1981, volume = 5, number = 4, pages = {30--35}} @article{Epis2005a, author = {Michael Epis}, title = {{Invisible Yet Enduring Lilacs}}, journal = {The Age}, year = 2005, month = {December 3}, annote = {kw: Gerald Murnane}, unimelb = {UniM Bail MIC/o A265} } @book{Epstein1979a, author = {Epstein, David}, title = {{Beyond Orpheus: Studies in Musical Structure}}, publisher = p_mit, address = {Cambridge, MA}, year = {1979} } @article{Erdmann1986a, author = {Erdmann, Martin}, title = {{Zusammenhang und Losigkeit: Zu Morton Feldman's Kompositionen zwischen 1950 und 1956}}, journal = {Musik-Konzeote}, volume = {49}, number = {49}, pages = {67--94}, year = {1986} } @article{Ericksson1986a, author = {Ericksson, Tore}, title = {{The IC Maxpoint Structure, MM Vectors and Regions}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {30}, number = {1}, pages = {95--111}, year = {1986} } @mastersthesis{Eriksson2007a, author = {Eriksson, Johan}, title = {{Embedded real-time software using TinyTimber: reactive objects in C}}, school = {Lulea Universitet}, year = 2007, type = {Licentiate thesis}, address = {Lulea, Sweden}, annote = {ISSN 1402-1757 / ISRN LTU-LIC--07/72--SE / NR 2007:72} } @article{Escot1992a, author = {Escot, Pozzi}, title = {{A Duet for Betty Ann}}, journal = j_sonus, volume = {13}, number = {1}, pages = {42--55}, year = {1992} } @incollection{Eshun2000a, author = {Eshun, Kodwo}, title = {{Forward to the world}}, crossref = {Schrenk2000a} } @book{Essig2003a, author = {Essig, Mark}, title = {{Edison and the Electric Chair: A Story of Light and Death}}, publisher = {Sutton Publishing Ltd}, year = 2003, address = {Thrupp} } @inproceedings{Essl2006a, author = {Essl, Georg}, title = {{Circle Maps as Simple Oscillators for Complex Behavior: I. Basics}}, booktitle = {{Proceedings of the International Computer Music Conference}}, year = 2006, month = {November}} @inproceedings{Essl2006b, author = {Essl, Georg}, title = {{Circle Maps as Simple Oscillators for Complex Behavior: II. Experiments}}, booktitle = {{Proceedings of the International Conference on Digital Audio Effects}}, year = 2006, month = {September}} @article{Evans2007a, author = {Claire L. Evans}, title = {{Interview: Mark von Schlegell}}, journal = {Universe}, year = 2007, month = {January 15}, _url = {http://www.urbanhonking.com/universe/archives/2007/01/interview_mark.html } } @book{Even1979a, author = {Even, S.}, title = {{Graph Algorithms}}, publisher = {Pitman}, year = 1979, address = {London} } @misc{FSF, author = {Free Software Foundation}, title = {{glibc: The GNU C Library}}, howpublished = {Software}, url_ = {http://www.gnu.org/software/libc/} } @misc{FSF1991a, author = o_fsf, title = {{GNU General Public License}}, month = {June}, year = 1991, note = {Version 2} } @book{Fahey1984a, editor = {Fahey, Warren}, title = {{Eureka, the songs that made Australia}}, publisher = {Omnibus Press}, year = 1984, address = {Sydney, NSW}, unimelb = {UniM Music F 782.42162 EURE}, isbn = 0949789046, } @book{Fahey1989a, author = {Fahey, Warren}, title = {{The balls of Bob Menzies: Australian political songs 1900--1980}}, publisher = {Angus \& Robertson}, year = 1989, address = {North Ryde, NSW}, unimelb = {UniM Music 782.421599 FAHE}, isbn = 0207162042 } @book{Fahey2000a, author = {Fahey, John}, title = {{How Bluegrass Music Destroyed My Life: Stories by John Fahey}}, publisher = {Drag City Incorporated}, year = 2000, address = {Chicago, IL}, edition = {Third}, note = {Introduction by Jim O'Rourke}, isbn = {0-9656183-2-3} } @book{Fallows1982a, author = {Fallows, David}, title = {{Dufay}}, publisher = p_dent, year = 1982, address = {London} } @book{Farrelly1993a, author = {Farrelly, Elizabeth}, title = {{Three Houses: Glenn Murcutt}}, publisher = {Phaidon Press Ltd.}, year = 1993, address = {London} } @book{Fawkner2006a, author = {H.W. Fawkner}, title = {{Grasses That Have No Fields: From Gerald Murnane's Island to a Phenomenology of Isogonic Constitution}}, publisher = {Stockholm University}, year = 2006, address = {Stockholm}, month = {October}} @article{Faye1998a, author = {Esther Faye}, title = {{Story, h/History, Historiality: Memoir as the Writing of Trauma}}, journal = {Analysis}, year = 1998, volume = 8, pages = {98--121}, annote = {Subject: Alice Kaplan}} @article{Feary2008a, author = {Feary, M. and Maidment, S.}, title = {{Slave to the Rhythm}}, journal = {CAC INTERVIU}, year = 2008, volume = {9/10}, pages = {30--34}, month = {Spring/Summer}} @article{Federici1987a, author = {Silvia Federici and Geroge Caffentzis}, title = {{A Review Play on Paul Virilio/Sylv\`ere Lotringer, Pure War}}, journal = {Social Text}, year = 1987, volume = 17, pages = {97--105}, month = {Autumn}} @book{Feldman1958a, author = {Feldman, Morton}, title = {{Ixion (two pianos) [score]}}, publisher = {Edition Peters}, year = 1958, address = {New York}, unimelb = {UniM VCA Score QNUK/39 Fel} } @book{Feldman1962a, author = {Feldman, Morton}, title = {{4 songs to e. e. cummings (voice, cello, piano) [score] (1951)}}, publisher = {C.F. Peters}, year = 1962, latrobe = {FOL F312SO}, address = {New York, NY}} @book{Feldman1962b, author = {Feldman, Morton}, title = {{Marginal intersection [score] (1951)}}, publisher = {C. F. Peters Corp.}, year = 1962, address = {New York}, latrobe = {QUA F312MA}} @book{Feldman1963a, author = {Feldman, Morton}, title = {{De Kooning (horn, percussion, piano, violin, violoncello) [score]}}, publisher = {Edition Peters}, year = 1963, address = {New York}, unimelb = {UniM VCA Score NYDXTNR/1 Fel} } @book{Feldman1965a, author = {Feldman, Morton}, title = {{The King of Denmark (percussion) [score]}}, publisher = {Edition Peters}, year = 1965, address = {New York}, unimelb = {UniM VCA Score XPMJZ/3 Fel} } @article{Feldman1967a, author = {Feldman, Morton}, title = {{Some elementary questions}}, journal = {Art News}, year = 1967, volume = 66, number = 2, pages = {54,74}, month = {April}, unimelb = {UniM Bail P 705 A784}} @incollection{Feldman1968a, author = {Feldman, Morton}, title = {{After modernism}}, booktitle = {Six Painters}, publisher = {University of St. Thomas Art Department}, year = 1968, address = {Houston}, note = {Exhibition catalogue}} @book{Feldman1969a, author = {Feldman, Morton}, title = {{In search of an orchestration [score]}}, publisher = {Universal Edition}, year = 1969, address = {London}, unimelb = {UniM Music Score Q F313 IN.1} } @article{Feldman1979a, author = {Feldman, S. I.}, title = {{Make: A Program for Maintaining Computer Programs}}, journal = j_spe, pages = {255--265}, month = {April}, year = {1979} } @book{Feldman1980a, author = {Feldman, Morton}, title = {{Trio [score]}}, publisher = {Universal Edition}, year = 1980, latrobe = {FOL F312TR}} @book{Feldman1981a, author = {Morton Feldman}, title = {{Untitled composition for cello \& piano [score]}}, publisher = {Universal Edition}, year = 1981, address = {London}, latrobe = {FOL F312UN}} @book{Feldman1981b, author = {Feldman, Morton}, title = {{Triadic memories [score]}}, publisher = {Universal Edition}, year = 1981, latrobe = {FOL F312TRI}} @book{Feldman1981c, author = {Feldman, Morton}, title = {{Bass clarinet and percussion: for Harry Sparnaay [score]}}, publisher = {Universal Edition}, year = 1981, latrobe = {FOL F312BA}} @unpublished{Feldman1982a, author = {Feldman, Morton}, title = {{Morton Feldman: Toronto Lecture}}, note = {Lecture given April 17 1982 at Mercer Union Gallery}, month = {April}, year = 1982, annote = {Transcribed by Linda Catlin Smith} }, @book{Feldman1982b, author = {Morton Feldman}, title = {{For John Cage [score]}}, publisher = {Universal Edition}, year = 1982, address = {London}, latrobe = {FOL F312FOJ}} @book{Feldman1982c, author = {Feldman, Morton}, title = {{Three voices: for Joan La Barbara [score]}}, publisher = {Universal Edition}, year = 1982, latrobe = {FOL F312THR}} @unpublished{Feldman1983a, author = {Feldman, Morton}, title = {{Feldman on Feldman}}, note = {Lecture given at the South African Broadcasting Corporation}, month = {August}, year = 1983, annote = {Transcribed by Rudiger Meyer} } @unpublished{Feldman1983b, author = {Feldman, Morton}, title = {{Current Trends in America}}, note = {Lecture given at the South African Broadcasting Corporatio}, month = {August}, year = 1983, annote = {Transcribed by Rudiger Meyer} } @unpublished{Feldman1983c, author = {Feldman, Morton}, title = {{To have known Stefan Wolpe}}, note = {{Prepared for a concert of Wolpe's music given at Buffalo in 1983}}, year = 1983 } @book{Feldman1985a, author = {Feldman, Morton}, title = {{Essays}}, publisher = {The Beginner Press}, address = {Kerpen}, year = 1985, note = {Edited and translated by Walter Zimmerman}, unimelb = {UniM Music F 780 FELD} } @unpublished{Feldman1985b, author = {Feldman, Morton}, title = {{Introduction to {\em For Philip Guston}}}, note = {Talk given 6 July 1985, Klovenersdoelen, Middelburg NL}, month = {July}, year = 1985} @article{Feldman1986a, author = {Feldman, Morton}, title = {{Middelburg Lecture}}, journal = {Musik-Konzepte}, volume = {48--49}, pages = {3--63}, year = {1986} } @book{Feldman1986b, author = {Feldman, Morton}, title = {{Musik-Konzepte}}, volume = {48/49}, publisher = {Edition Text + Kritik}, address = {Munich}, year = {1986} } @book{Feldman1986c, author = {Feldman, Morton}, title = {{Coptic Light [score]}}, publisher = {Universal Edition}, year = 1986, address = {London}, unimelb = {UniM Music XQ F313 CO.1}, latrobe = {FOL F312CP}} @book{Feldman1986d, author = {Feldman, Morton}, title = {{Palais de mari: for piano [score]}}, publisher = {Universal Edition}, year = 1986, address = {London}, unimelb = {UniM Music Score A F313 PAL.1} } @article{Feldman1988a, author = {Feldman, Morton}, title = {{Between Categories [1969]}}, journal = j_cmr, volume = {2}, pages = {4}, year = {1988} } @article{Feldman2004a, author = {Feldman, Stuart}, title = {{A Conversation with Alan Kay}}, journal = {Programming Languages}, year = 2004, volume = 2, number = 9, month = {December} } @book{Felleisen1998a, editor = {Felleisen, Matthias and Friedman, Daniel P.}, title = {{The Little MLer}}, publisher = p_mit, year = 1998, address = {Cambridge, MA} } @book{Felleisen1998b, editor = {Felleisen, Matthias and Friedman, Daniel P.}, title = {{A Little Java, A Few Patterns}}, publisher = p_mit, year = 1998, address = {Cambridge, MA} } @incollection{Feller2002a, author = {Feller, Ross}, title = {{Resistant Strains of Postmodernism: The Music of Helmut Lachenmann and Brian Ferneyhough}}, crossref = {Lochhead2002a}, note = {}, pages = {249--262}, } @article{Fennelly1966a, author = {Fennelly, Brian}, title = {{Structure and Process in Webern's Op. 22}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {10}, number = {2}, pages = {300--328}, year = {1966} } @inproceedings{Filinksi1994a, author = {A. Filinski}, title = {{Representing monads}}, booktitle = {{Proceedings of 21st Annual ACM SIGACT-SIGPLAN Symposium on Principles of Programming Languages}}, pages = {446--457}, year = 1994, address = {New York}, publisher = {ACM Press}} @article{Fineberg2001a, author = {Fineberg, Joshua}, title = {{Bibliography}}, journal = j_cmr, year = 2001, volume = 19, number = 3, pages = {111--117}, note = {Annotated Bibliography of Spectral Music} } @book{Finkelstein1989a, author = {Finkelstein, Nat}, title = {{Andy Warhol: the Factory Years 1964--1967}}, publisher = {Sidgwick \& Jackson}, year = 1989, address = {London}} @book{Firbank1961a, author = {Firbank, Ronald}, title = {{Valmouth / Prancing Nigger / Concerning the Eccentricities of Cardinal Pirelli}}, publisher = p_penguin, year = 1961, address = {Harmondsworth} } @book{Fischer2009a, editor = {Gerhard Fischer}, title = {{W.G. Sebald: Schreiben ex patria = expatriate writing}}, publisher = {Rodopi}, year = 2009, address = {Amsterdam}, unimelb = {UniM Bail 833.914 WGSE}, isbn = {9 04202 781 9} } @book{Fischli1987, author = {{Peter Fischli and David Weiss}}, title = {{Der Lauf der Dinge [1987]}}, publisher = {First Run, Icarus Films}, note = {Videorecording, 30 minutes}, year = 1987, unimelb = {UniM VCA DVD 864} } @article{Fischman2003a, author = {Rajmil Fischman}, title = {{Clouds, Pyramids, and Diamonds: Applying Schr\"odinger's Equation to Granular Synthesis and Compositional Structure}}, journal = j_cmj, year = 2003, volume = 27, number = 2, pages = {47--69}, month = {Summer}, doi = {10.1162/014892603322022664} } @book{Flake1998a, author = {Flake, Gary William}, title = {{The computational beauty of nature}}, publisher = {MIT Press}, year = 1998, address = {Cambridge, MA}, isbn = {0-262-06200-3}, } @article{Flanagan1966a, author = {Flanagan, J.L. and Golden, R.M.}, title = {{Phase Vocoder}}, journal = {Bell System Technical Journal}, year = 1966, volume = 46, pages = {1493--1509} } @book{Flanders1991a, author = {Stephen A. Flanders}, title = {{Capital Punishment}}, publisher = {Facts on File}, year = 1991, address = {New York}} @manual{Flatt2001a, title = {{The MzScheme Language Manual}}, author = {Matthew Flatt}, year = 2001, url_ = {http://www.plt-scheme.org} } @book{Flaubert2005a, author = {Flaubert, Gustave}, title = {{Madame Bovary [1857]}}, publisher = {Barnes \& Noble Classics}, year = 2005, note = {Introduction by Chris Kraus, Translated by Eleanor Marx Aveling}} @book{Fletcher1991a, author = {Fletcher, N.H. and Rossing, T.D.}, title = {{The Physics of Musical Instruments}}, publisher = {Springer Verlag}, year = 1991 } @book{Fleuret1981a, author = {Fleuret, Maurice}, title = {{Iannis Xenakis: introduction, biography, list of works, discography, facts and documents}}, publisher = {Editions Salabert}, year = 1981, address = Paris, unimelb = {UniM Music 780.92 XENA/FLEU} } @incollection{Flint1993a, author = {Ellen Rennie Flint}, title = {{Metabolae, arborescences and the reconstruction of time in Iannis Xenakis' {\em Psappha}}}, crossref = {Kramer1993a}, pages = {221--248}, year = 1993} @inproceedings{Florens1986a, author = {Florens, J.-L. and Luciani, A. and Cadoz, C.}, title = {{Optimized Real-Time Simulation of Objects for Musical Synthesis and Animated Images Synthesis}}, booktitle = c_icmc, year = 1996, } @incollection{Flynt1962a, author = {Flynt, Henry}, title = {{My New Concept of General Acognitive Culture}}, crossref = {Vostell1962a}} @book{Flynt1964a, author = {Flynt, Henry}, title = {{Action Against Cultural Imperialism}}, publisher = {George Maciunas}, year = 1964, address = {New York}} @book{Flynt1965a, author = {Flynt, Henry and Maciunas, George}, title = {{Communists Must Give Revolutionary Leadership in Art}}, publisher = {World View Publishers}, year = 1965, address = {New York}} @article{Flynt1978a, author = {Flynt, Henry}, title = {{George Maciunas and my work with him / Il mio lavoro con George Maciunas [To George Maciunas with Love]}}, journal = {Flash Art}, year = 1978, volume = {84--85}, pages = {49--50}, month = {October- November}, unimelb = {UniM ERC P FLAS} } @incollection{Flynt1990a, author = {Flynt, Henry}, title = {{Mutations of the Vanguard: Pre-Fluxus, During Fluxus, Late Fluxus}}, crossref = {BonitoOliva1990a} } @incollection{Flynt1993a, author = {Flynt, Henry}, title = {{For Paik-Mosaic, 1993}}, crossref = {Bussman1993a} } @incollection{Flynt1996a, author = {Flynt, Henry}, title = {{La Monte Young in New York, 1960--1962}}, booktitle = {{Sound and Light: La Monte Young, Marian Zazeela}}, publisher = {Bucknell University Press}, year = 1996, editor = {Duckworth, William and Fleming, Richard}, address = {Lewisburg}} @article{Foord2003a, author = {Foord, Kate}, title = {{The figure of woman and the fantasy of the modern Australian nation: travelling to the 'empty centre'}}, journal = {Australian Feminist Studies}, year = 2003, volume = 18, number = 42, pages = {273--283}, month = {November}, annote = {Subject: Gerald Murnane}, unimelb = {UniM Bail P 305.40994 AUST} } @inproceedings{Foote1999a, author = {Jonathan Foote}, title = {{Visualizing music and audio using self-similarity}}, booktitle = {MULTIMEDIA '99: Proceedings of the seventh ACM international conference on Multimedia (Part 1)}, year = 1999, isbn = {1--58113-151--8}, pages = {77--80}, location = {Orlando, Florida, United States}, doi = {http://doi.acm.org/10.1145/319463.319472}, publisher = {ACM}, address = {New York}, } @inproceedings{Foote2002a, author = {Jonathan Foote and Matthew D. Cooper and Unjung Nam}, title = {{Audio Retrieval by Rhythmic Similarity}}, booktitle = {ISMIR}, year = 2002, url = {http://ismir2002.ismir.net/proceedings/03-SP02--1.pdf}, } article{Foote1999, author = {Foote, Jonathon}, title = {{Visualizing Music and Audio using Self-Similarity}}, } @incollection{Forsyth1987a, author = {Forsyth, Ludmilla}, title = {{An Interviw with Gerald Murnane}}, crossref = {Hanrahan1987a}, } @book{Forte1955a, author = {Forte, Allen}, title = {{Contemporary Tone Structures}}, publisher = {Columbia University Teachers College}, address = {New York}, year = {1955} } @article{Forte1959a, author = {Forte, Allen}, title = {{Schenker}'s Conception of Musical Structure}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {3}, number = {1}, pages = {1}, year = {1959} } @article{Forte1960a, author = {Forte, Allen}, title = {{Bartok}'s `Serial' Composition}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {46}, number = {2}, pages = {233--245}, year = {1960} } @article{Forte1963a, author = {Forte, Allen}, title = {{Context and Continuity in an Atonal Work}}, journal = j_pnm, volume = {1}, number = {2}, pages = {72--82}, year = {1963} } @article{Forte1964a, author = {Forte, Allen}, title = {{A Theory of Set-Complexes for Music}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {8}, number = {2}, pages = {136--183}, year = {1964} } @article{Forte1964b, author = {Forte, Allen}, title = {{Review: Perpectives of New Music 1/1}}, journal = j_jams, volume = {17}, number = {1}, pages = {110--113}, year = {1964} } @article{Forte1965a, author = {Forte, Allen}, title = {{The Domain and Relations of Set-Complex Theory}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {9}, number = {1}, pages = {173--180}, year = {1965} } @article{Forte1966a, author = {Forte, Allen}, title = {{A Program for the Analytic Reading of Scores}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {10}, number = {2}, pages = {330}, year = {1966} } @article{Forte1972a, author = {Forte, Allen}, title = {{Sets and Nonsets in Schoenberg's Atonal Music}}, journal = j_pnm, volume = {11}, number = {1}, pages = {43--64}, year = {1972} } @book{Forte1973a, author = {Forte, Allen}, title = {{The Structure of Atonal Music}}, publisher = p_yup, address = {New Haven}, year = {1973} } @article{Forte1973b, author = {Forte, Allen}, title = {{The Basic Interval Patterns}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {17}, number = {2}, pages = {234--273}, year = {1973} } @book{Forte1974a, author = {Forte, Allen}, title = {{Tonal Harmony in Concept and Practice}}, publisher = {Holt, Rinehart and Winston}, address = {New York}, year = {1974} } @article{Forte1978a, author = {Forte, Allen}, title = {{Schoenberg's Creative Evolution: The Path to Atonality}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {64}, number = {2}, pages = {133--176}, year = {1978} } @article{Forte1980a, author = {Forte, Allan}, title = {{Aspects of Rhythm in Webern's Atonal Music}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {2}, pages = {90--109}, year = {1980} } @article{Forte1981a, author = {Forte, Allan}, title = {{The Magical Kaleidoscope: Schoenberg's First Atonal Masterpiece, Op.11, No.1}}, journal = j_jasi, volume = {5}, number = {2}, pages = {127--168}, year = {1981} } @article{Forte1985a, author = {Forte, Allen}, title = {{Tonality, Symbol and Structural Levels in Berg's Wozzeck}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {71}, pages = {474--499}, year = {1985} } @article{Forte1988a, author = {Forte, Allen}, title = {{New Approaches to the Linear Analysis of Music}}, journal = j_jams, volume = {41}, pages = {315--48}, year = {1988} } @article{Forte1988b, author = {Forte, Allen}, title = {{Pitch-Class Set Genera and the Origin of Modern Harmonic Species}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {32}, pages = {187--270}, year = {1988} } @article{Forte1990a, author = {Forte, Allen}, title = {{A major Webern revision and its implications for analysis}}, journal = j_pnm, year = 1990, volume = 28, number = 1, pages = {224--255} } @incollection{Forte1991a, author = {Forte, Allen}, editor = {Gable, David and Morgan, Robert}, title = {{The Mask of Tonality: Alban Berg's Symphonic Epilogue to Wozzeck}}, booktitle = {{Alban Berg}: Historical and Analytical Perspectives}, publisher = {Clarendon Press}, address = {Oxford}, year = {1991} } @article{Forte1991b, author = {Forte, Allen}, title = {{Debussy} and the Octotonic}, journal = j_ma, volume = {10}, pages = {125--69}, year = {1991} } @article{Forte1992a, author = {Forte, Allen}, title = {{The Diatonic Looking Glass}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {76}, number = {3}, pages = {355--382}, year = {1992} } @article{Forte1992b, author = {Forte, Allen}, title = {{Concepts of Linearity in Schoenberg's Atonal Music: A Study of the Opus 15 Song Cycle}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 36, number = 1, pages = {285--382}, year = 1992 } @article{Forte1994a, author = {Forte, Allen}, title = {{An Octotonic Essay by Webern: No1 of the Six Bagatelles for String Quartet, Op.9}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {16}, number = {2}, pages = {171}, year = {1994} } @book{Forte1995a, author = {Forte, Allen}, title = {{The American Popular Ballad of the Golden Era, 1924--1950}}, publisher = p_pup, address = {Princeton, NJ}, year = {1995} } @book{Foster1983a, editor = {Foster, Hal}, title = {{The Anti-Aesthetic: Essays on Postmodern Culture}}, publisher = {Bay}, year = 1983, address = {Seattle}} @book{Foster1984a, author = {Foster, Hal}, title = {{Art After Modernism: Rethinking Representation}}, publisher = {Museum of Contemporary Art}, year = 1984, address = {New York}} @article{Foster1996a, author = {Hal Foster}, title = {{Death in America}}, journal = {October}, year = 1996, volume = 75, month = {Winter}} @article{Foster2009a, author = {Hal Foster}, title = {{Crack Open the Shells}}, journal = {London Review of Books}, year = 2009, volume = 31, number = 5, month = {March 12}, annote = {kw: Guy Debord, SI} } @book{Foucault1977a, author = {Michel Foucault}, title = {{Discipline and Punish: The Birth of the Prison}}, publisher = {Allen Lane}, year = 1977, address = {London}, note = {Translated by Alan Sheridan}, unimelb = {UniM Bail 364.60944 FOUC}} @book{Foucault1979a, author = {Foucault, Michel}, title = {{The History of Sexuality: Volume 1}}, publisher = {Allen Lane}, year = 1979, address = {London}, note = {Translated by Robert Hurley}} @article{Fowler1968a, author = {Fowler, Charles}, title = {{An Interview with Milton Babbitt}}, journal = {Music Educators Journal}, volume = {55}, number = {3}, pages = {57--61,127--133}, year = {1968} } @article{Fowler1994a, author = {Fowler, Glenn}, title = {{cql - A Flat File Database Query Language}}, journal = {USENIX Winter 1994}, pages = {11--21}, year = {1994} } @book{Fox1980a, author = {Fox, Mathew}, title = {{Breakthrough: Meister Eckhart's creation spirituality in new translation}}, publisher = {Image Books (Doubleday)}, year = 1980, address = {New York} } @book{Fox2003a, editor = {Fox, Christopher}, title = {{Microtones and Microtonalities}}, publisher = p_hap, year = 2003, volume = 22, number = {1 \& 2}, series = j_cmr, address = {Switzerland}, } @article{Frank2000a, author = {Frank, Peter}, title = {{Gallery Picks of the Week}}, journal = {L.A. Weekly}, year = 2000, month = {March 17--23, 2000}, note = {Review essay}, annote = {Subject: SLAVE PIANOS} } @inproceedings{Frankau2003a, author = {Frankau, Simon and Mycroft, Alan}, title = {{Stream processing hardware from functional language specifications}}, booktitle = {36th Annual Hawaii International Conference on System Sciences (HICSS)}, year = 2003, organization = o_ieee } @book{Freind1703a, author = {Freind, John}, title = {{Emmenologia: in qua fluxus muliebris menstrui ph{\ae}nomena, periodi, vitia cum medendi methodo, ad rationes mechanicas exiguntur}}, publisher = {E Theatro Sheldoniano, impensis Thomae Bennet}, year = 1703, address = {Oxoniae} } @article{French1968a, author = {French, Leonard}, title = {{The World's Biggest Glass Ceiling}}, journal = {Life Australia}, year = 1968, month = {August 19}, annote = {Subject: Leonard French} } @article{Frenke1986a, author = {Franke, Daniel}, title = {{Analytische Contemplation des Feldmanschen Klavierstuckes ``For Bunita Marcus''}}, journal = {Musik-Konzepte}, volume = {48}, number = {49}, pages = {135--147}, year = {1986}, annote = {Referenced in Hirata 1997} } @book{Freud1994a, author = {Freud, Sigmund}, title = {{Civilization and its Discontents}}, publisher = {Dover}, address = {New York}, note = {Translated by Joan Riviere}, year = {1994} } @book{Freyre1946a, author = {Freyre, Gilberto}, title = {{The Masters and the Slaves}}, publisher = p_ak, year = 1946, address = {New York}, note = {Translated by Samuel Putnam} } @book{Freyre1970a, author = {Freyre, Gilberto}, title = {{Order and Progress}}, publisher = p_ak, year = 1970, address = {New York}, note = {Translated by Rod W. Horton} } @article{Fridlender2000a, author = {Fridlender, Daniel and Indrika, Mia}, title = {{Do we need dependent types?}}, journal = {Journal of Functional Programming}, year = 2000, volume = 10, number = 4, pages = {409--415}} @incollection{Fried1968b, author = {Fried, Michael}, title = {{Art and objecthood}}, booktitle = {{Minimal Art: A Critical Anthology}}, crossref = {Battcock1968a}} @book{Fried1980a, author = {Fried, Erich}, title = {100 Poems Without a Country}, publisher = {Red Dust}, year = 1980, address = {New York} } @incollection{Friedman1976a, author = {Friedman, D.P. and Wise, D.S.}, title = {{CONS should not evaluate its arguments}}, crossref = {Michaelson1976a}, pages = {257--284}} @inproceedings{Friedman1988a, author = {Daniel P. Friedman}, title = {{Applications of Continuations: Invited Tutorial}}, booktitle = {{1988 Principles of Programming Languages (POPL88)}}, month = {January}, year = 1988, url_ = {http://www.cs.indiana.edu/hyplan/dfried/appcont.pdf} } @book{Friedman1992a, author = {Friedman, Daniel and Wand, Mitchell and Haynes, Christopher}, title = {{Essentials of programming languages}}, publisher = p_mit, year = 1992, address = {Cambridge, MA} } @book{Friedman1998a, editor = {Friedman, Ken}, title = {{The Fluxus reader}}, publisher = {Academy Editions}, year = 1998, address = {New York}, unimelb = {UniM Bail 709.0407 FLUX} } @book{Friedman2000a, editor = {Friedman, B.H.}, title = {{Give My Regards to Eighth Street: Collected Writings of Morton Feldman}}, publisher = {Exact Change}, year = 2000, address = {Cambridge, MA} } @article{Friedmann1985a, author = {Friedmann, Michael}, title = {{A Methodology for the Discussion of Contour: It's Application to Schoenberg's Music}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {29}, pages = {223--248}, year = {1985} } @book{Friedmann1990a, author = {Friedmann, Michael}, title = {{Ear Training for Twentieth-Century Music}}, publisher = p_yup, address = {New Haven and London}, year = {1990} } @phdthesis{Frisch1981a, author = {Frisch, Walter}, title = {{Brahms' Sonata Structures and the Principle of Developing Variation}}, school = {University of California, Berkeley}, year = {1981} } @book{Frisch1984a, author = {Frisch, Walter}, title = {{Brahms and the Principle of Developing Variation}}, publisher = p_ucap, address = {Berkeley, CA}, year = {1984} } @incollection{Frisch1990a, author = {Frisch, Walter}, editor = {Bozarth, George}, title = {{Musical Displacement in Brahms}}, booktitle = {{Brahms Studies: Analytical and Historical Perspectives}}, publisher = {Clarendon Press}, address = {Oxford; New York}, year = {1990} } @book{Fritsch1993a, author = {Fritsch, Katharina}, title = {{Katharina Fritsch}}, publisher = {Dia Center ofr the Arts}, year = 1993, address = {New York} } @misc{Fritts1997a, author = {Fritts, Lawrence}, title = {{Review of Mead ``An Introduction to the Music of Milton Babbitt'' and Babbitt ``The Function of Set Structure in the Twelve Tone System''}}, year = {1997} } @book{Fromonot2003a, author = {Fromonot, Francoise}, title = {{Glenn Murcutt: Buildings and Projects, 1962 - 2003}}, publisher = p_th, year = 2003, address = {London} } @book{Froom1994a, editor = {Froom, David}, title = {{American composers: the emerging generation}}, publisher = p_hap, year = 1994, volume = {10/1}, series = j_cmr, address = {Basel}, } @incollection{Frost1998a, author = {Frost, Everett}, crossref = {Bryden1998a}, title = {{The Note Man on the Word Man: Morton Feldman on Composing the Music for Samuel Beckett's Words and Music in The Beckett Festival of Radio Plays}}, pages = {47--55}, } @article{Fruchterman1991a, author = {Fruchterman, T.M.J. and Reingold, E.M.}, title = {{Graph drawing by force-directed placement}}, journal = j_spe, year = 1991, volume = 21, number = 11, pages = {1129--1164} } @book{Fuchs2007a, editor = {Anne Fuchs and J.J. Long}, title = {{W.G. Sebald and the writing of history}}, publisher = {Königshausen \& Neumann}, year = 2007, address = {Würzburg}, unimelb = {UniM Bail 833.91409 SEBA/ WGSE}, isbn = 9783826034374 } @article{Fuller1962a, author = {Fuller, Ramon}, title = {{A Study of Interval and Trichord Progressions}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {16}, number = {1}, pages = {102--141}, year = {1962} } @article{Fuller1967a, author = {Fuller, Ramon and Hiller, Lejaren}, title = {{Structure and Information in Webern's Symphony, Op.21}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {11}, number = {1}, pages = {60}, year = {1967} } @article{Fuller1975a, author = {Fuller, Ramon}, title = {{A Structuralist Approach to the Diatonic Scale}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {19}, number = {2}, pages = {182--210}, year = {1975} } @book{Fuller1994a, editor = {Sophie Fuller and Nicola Lefanu}, title = {{Reclaiming the muse}}, publisher = p_hap, year = 1994, volume = {11/1--2}, series = j_cmr, address = {London}, } @article{Gabriel1988a, author = {Richard P. Gabriel}, title = {{The why of Y}}, journal = {SIGPLAN Lisp Pointers}, year = 1988, volume = 2, number = 2, pages = {15--25}, doi = {http://doi.acm.org/10.1145/1317250.1317252}, publisher = {ACM}, address = {New York}, } @article{Gabriel1991a, author = {Richard P. Gabriel}, title = {{LISP: Good News, Bad News, How to Win Big}}, journal = {AI Expert}, volume = 6, number = 6, pages = {30--39}, year = 1991, } @book{Gaburo1980a, editor = {Kenneth Gaburo}, title = {{Allos, "other" language}}, publisher = {Lingua Press}, year = 1980, address = {La Jolla, CA}, unimelb = {UniM VCA 808.8004 All /0001} } @article{Gadenstatter2004a, author = {Clemens Gadenst\"atter}, title = {{Helmut Lachenmann: Short Portrait with Self-Portrait}}, journal = {Contemporary Music Review}, year = 2004, volume = 23, number = {3/4}, pages = {31--37}, month = {September}, doi = {10.1080/0749446042000285645} } @book{Gagne1982a, author = {Gagne, Cole and Caras, Tracy}, title = {{Soundpieces: Interviews with American Composers}}, publisher = {The Scarecrow Press Inc.}, year = 1982, address = {Metuchen, NJ}, note = {{Interviews with Morton Feldman and others}} } @inbook{Gakkel2000a, author = {Gakkel, Seva}, title = {{Sergey Kuryokhin International Festival Program}}, chapter = {{Slave Pianos}}, publisher = {CEC}, year = 2000, address = {St Petersburg}, month = {April}, note = {Catalogue essay}, } @article{Gallacher2000a, author = {Lyn Gallacher}, title = {{Interview with Dr Jacques Cabaud}}, journal = {Radio National, Encounter}, year = 2000, month = {May 7}, annote = {kw: Simone Weil}} @misc{Gallwitz1976a, author = {Gallwitz and Dr Klaus}, title = {{Biennale '76 - Deutsche Pavillion - Beuys, Gerz, Ruthenbeck}}, year = {1976} } @inproceedings{Gamer1967a, author = {Gamer, Carlton}, title = {{Deep Scales and Difference Sets in Equal-Tempered Systems}}, booktitle = {Proceedings of the American Society of Univerity Composers}, volume = {2}, pages = {113--122}, year = {1967} } @article{Gamer1967b, author = {Gamer, Carlton}, title = {{Some Combinatorial Resources of Equal-Tempered Systems}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {11}, number = {1}, pages = {32--59}, year = {1967} } @article{Gamer1973a, author = {Gamer, Carlton}, title = {{Review of Allen Edward's ``Flawed Words and Stubborn Sounds: A Conversation with Elliott Carter''}}, journal = j_pnm, volume = {11}, number = {2}, pages = {146--155}, year = {1973} } @article{Gamer1976a, author = {Gamer, Carlton and Lansky, Paul}, title = {{Fanfares for the Common Tone}}, journal = j_pnm, volume = {15}, pages = {229--235}, year = {1976} } @book{Gamma1995a, author = {Gamma, Erich and others}, title = {{Design patterns: elements of reusable object-oriented software}}, publisher = p_aw, year = 1995, address = {Reading, MA} } @book{Gann1995a, author = {Gann, Kyle}, title = {{The Music of Conlon Nancarrow}}, publisher = p_cup, year = 1995, address = {Cambridge} } @article{Gann2003a, author = {Gann, Kyle}, title = {{Making Marx in the Music: A HyperHistory of New Music and Politics}}, journal = {New Music Box}, year = 2003, month = {November}, url_ = {http://www.newmusicbox.org/page.nmbx?id=55tp00} } thesis{Gloag1995, author = {Gloag, Kenneth}, title = {{Structure, Syntax and Style in the Music of Stravinsky}}, institution = {University of Exeter}, type = {??}, year = {1995} } @article{Gansner1988a, author = {Gansner, Emden and North, Steven and Vo, Kiem-Phong}, title = {{DAG - A program that draws directed graphs}}, journal = j_spe, year = 1988, volume = 18, pages = {1047--1062} } @article{Gansner1993a, author = {Gansner, Emden and Koutsofios, Eleftherios and North, Steven and Vo, Kiem-Phong}, title = {{A Technique for Drawing Directed Graphs}}, journal = c_ieee_tse, volume = 19, number = 3, pages = {214--230}, year = 1993 } @book{Gansner2000a, editor = {Gansner, Emden and Reppy, John}, title = {{The Standard ML Basis Library}}, publisher = p_cup, year = 2000, address = {Cambridge} } @mastersthesis{Gardner1992a, author = {Gardner, William}, title = {{The Virtual Acoustic Room}}, school = o_mit, year = 1992, note = {Media Arts and Sciences} } @article{Gardner1995a, author = {Gardner, William}, title = {{Efficient convolution without input-output delay}}, journal = j_jaes, year = 1995, volume = 43, number = 3, pages = {127--136} } @article{Gardner1995b, author = {Gardner, William. and Martin, K.D.}, title = {{HRTF measurements of a KEMAR}}, journal = j_jasa, year = 1995, volume = 97, number = 6, pages = {3907--2908} } @article{Gardner2009a, author = {Anthony Gardner}, title = {The Same River Twice}, journal = {Art \& Australia}, year = 2009, number = 1, month = {Spring}, note = {Review essay}, annote = {Subject: SLAVE PIANOS} } @inproceedings{Garton1997a, author = {Garton, Brad}, title = {{RTcmix: using CMIX in real time}}, booktitle = c_icmc, pages = {399--402}, year = 1997, organization = o_icma, } @article{Gass1981a, author = {Gass, Glenn}, title = {{Elliott Carter's ``Second String Quartet'': Aspects of Time and Rhythm}}, journal = {ITR}, volume = {4}, number = {3}, pages = {12--23}, year = {1981} } @unpublished{Gasseling1986a, author = {Gasseling, Vincent and Nieuwenhuizen, Michael}, title = {{Morton Feldman and Iannis Xenakis in conversation}}, note = {De Kloveniersdoelen, Middelburg, The Netherlands}, month = {Friday, July 4}, year = 1986, } @article{Gauldin1977a, author = {Gauldin, Robert}, title = {{Pitch Structure in the Second Movement of Webern's Concerto, Op.24}}, journal = j_ito, volume = {2}, number = {10}, pages = {8--22}, year = {1977} } @book{Gayou2009a, editor = {Gayou, \'Evelyne}, title = {{Portraits Polychromes No. 14: Pierre Schaeffer}}, publisher = {Institut national de l'audiovisuel}, year = 2009, address = {Paris}, month = {May}, note = {Texts by Pierre Shaeffer, Pierre Henry, Brian Kane, R\'ejean Beaucage, Marcus Erbe and Simon Grintsch, Martin Lalibert\'e, Philippe Langlois, Jacques Perriault, Jean-Claude Risset, John Dack, Rolf Inge God\/oy and others}, isbn = {2-86938-210-7} } @misc{Gebhard2006a, author = {Nathan Gebhard (dir.)}, title = {{Interview: Chris Kraus}}, howpublished = {Video recording}, duration = {6 Minutes}, year = 2006, _url = {http://video.msn.com/video.aspx?mkt=en-us&vid=5bf1b7fa-87f4-40cd-b680-65f2c604a222} } @book{Geddes1989a, author = {Geddes, L.A. and Baker, L.E.}, title = {{Principles of applied biomedical instrumentation}}, publisher = {John Wiley and Sons}, year = 1989, address = {New York}, edition = {Third} } @book{Gelder1989a, author = {Gelder, Ken and Salzman, Paul}, title = {{The New Diversity: Australian Fiction 1970--88}}, publisher = {McPhee Gribble}, year = 1989, annote = {Subject: Gerald Murnane}, unimelb = {UniM Bail A823.309 GELD} } @article{Gelder1989b, author = {Gelder, Ken}, title = {{Postmodernism's 'Lost Objects': desire in the recent fiction of Murnane, Brooks, Henshaw and Jones}}, journal = {Island Magazine}, year = 1989, volume = 41, pages = {49--53}, month = {Summer}, unimelb = {UniM Bail P A820.5 ISLA}} @phdthesis{Gelleny2000a, author = {Gelleny, Sharon Ann}, title = {{Variation Techniques and Other Theoretical Issues in Morton Feldman's `Carpet' Compositions}}, school = {State University of New York}, year = 2000, address = {Buffalo}} @incollection{Gena1982a, author = {Gena, Peter}, title = {{H.C.E. (Here Comes Everybody): Morton Feldman in Conversation with Peter Gena}}, booktitle = {{A John Cage Reader in Celebration of his 70th Birthday}}, pages = {51--73}, publisher = p_peters, address = {New York}, year = 1982, note = {Originally published in {\em TriQuarterly 54} (Spring 1982)}, unimelb = {UniM Music 780.92 CAGE/JOHN} } @article{Genoni2002a, author = {Paul Genoni}, title = {{The Photographic Eye: the Camera in Recent Australian Fiction}}, journal = {Antipodes}, year = 2002, volume = 16, number = 2, pages = {137--141}, month = {December}, annote = {Subject: Gerald Murnane}, unimelb = {UniM Bail P A820 ANTI} } @incollection{Genoni2007a, author = {Paul Genoni}, title = {{Gerald Murnane}}, crossref = {Birns2007a}} @book{Gensei1983a, author = {Gensei}, title = {{Grass Hill: Poems and Prose by the Japanese Monk Gensei}}, publisher = {Columbia University Press}, address = {New York}, year = 1983, note = {Translated by Burton Watson}, isbn = 9780231056069 } @book{Genuys1965a, editor = {F. Genuys}, title = {{Programming Languages}}, publisher = {Academic Press}, year = 1965, address = {New York}} @article{Geslin2002a, author = {Geslin, Yann}, title = {{Digital Sound and Music Transformation Environments: A Twenty-year Experiment at the Group de Recherches Musicales}}, journal = j_jnmr, year = 2002, volume = 31, number = 2, pages = {99--107} } @article{Geslin2007a, author = {Yann Geslin and Daniel Teruggia}, title = {{A selected bibliography reflecting the GRM's concepts and trends}}, journal = {Organised Sound}, year = 2007, volume = 12, pages = {279--283}, doi = {10.1017/S1355771807001884} } @inproceedings{Ghani2006a, author = {Neil Ghani, Makoto Hamana, Tarmo Uustalu and Varmo Vene}, title = {{Representing cyclic structures as nested datatypes}}, year = 2006, booktitle = {Proceedings of 7th Trends in Functional Programming, 2006}, pages = {173--188}, publisher = {Intellect} } @article{Ghani2006b, author = {Neil Ghani and Tarmo Uustalu and Makoto Hamana}, title = {{Explicit Substitutions and Higher-Order Syntax}}, journal = {Higher Order Symbolic Computation}, year = 2006, volume = 19, pages = {263--282} } @inproceedings{Ghuloum2007a, author = {Ghuloum, Abdulaziz and Dybvig, R. Kent}, title = {{Implicit phasing for R6RS libraries}}, booktitle = {{ICFP '07: Proceedings of the 12th ACM SIGPLAN international conference on Functional programming}}, year = 2007, isbn = {978-1-59593-815-2}, pages = {303--314}, location = {Freiburg, Germany}, doi = {10.1145/1291151.1291197}, publisher = {ACM}, address = {New York, NY, USA}, } @article{Gibb1977a, author = {Michael Gibb}, title = {{Sound Poetry - An Historical Discography}}, journal = {KONTEXTSOUND}, year = 1977, note = {Kontext Publications, Amsterdam}, _url = {http://www.ubu.com/papers/gibb.html}} @article{Gibbs1988a, author = {Gibbs, Jason}, title = {{Review: Words About Music by Milton Babbitt}}, journal = j_ito, volume = {10}, number = {8}, pages = {15--23}, year = {1988} } @misc{Gibbs1989a, author = {Gibbs, Jason}, title = {{Prolongation in Order-Determinate Music}}, pages = {58--74}, year = {1989} } @article{Gilbert1974a, author = {Gilbert, Steven}, title = {{An Introduction to Trichordal Analysis}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {18}, number = {2}, pages = {338--362}, year = {1974} } @article{Gillett1988a, author = {Gillett, Sue}, title = {{Inland with Gerald Murnane: An Interview}}, journal = {Meridian}, year = 1988, volume = 7, number = 2, pages = {163--174}, unimelb = {UniM Bail P 805 MERI} } @article{Gillett1990a, author = {Gillett, Sue}, title = {{Loving and hating the 'Inland' reader: post modern ploys or romantic reaction?}}, journal = {Span}, year = 1990, volume = 30, pages = {59--68}, month = {April}, note = {Paper given at the South Pacific Association for Commonwealth Literature and Language Studies (SPACLALS) Conference (5th: 1990: Wollongong, NSW)}, annote = {kw: Gerald Murnane} } @article{Gillett1995a, author = {Gillett, Sue}, title = {{Gerald Murnane's {\em The Plains}: A Convenient Source of Metaphors}}, journal = {Ariel}, year = 1995, volume = 26, number = 2, pages = {25--39}, unimelb = {UniM Bail P 820.5 A698} } @article{Girault1999a, author = {Alain Girault and Bilung Lee and Edward A. Lee}, title = {{Hierarchical Finite State Machines with Multiple Concurrency Models}}, journal = {IEEE Transactions On Computer-aided Design Of Integrated Circuits And Systems}, year = 1999, volume = 18, number = 6, month = {June}} @inproceedings{Girod2007a, author = {Lewis Girod and others}, title = {{The Case for a Signal-Oriented Data Stream Management System}}, booktitle = {{Proceedings of CIDR}}, year = 2007} @inproceedings{Girod2008a, author = {Lewis Girod and others}, title = {{XStream: A Signal-Oriented Data Stream Management System}}, booktitle = {{ICDE}}, year = 2008} @book{Gleick1988a, author = {Gleick, James}, title = {{Chaos}}, publisher = p_hm, year = 1988, address = {London} } @article{Glenn2000a, author = {Joshua Glenn}, title = {{Simone Weil: 1909--1943}}, journal = {Hermenaut}, year = 2000, volume = 14, note = {December}} @book{Glimcher1987a, editor = {Glimcher, Marc}, title = {{Jean Dubuffet: towards an alternative reality}}, publisher = {Abbeville Press}, year = 1987, address = {New York} } @article{Gluck2005a, author = {Gluck, Robert}, title = {{A Conversation with Dariush Dolat-shahi}}, journal = {Electronic Music Foundation}, year = 2005, url_ = {http://www.emfinstitute.emf.org/articles/gluck.dolatshahi_05.html} } @article{Gluck2007a, author = {Gluck, Robert}, title = {{The Shiraz Arts Festival: Western Avant-Garde Arts in 1970s Iran}}, journal = {Leonardo}, year = 2007, volume = 40, number = 1, pages = {20--28}, annote = {kw: John Cage, Merce Cunningham, Andy Warhol, Iannis Xenakis}, doi = {10.1162/leon.2007.40.1.20}, unimelb = {UniM Bail P 705 LEON} } @book{Goddard2009a, author = {Angela Goddard and Robert Leonard}, title = {{The Same River Twice}}, publisher = {Institute of Modern Art}, year = 2009, address = {Fortitude Valley, QLD}, note = {Exhibition catalogue}, isbn = {978-1-875792-65-8}, annote = {kw: Slave Pianos} } @article{Goder1972a, author = {Goder, Miriam}, title = {{The Interval Triangle}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {16}, number = {1--2}, pages = {142--167}, year = {1972} } @article{Godfrey1987a, author = {Godfrey, Daniel}, title = {{A Unique Vision of Musical Time -- Carter's ``String Quartet No.3''}}, journal = j_sonus, volume = {8}, number = {1}, pages = {40--59}, year = {1987} } @book{Goethe1970a, author = {Goethe, Johann Wolfgang von}, title = {{Theory of Colors}}, publisher = p_mit, address = {Cambridge, MA}, year = 1970, } @article{Gogins1991a, author = {Gogins, Michael}, title = {{Iterated Functions Systems Music}}, journal = j_cmj, year = 1991, volume = 15, number = 1, pages = {40--48}} @book{Gogol1962a, author = {Gogol, Nikolai}, title = {{The Government Inspector}}, publisher = {Ginn and Company Ltd.}, year = 1962, address = {London}, note = {Translated by W. L. Goodman}} @book{Gold1969a, author = {Gold, Bernard and Rader, Charles}, title = {{Digital processing of signals}}, publisher = p_mh, year = 1969, address = {New York} } @book{Goldberg1983a, author = {Goldberg, A. and Robson, D.}, title = {{Smalltalk-80: The language and its implementation}}, publisher = p_aw, year = 1983, address = {Reading, MA} } @book{Goldberg1988a, author = {Goldberg, Rose Lee}, title = {{Performance Art: From Futurism to the Present}}, publisher = p_th, year = 1988, address = {London} } @article{Goldman1957a, author = {Goldman, Richard}, title = {{The Music of Elliott Carter}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {43}, pages = {151--170}, year = {1957} } @book{Goldman1969a, author = {Goldman, Emma}, title = {{Anarchism and other essays}}, publisher = {Kennikat Press}, address = {Port Washington, NY}, year = {1969} } @book{Goldsmith1936a, author = {Goldsmith, Oliver}, title = {{The Vicar of Wakefield}}, publisher = {The Spencer Press}, year = 1936, address = {Reading, PA} } @book{Goldsmith2004a, editor = {Goldsmith, Kenneth}, title = {{I'll Be Your Mirror: The Selected Andy Warhol Interviews, 1962--1987}}, publisher = {Carroll \& Graf Publishers}, year = 2004, address = {New York}} @book{Goldstein1995a, editor = {Goldstein, Ann and Rorimer, Anne}, title = {{Reconsidering the object of art: 1965--1975}}, publisher = p_mit, address = {Cambridge, MA}, year = 1995, note = {With essays by Lucy R. Lippard, Stephen Melville and Jeff Wall} } @incollection{Goldstein1999a, author = {Goldstein, Louis}, title = {{Morton Feldman and the Shape of Time}}, booktitle = {{Perspectives on American Music since 1950}}, publisher = {Garland Publishing, Inc}, year = 1999, editor = {James R. Heintze}, address = {New York}, unimelb = {UniM Music 780.9730904 PERS}} @book{Gollon1968a, author = {Gollon, John}, title = {{Chess variations, ancient, regional, and modern}}, publisher = {C. E. Tuttle Co.}, year = 1968, address = {Rutland, VT} } @book{Gombrowicz1966a, author = {Gombrowicz, Witold}, title = {{Pornografia [1960]}}, publisher = {Calder \& Boyars}, year = 1965, address = {London}, note = {Translate by Alastair Hamilton}} @book{Gombrowicz1978a, author = {Gombrowicz, Witold}, title = {{Ferdydurke, Pornografia, Cosmos}}, publisher = {Grove Press, Inc.}, year = 1978, address = {New York}, note = {Translations by Eric Mosbacher and Alastair Hamilton}} @book{Gombrowicz1994a, author = {Gombrowicz, Witold}, title = {{Trans-Atlantyk [1952]}}, publisher = {Yale University Press}, year = 1994, address = {New Haven and London}, note = {Translated by Carolyn French and Nina Karsov}} @book{Gombrowicz2000a, author = {Gombrowicz, Witold}, title = {{Ferdydurke [1937]}}, publisher = {Yale University Press}, year = 2000, address = {New Haven and London}, note = {Translated by Danuta Borchardt}} @book{Gombrowicz2004a, author = {Gombrowicz, Witold}, title = {{Polish Memories}}, publisher = {Yale University Press}, year = 2004, address = {New Haven \& London}, note = {Translated by Bill Johnston}} @book{Gombrowicz2004b, author = {Witold Gombrowicz}, title = {{A Guide to Philosophy in Six Hours and Fifteen Minutes [1971]}}, publisher = {Yale University Press}, year = 2004, address = {New Haven and London}, note = {Translated by Benjamin Ivry}} @book{Gombrowicz2005a, author = {Gombrowicz, Witold}, title = {{Cosmos [1966]}}, publisher = {Yale University Press}, year = 2005, address = {New Haven and London}, note = {Translated by Danuta Borchardt}} @book{Gonnet1991a, author = {Gonnet, G.H.}, title = {{Handbook of Algorithms and Data Structures}}, publisher = p_aw, year = 1991, address = {Reading, MA} } @article{Gontarski1983a, author = {S.E. Gontarski}, title = {{'Quad 1 and 11'; Beckett's sinister mime(s)}}, journal = {Journal of Beckett Studies}, year = 1983, volume = 9, month = {Spring}} @article{Goodyear2004a, author = {Goodyear, Anne Collins}, title = {{Gyorgy Kepes, Billy Kl\"uver, and American Art of the 1960s: Defining Attitudes Toward Science and Technology}}, journal = {Science in Context}, year = 2004, volume = 17, pages = {611--635}} @book{Goosens1994a, author = {Goosens, Michel and Mittelbach, Frank and Samarin, Alexander}, title = {{The \LaTeX Companion}}, publisher = p_aw, year = 1994, address = {Reading, MA} } @book{Gordon1996a, author = {Gordon, Lois}, title = {{The World of Samuel Beckett, 1906--1946}}, publisher = p_ucp, address = {New Haven}, year = 1996, unimelb = {UniM Bail 848.91409 BECK/GORD} } thesis{Hafner1995, author = {Hafner, Everett}, title = {{Time Divided}}, institution = {University of Massachusetts, Amherst}, type = {??}, year = {1995} } @book{Gottlieb1993a, author = {Gottlieb, Robert S.}, title = {{Solo Tabla Drumming of North India}}, publisher = {Motilal Banarsidass Publishers}, year = {1993}, address = {Delhi} } @article{Gottlieb2001a, author = {H. P. W. Gottlieb and J. C. Sprott}, title = {{Simplest Driven Conservative Chaotic Oscillator}}, journal = {Physical Letters}, year = 2001, volume = 291, pages = {385--388}} @book{Gottstein2006a, editor = {Gottstein, Bjorn}, title = {{Musik Als Ars Scientia: The Edgard Var\`ese DAAD Guest Professors at the TU Berlin studio}}, publisher = {Pfau-Verlag}, year = 2006, address = {Sarrbrucken}, annote = {kw: Edgard Varese}} @book{Gourevitch1998a, author = {Gourevitch, Philip}, title = {{We wish to inform you that tomorrow we will be killed with our families}}, publisher = p_fsg, year = 1998, address = {New York} } @article{Gowing2004a, author = {Gowing, Liam}, title = {{Mr Misery}}, journal = {Spin}, year = 2004, volume = 20, number = 12, month = {December}, annote = {Subject: Elliott Smith} } @book{Grabosky1977a, author = {Peter N. Grabosky}, title = {{Sydney in ferment: Crime, dissent and official reaction}}, publisher = {Australian National University Press}, year = 1977, address = {Canberra}, isbn = {0 7081 0230 1}, unimelb = {UniM Bail 364.25 G728} } @article{Graebner1973a, author = {Graebner, Eric}, title = {{An Analysis of Schoenberg's ``Klavierstuck, Op.33a''}}, journal = j_pnm, volume = {12}, number = {1--2}, pages = {128--140}, year = {1973} } @inproceedings{Graevenitz1997a, author = {Graevenitz, Antje von}, title = {{The death of the artist: Extreme performances in the art of the 20th century}}, booktitle = {{Intervention au XXXIe congress de l'AICA at Belfast}}, year = 1997, month = {September}} @book{Graham1965a, editor = {Graham, A. C.}, title = {{Poems of the Late T'ang}}, publisher = p_penguin, year = 1965, address = {Harmondsworth}, note = {Translated by A. C. Graham} } @book{Graham1976a, author = {Graham, Dan}, title = {{Dan Graham: [Ausstellung], Kunsthalle Basel, 28. August -- 3. Oktober 1976}}, publisher = {Kunsthalle Basel}, year = 1976, address = {Basel}, note = {Katalog; English text mit deutscher \"Ubers}, unimelb = {UniM Lenton Parr 700.924 Gra /0013} } @book{Graham1979a, author = {Dan Graham}, title = {{Video -- Architecture -- Television: Works, Propositions and Projects, Writings 1970-1978}}, publisher = {Press of the Nova Scotia College of Art \& Design, New York University Press}, year = 1979, note = {Edited by Benjamin H.D. Buchloh with two contributions by Michael Asher and Dara Birnbaum}, isbn = {978-0814710265}, unimelb = {UniM Lenton Parr 700 Gra /0070} } @book{Graham1994a, author = {Graham, Dan}, title = {{Rock my religion: writings and projects, 1965--1990}}, publisher = p_mit, address = {Cambridge, MA}, note = {Edited by Brian Wallis}, year = 1994, unimelb = {UniM Lenton Parr 709.2 Gra /0182} } @book{Graham1997a, author = {Graham, Dan}, title = {{Dan Graham: architecture}}, publisher = {Architectural Association}, year = 1997, address = {London}, note = {Published to accompany the exhibition {\em Dan Graham: architecture} held at Camden Arts Centre, London, 11 April-25 May, 1997 and the Architectural Association, London, 22 April-24 May 1997}, unimelb = {UniM Archit 720.92 GRAH/ DAN} } @book{Graham1999a, author = {Graham, Dan and Alberro, Alexander}, title = {{Two-Way Mirror Power: Selected Writings by Dan Graham on His Art}}, publisher = {MIT Press}, year = 1999, address = {Cambridge, MA}, unimelb = {UniM Bail 700 GRAH}} @book{Gratzer1996a, author = {Gratzer, George}, title = {{Math into \LaTeX}}, publisher = {Birkhauser}, year = 1996, address = {Boston} } @phdthesis{Grau1973a, author = {Grau, Irene}, title = {{Compositional Techniques Employed in the First Movement of Elliott Carter's ``Piano Concerto''}}, school = {Michigan State University}, year = {1973} } @book{Gray1926a, author = {Cecil Gray and Philip Heseltine}, title = {{Carlo Gesualdo, Prince of Venosa: musician and murderer}}, publisher = {Kegan}, year = 1926, address = {London}, unimelb = {UniM Music 780.92 GESU/GRAY} } @book{Gray1993a, author = {Gray, John}, title = {{Action art: a bibliography of artists' performance from futurism to fluxus and beyond}}, publisher = {Greenwood Press}, year = 1993, address = {Westport} } @article{Graybill1990a, author = {Graybill, Roger}, title = {{Intervallic Transformation and Closure in the Music of Stravinsky}}, journal = {Theory and Practice}, volume = {15}, pages = {13--34}, year = {1990} } @book{Grayson1975a, editor = {Grayson, John}, title = {{Sound sculpture: a collection of essays}}, publisher = {A. R. C. Press}, year = 1975, address = {Vancouver} } @book{Green1992a, author = {Green, Henry}, title = {{Nothing}}, publisher = {Harvill}, year = 1992, address = {London} } @book{Greene1955a, author = {Greene, Graham}, title = {{The Quiet American}}, publisher = {William Heinemann \& Co.}, year = 1955, address = {London}} @book{Greene1961a, author = {Greene, Graham}, title = {{A Burnt-Out Case}}, publisher = {William Heinemann Ltd.}, year = 1961, address = {London}} @book{Greene1966a, author = {Greene, Graham}, title = {{The Comedians}}, publisher = {The Bodley Head}, year = 1966, address = {London}} @book{Greene1973a, author = {Greene, Graham}, title = {{The Honorary Consul}}, publisher = {The Bodley Head}, year = 1973, address = {London}} @techreport{Greif1974a, author = {Greif, Irene and Hewitt, Carl}, title = {{Actor Semantics of PLANNER-73}}, institution = o_mit, year = 1974, address = {Cambridge, MA} } @article{GrellaMozejko2005a, author = {Piotr Grella-Mo\.zejko}, title = {{Helmut Lachenmann--Style, Sound, Text}}, journal = {Contemporary Music Review}, year = 2005, volume = 24, number = 1, pages = {57--75}, month = {February}, doi = {10.1080/0749446042000293619} } @inproceedings{Gribonval1996a, author = {Gribonval, R. and Depalle, Ph. and Rodet, X. and Bacry, E. and Mallat, S.}, title = {{Sound Signals Decomposition Using a High Resolution Matching Pursuit}}, booktitle = c_icmc, pages = {293--296}, year = 1996, month = aug } @misc{Griesbeck1996a, author = {Christian Griesbeck}, title = {{Introduction to Labanotation}}, howpublished = {Online}, year = 1996, note = {Goethe Universit\"at, Frankfurt am Main}, _url = {http://user.uni-frankfurt.de/~griesbec/LABANE.HTML} } @article{Griffiths1972a, author = {Griffiths, Paul and Feldman, Morton}, title = {{Morton Feldman talks to Paul Griffiths}}, journal = j_mt, volume = {August}, pages = {758--759}, year = 1972, unimelb = {UniM Music P MUSI} } @book{Griffiths1979a, author = {Griffiths, Paul}, title = {{A Guide to Electronic Music}}, publisher = p_th, year = 1979, address = {London}} @book{Griffiths1997a, author = {Griffiths, Paul}, title = {{Gy\'orgy Ligeti}}, publisher = {Robson Books}, year = 1997, address = {London}, unimelb = {UniM Music 780.92 LIGE/ GRIF}, isbn = {1-86105-058-5} } @article{Griffiths2001a, author = {Paul Griffiths}, title = {{MUSIC REVIEW; What's in the Title? Perhaps a Little Fun}}, journal = {The New York Times}, year = 2001, pages = {E5}, month = {April 12}, annote = {kw: Slave Pianos}, url_ = {http://www.nytimes.com/2001/04/12/arts/music-review-what-s-in-the-title-perhaps-a-little-fun.html} } @article{Grimes1986a, author = {Grimes, Ev}, title = {{Conversations with American Composers, Milton Babbitt}}, journal = {Music Educators Journal}, volume = {72}, pages = {52--53}, year = {1986} } @article{Grisey2001a, author = {Grisey, Gerard}, title = {{Did You Say Spectral?}}, journal = j_cmr, year = 2001, volume = 19, number = 3, pages = {1--3}, note = {Translated by Joshua Fineberg}, } @book{Grohmann1958a, author = {Grohmann, Will}, title = {{Klee}}, publisher = p_collins, year = 1958 } @article{Gronemeyer1996a, author = {Gronemeyer, Gisela and Oehlschlgel, Reinhard}, title = {{'I don't compose, I assemble.' Morton Feldman im Gesprach \"uber Crippled Symmetry}}, journal = {MusikTexte}, volume = {66}, number = {November}, pages = {33--36}, year = {1996} } @book{Groom2009a, author = {Groom, Linda}, title = {{First Fleet artist: George Raper's birds \& plants of Australia}}, publisher = {National Library of Australia}, year = 2009, address = {Canberra}, unimelb = {UniM Bail f 759.2 GROO}, isbn = {978-0-64227-681-0} } @inproceedings{Grossman1987a, author = {Grossman, Gary}, title = {{Instruments, Cybernetics, and Computer Music}}, booktitle = c_icmc, pages = {212--219}, year = 1987, organization = o_icma } @book{Grossmith1962a, author = {Grossmith, George and Grossmith, Weedon}, title = {{The Diary of a Nobody}}, publisher = p_dent, year = 1962, address = {London} } @article{Grosz1989a, author = {Grosz, Elizabeth}, title = {{Feminism and the Critique of Representation}}, journal = {Sounds Australian}, volume = {21}, pages = {29--33}, year = {1989} } @book{Grout1988a, author = {Grout, Donald Jay and Palisca, Claude V.}, title = {{A History of Western Music}}, publisher = p_dent, year = 1988, address = {London}, edition = {Fourth} } @book{Grove2000a, editor = {Sadie, S. and others}, title = {{The New Grove Dictionary of Music and Musicians}}, publisher = p_mm, year = 2000, address = {London}, unimelb = {UniM Music REF 780.3 NEW2} } @book{Grunbaum1986a, author = {Grunbaum, B. and Shephard, G. C.}, title = {{Tilings and Patterns}}, publisher = {W. H. Freeman}, year = 1986, address = {New York} } @article{Guck1981a, author = {Guck, Marion}, title = {{Musical Images as Musical Thoughts: The Contribution of Metaphor to Analysis}}, journal = j_ito, volume = {5}, number = {5}, pages = {29--43}, year = {1981} } @article{Guck1993a, author = {Guck, Marion A.}, title = {{The "endless round." (Jonathan Bernard on Edgard Varese)}}, journal = {Perspectives of New Music}, year = 1993, volume = 31, month = {January}} @article{Guck1994a, author = {Guck, Marion}, title = {{Analytical Fictions}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {16}, number = {2}, pages = {217}, year = {1994} } @book{Guest1991a, editor = {Guest, Ann Hutchinson and Haarst, R. Van}, title = {Canon Forms: A special issue of the journal Advanced Labanotation}, publisher = {Routledge}, year = 1991, address = {New York}} @book{Guest2005a, author = {Guest, Ann Hutchinson}, title = {{Labanotation: the system of analyzing and recording movement}}, publisher = {Routledge}, year = 2005, address = {New York}, edition = {4th}, note = {Illustrated by Doug Anderson}, unimelb = {UniM VCA 793.30148 Hut /0016} } @book{Gunter1994a, editor = {Gunter, C. A. and Mitchell, J. C.}, title = {{Theoretical Aspects of Object-Oriented Programming}}, publisher = {MIT Press}, year = 1994, address = {London}} @incollection{Gutting2008a, author = {Gary Gutting}, title = {{Michel Foucault}}, booktitle = {The Stanford Encyclopedia of Philosophy}, editor = {Edward N. Zalta}, publisher = {Stanford University}, url = {http://plato.stanford.edu/archives/win2008/entries/foucault/}, year = {Winter 2008} } @book{Guyotat2003a, author = {Pierre Guyotat}, title = {{Eden Eden Eden [1970]}}, publisher = {Creation Books}, year = 2003, note = {Translated by Graham Fox}} @techreport{Haase1990a, author = {Haase, Ken}, title = {{Soft Objects: A Paradigm for Object Oriented Programming}}, institution = o_mit_ai, year = 1990, month = {March}, note = {A.I.Memo No.1014} } @book{HadenGuest1996, author = {Haden-Guest, Anthony}, title = {{True colors: the real life of the art world}}, publisher = {Atlantic Monthly Press}, year = 1996, address = {New York} } @book{Haffenden2005a, author = {Haffenden, John}, title = {{William Empson: among the Mandarins}}, publisher = {Oxford University Press}, year = 2005, address = {Oxford}, unimelb = {UniM Bail 801.95092 EMPSON/ HAFF}, latrobe = {801.95 E55Xh}, isbn = 0199276595 } @book{Hage2003a, author = {Hage, Ghassan}, title = {{Against Paranoid Nationalism}}, publisher = {Pluto Press}, year = 2003, address = {Annandale} } @book{HahlKoch1984, author = {Hahl-Koch, Jelena}, title = {{Arnold Schoenberg/Wassily Kandinsky: Letters, Pictures and Documents}}, publisher = p_ff, address = {London}, note = {Translated by John Crawford}, year = {1984} } @article{Haimo1979a, author = {Haimo, Ethan}, title = {{Generated Collections and Interval Control in Debussy's ``Preludes''}}, journal = j_ito, volume = {4}, number = {8}, pages = {3--15}, year = {1979} } @article{Haimo1984a, author = {Haimo, Ethan and Johnson, Paul}, title = {{Isomporhic Partitioning and Schoenberg's ``Fourth String Quartet''}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {28}, pages = {47--72}, year = {1984} } @book{Haimo1987a, editor = {Haimo, Ethan and Johnson, Paul}, title = {{Stravinsky Retrospectives}}, publisher = {University of Nabraska}, year = 1987, address = {Lincoln} } @book{Haimo1990a, author = {Haimo, Ethan}, title = {{Schoenberg's Serial Odyssey: The Evolution of his Twelve-Tone Method, 1917--1928}}, publisher = {Oxford University Press}, address = {Oxford}, year = {1990} } @article{Haimo1996a, author = {Haimo, Ethan}, title = {{Atonality, Analysis and the Intentional Fallacy}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {18}, number = {2}, pages = {167--199}, year = {1996} } @article{Hainley1999a, author = {Hainley, Bruce}, title = {{Legend of the fall}}, journal = j_af, year = 1999, pages = {90--95}, month = {March}, key = {Bas Jan Ader} } thesis{Harley1994, author = {Harley, Maria}, title = {{Space and Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations}}, institution = {McGill University}, type = {??}, year = {1994} } thesis{Harper1994, author = {Harper, Steven}, title = {{Minimal Interval Content Descriptions}}, institution = {University of Texas, Austin}, type = {??}, year = {1994} } @mastersthesis{Hair1967a, author = {Hair, Graham}, title = {{The Serial System in the Compositional Techniques of Pierre Boulez and Arnold Schoenberg - Different Conceptions and Functions}}, school = {University of Melbourne}, year = {1967} } thesis{Harris1983, author = {Harris, J.}, title = {{Compositional Process in the String Quartets of Elliott Carter}}, institution = {Case Western Reserve University}, type = {??}, year = {1983} } @phdthesis{Hair1973a, author = {Hair, Graham}, title = {{The Structure of Schoenberg's ``Moses and Aaron''}}, school = {University of Sheffield}, year = {1973} } @article{Hair1983a, author = {Hair, Graham}, title = {{Writing for the Trombone}}, journal = {Australian Trombone Education Magazine}, volume = {Dec}, pages = {9--10}, year = {1983} } @article{Hair1989a, author = {Hair, Graham}, title = {{The Conservatoria: A View from the Lifeboats}}, journal = {Sounds Australian}, volume = {24}, pages = {10--18}, year = {1989} } @book{Hakuin1994a, author = {Hakuin}, title = {{The essential teachings of Zen Master Hakuin}}, publisher = p_shm, year = 1994, address = {Boston, MA}, note = {Translated by Norman Waddel} } @book{Halfyard2007a, editor = {Janet K. Halfyard}, title = {{Berio's Sequenzas: essays on performance, composition and analysis}}, publisher = {Ashgate}, year = 2007, address = {Aldershot, England}, note = {Introduction by David Osmond-Smith}, unimelb = {UniM Music 784.1894 BERI} } @phdthesis{Hall1971a, author = {Hall, Anne}, title = {{Texture in Violin Concertos of Stravinsky, Berg, Schoenberg and Bartok}}, school = {University of Michigan}, year = {1971} } @article{Hall1985a, author = {Hall, Patricia}, title = {{The Progress of a Method: Berg's Tone Row for ``Lulu''}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {71}, pages = {500--519}, year = {1985} } @book{Hall1990a, author = {Doug Hall and Sally Jo Fifer}, title = {{Illuminating Video -- An Essential Guide to Video Art}}, publisher = {Aperture Foundation}, year = 1990, address = {New York}, unimelb = {UniM Lenton Parr 700.973 Ill /0018}, isbn = 0893813893} @article{Hall1999a, author = {Hall, James}, title = {{Murnane takes out White award}}, journal = {The Australian}, year = 1999, month = {6 November}, unimelb = {UniM Bail MIC/o 3961} } @inproceedings{Hall2003a, author = {Hall, T.}, title = {{Vague relations?: bar groupings and notational image in the late music of Morton Feldman}}, booktitle = {{Third Biennial International Conference on Twentieth Century Music}}, year = 2003, address = {Nottingham}, month = {June}} @incollection{Halligan2005a, author = {Benjamin Halligan}, title = {{What was the neo-underground and what wasn't: a first reconsideration of Harmony Korine}}, crossref = {Rombes2005a}} @book{Halmos1960a, author = {Halmos, Paul}, title = {{Naive Set Theory}}, publisher = {Van Nostrund}, address = {Princeton, NJ}, year = {1960} } @book{Hamburger1973a, author = {Hamburger, Michael}, title = {{A Mug's Game: Intermittent Memoirs, 1924--1954}}, publisher = p_carcanet, year = 1973, address = {Manchester} } @book{Hamburger1986a, author = {Hamburger, Michael}, title = {{After the second flood}}, publisher = p_carcanet, year = 1986, address = {Manchester} } @article{Hamilton1986a, author = {Hamilton, David}, title = {{Babbitt on Record}}, journal = {Opus}, volume = {11}, number = {6}, pages = {29}, year = {1986} } @incollection{Hamlin1985a, author = {Hamlin, Peter}, title = {{Interview with Herbert Brun}}, chapter = 1, crossref = {Roads1985a}, pages = {1--15} } @book{Hamm1964a, author = {Hamm, Charles}, title = {{A Chronology of the Works of Guillaume Dufay}}, publisher = p_pup, year = 1964, address = {Princeton, NJ} } @inproceedings{Hamman1991a, author = {Michael Hamman}, title = {{Mapping Complex Dynamics Using Granular Synthesis}}, booktitle = c_icmc, year = 1991, pages = {475--478}} @incollection{Hamman1996a, author = {Hamman, Michael}, title = {{Three Clarinets, Cello and Piano (1971)}}, booktitle = {{The Music of Morton Feldman}}, crossref = {DeLio1996a}, pages = {71--98}} @article{Hamman2004a, author = {Michael Hamman}, title = {{On Technology and Art: Xenakis at Work}}, journal = {Journal of New Music Research}, year = 2004, volume = 33, number = 2, pages = {115--123}, month = {June}, doi = {10.1080/0929821042000310595}} @book{Hamming1980a, author = {Hamming, Richard W.}, title = {{Coding and Information Theory}}, publisher = p_ph, year = 1980, address = {Englewood Cliffs, N.J.} } @book{Han-Shan1970a, author = {Han-shan}, title = {{Cold Mountain: 100 Poems by the Tʻang poet Han-shan}}, publisher = {Columbia University Press}, year = 1970, address = {New York}, unimelb = {UniM ERC 895.112 HAN 1}, note = {Translated by Burton Watson}, isbn = 9780231034500 } @book{Han2003a, author = {Han, Fei}, title = {{Han Feizi: basic writings}}, publisher = {Columbia University Press}, year = 2003, address = {New York}, note = {Translated by Burton Watson}, unimelb = {UniM Bail 181.115 HAN}, isbn = 0231129696 } @article{Hanninen2004a, author = {Hanninen, Dora A.}, title = {{Feldman, Analysis, Experience}}, journal = {twentieth-century music}, year = 2004, volume = 1, number = 2, pages = {225--251}} @book{Hanon1928a, author = {Hanon, Charles Louis}, title = {{The virtuoso pianist: in sixty exercises for piano, for the acquirement of agility, independence, strength, and perfect evenness in the fingers, as well as suppleness of the wrist}}, publisher = {G. Schirmer}, year = 1928, address = {New York}, note = {Translated by Theodore Baker}, unimelb = {UniM Music Score A H247 VIS.1} } @book{Hanrahan1987a, editor = {Hanrahan, John}, title = {{Gerald Murnane}}, publisher = {Footscray Foundation for Australian Studies}, year = 1987, address = {Melbourne} } @article{Hansen1985a, author = {Hansen, E.W.}, title = {{Fast Hankel Transform Algorithm}}, journal = c_ieee_tassp, year = 1985, volume = {ASSP-33}, number = 3, pages = {666--671} } @article{Hansen1991a, author = {Hansen, Al}, title = {{Notes for a Heft Titled 'Maciunas \& Fluxus'}}, journal = {Kunstforum}, year = 1991, volume = 115, month = {September-October}, note = {Translated from English into German by Dieter Daniels} } @book{Hansford1987a, author = {Pamela Hansford}, title = {{Peter Tyndall: Dagger Definitions}}, publisher = {Greenhouse Puiblications}, year = 1987, address = {Richmond, VIC}, unimelb = {UniM Store AB 709.24 TYND} } @book{Hanslick1986a, author = {Hanslick, Eduard}, title = {{On The Musically Beautiful: A Contribution Towards the Revision of the Aesthetics of Music}}, publisher = {Kackett}, address = {Indianapolis}, note = {Translated by Geoffrey Payzant}, year = {1986} } @book{Hanson1960a, author = {Hanson, Howard}, title = {{The Harmonic Materials of Twentieth-Century Music}}, publisher = {Appleton-Century-Crofts}, address = {New York}, year = {1960} } @techreport{Hansson2000a, author = {Hansson, Karin}, title = {{Gerald Murnane's Changing Geographies}}, institution = {University of Karlskrona/Ronneby}, year = 2000, type = {Research Report}, number = {3/00}, address = {Karlskrona, Sweden}} @incollection{Hansson2002a, author = {Hansson, Karin}, title = {{The departure of the author: Gerald Murnane's {\em Landscape with Landscape} (1987)}}, booktitle = {{Departures: How Australia Reinvents Itself}}, pages = {163, 293, 304-314}, publisher = {Unknown}, year = 2002} @article{Hantz1984a, author = {Hantz, E.}, title = {{Studies in musical cognition: Comments from a music theorist}}, journal = j_mp, volume = {2}, number = {2}, pages = {245--264}, year = {1984} } @book{Harbison1991a, author = {Harbison, S. and Steele, G.}, title = {{C, a reference manual}}, publisher = p_ph, year = 1991, address = {Englewood Cliffs, N.J.} } @book{Harding1975a, author = {Harding, James}, title = {{Erik Satie}}, publisher = {Praeger Publishers}, year = 1975, address = {New York} } @book{Harding2006a, editor = {Harding, James and Rouse, John}, title = {{Not the other avant-garde: the transnational foundations of avant-garde performance}}, publisher = {The University of Michigan Press}, year = 2006, address = {Ann Arbor}, unimelb = {UniM VCA 792.02 Not} } @book{Hardy1968a, author = {Hardy, Thomas}, title = {{Tess of the D'Urbervilles}}, publisher = p_collins, year = 1968, address = {London} } @phdthesis{Hare2005a, author = {Belva Jean Hare}, title = {{The Uses and Aesthetics of Musical Borrowing in Erik Satie's Humoristic Piano Suites, 1913-1917}}, school = {The University of Texas at Austin}, year = 2005, month = {December}} @article{Harley1994a, author = {Maria Anna Harley}, title = {{Spatial sound movement in the instrumental music of Iannis Xenakis}}, journal = {Journal of New Music Research}, year = 1994, volume = 23, number = 3, pages = {291--314}, doi = {10.1080/09298219408570661}} @article{Harley1998a, author = {Harley, Maria A.}, doi = {10.2307/1576549}, journal = {Leonardo}, number = 1, pages = {55--65}, publisher = {The MIT Press}, title = {{Music of Sound and Light: Xenakis's Polytopes}}, volume = 31, year = 1998 } @book{Harley2002a, editor = {Harley, James}, title = {{Xenakis Studies: In Memoriam}}, publisher = p_rl, year = 2002, volume = {21/2}, series = j_cmr, unimelb = {UniM Music 780.92 XENA} } @article{Harley2002b, author = {James Harley}, title = {{The Electroacoustic Music of Iannis Xenakis}}, journal = {Computer Music Journal}, year = 2002, volume = 26, number = 1, pages = {33--57}, month = {Spring}, note = {In Memoriam Iannis Xenakis}, doi = {10.1162/014892602753633533}} @article{Harley2002c, author = {Harley, James}, title = {{Iannis Xenakis in conversation: 30 May 1993}}, journal = {Contemporary Music Review}, year = 2002, volume = 21, number = 2, pages = {11--20}, doi = {10.1080/07494460216659}} @book{Harley2004a, author = {James Harley}, title = {{Xenakis: his life in music}}, publisher = {Taylor \& Francis Books}, year = 2004, address = {London}} @inproceedings{Harper1991a, author = {R. Harper and B. C. Pierce}, title = {{A record calculus based on symmetric concatenation}}, booktitle = {{18th ACM Symp. on Principles of Programming Languages (POPL'91)}}, pages = {131--142}, year = 1991, month = {January}} @article{Harris1978a, author = {Fredric J. Harris}, title = {{On the Use of Windows for Harmonic Analysis with the Discrete Fourier Transform}}, journal = c_ieee_tassp, year = 1978, volume = 66, number = 1, } @book{Harris1987a, author = {Harris, C.R. and Pope, S.T.}, title = {{Computer Music Association Source Book: Activities and Resources in Computer Music}}, publisher = o_icma, year = 1987 } @book{Harris1996a, editor = {Harris, Craig}, title = {{Computer music in context}}, publisher = p_hap, year = 1996, volume = {13/2}, series = j_cmr, address = {Reading, MA}, } @article{Harris1999a, author = {Harris, Peter}, title = {{Why they tried to kill John McDonald}}, journal = {Quadrant}, year = 1999, month = {October 1}} @inproceedings{Harris2005a, author = {Harris, Tim and Herlihy, Maurice and Marlow, Simon and Peyton-Jones, Simon}, title = {{Composable memory transactions}}, year = 2005, month = {Jun}, booktitle = {{Proceedings of the ACM Symposium on Principles and Practice of Parallel Programming}}, url = {http://research.microsoft.com/~tharris/papers/2005-ppopp-composable.pdf}, } @article{Harrison1988a, author = {Harrison, Daniel}, title = {{Some Group Properties of Triple Counterpoint and Their Influence on Compositions by J.S. Bach}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 32, number = 1, pages = {23--49}, year = 1988 } @article{Harrison1998a, author = {Harrison, Jonty}, title = {{Sound, space, sculpture: some thoughts on the 'what', 'how' and 'why' of sound diffusion}}, journal = j_osnd, year = 1998, volume = 3, number = 2, pages = {117--127} } @inproceedings{Harrison2004a, author = {Harrison, W.L. and Harrison, R.W.}, title = {{Domain specific languages for cellular interactions}}, booktitle = {{26th Annual International Conference of the IEEE Engineering in Medicine and Biology Society}}, pages = {3019--3022}, year = 2004, volume = 2, month = {September}} @book{Hartmann1973a, author = {Per Hartmann and Stephen Deutsch}, title = {{Playing the synthi: A complete course in how to play the EMS synthi AKS}}, publisher = {Synthesizer Music Services}, year = 1973, address = {London}, unimelb = {UniM Music 786.7407 HART} } @book{Harvey1975a, author = {Harvey, Jonathan}, title = {{The Music of Stockhausen}}, publisher = p_ucap, address = {Berkeley, CA}, year = 1975 } @article{Harvey1981a, author = {Harvey, Jonathan}, title = {{{\em Mortuos Plango, Vivos Voco}: A Realization at IRCAM}}, journal = j_cmj, volume = 5, number = 4, pages = {22--24}, year = 1981 } @article{Harvey1984a, author = {Harvey, Jonathan and Lorrain, Denis and Barriere, Jean Baptsiste and Haymes, Stanley}, title = {{Notes on the realization of Bhakti}}, journal = j_cmj, volume = 8, number = 3, pages = {74--78}, year = 1984 } @article{Harvey2001a, author = {Harvey, Jonathan}, title = {{Spectralism}}, journal = j_cmr, year = 2001, volume = 19, number = 3, pages = {11--14} } @book{Hassall1986a, author = {Hassall, Anthony}, title = {{Strange Country: A Study of Randolph Stow}}, publisher = p_uqp, year = 1986, address = {St Lucia} } @phdthesis{Hasty1978a, author = {Hasty, Christopher}, title = {{A Theory of Segmentation Developed from the Late Works of Stefan Wolpe}}, school = {Yale University}, year = 1978 } @article{Hasty1981a, author = {Hasty, Christopher}, title = {{Segmentation and Process in Post-Tonal Music}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = 3, pages = {54--73}, year = 1981 } @article{Hasty1981b, author = {Hasty, Christopher}, title = {{Rhythm in Post-Tonal Music: Preliminary Questions of Duration and Meter}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 25, number = 2, pages = {183--216}, year = 1981 } @article{Hasty1984a, author = {Hasty, Christopher}, title = {{Phrase Formation in Post-Tonal Music}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 28, pages = {167--190}, year = 1984 } @article{Hasty1986a, author = {Hasty, Christopher}, title = {{On the Problem of Succession and Continuity in Twentieth-Century Music}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = 8, pages = {58--74}, year = 1986 } @article{Hasty1987a, author = {Hasty, Christopher}, title = {{An Intervallic Definition of Set Class}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 31, pages = 183, year = 1987 } @book{Hasty1997a, author = {Hasty, Christopher}, title = {{Meter as Rhythm}}, publisher = p_oup, address = {New York}, year = {1997} } @book{Haus1992a, editor = {Haus, Goffredo}, title = {{Music Processing}}, publisher = {A-R Editions}, year = 1992, address = {Madison, WI} } @book{Hausler1996a, editor = {Josef H\"ausler}, title = {{Helmut Lachenmann - Musik als existentielle Erfahrung: Schriften 1966-1995}}, publisher = {Breitkopf \& H\"artel, Insel}, year = 1996, address = {Wiesbaden}} @article{Hawkins2001a, author = {Joan Hawkins}, title = {{Smart Art and Theoretical Fictions}}, journal = {ctheory}, year = 2001, volume = {r050}, month = {February}, _url = {http://www.ctheory.net/articles.aspx?id=291}, annote = {Subject: Chris Kraus} } @article{Hawkinson2000a, author = {Hawkinson, Tim}, title = {{Tim Hawkinson Talks About {\em Uberorgan}}}, journal = j_af, year = 2000, pages = {152--153}, month = {September} } @article{Hawley2002a, author = {Janet Hawley}, title = {{Runaway success}}, journal = {The Sydney Morning Herald}, year = 2002, month = {May 7}, annote = {kw: Gillian Mears} } @book{Hawthorne1992a, author = {Hawthorne, Nathaniel}, title = {{The Scarlet Letter: A Romance}}, publisher = p_ak, year = 1992, address = {New York} } @book{Hayes1972a, author = {Hayes, William}, title = {{Twentieth Century Views of Music History}}, publisher = {Charles Scribner's Sons}, address = {New York}, year = {1972} } @article{Headlam1985a, author = {Headlam, Dave}, title = {{The Derivation of Rows in Lulu}}, journal = j_pnm, volume = {24}, number = {1}, year = {1985} } @article{Headlam1990a, author = {Headlam, Dave}, title = {{Row derivation and contour association in Berg's ``Der Wein''}}, journal = j_pnm, year = 1990, volume = 28, number = 1, pages = {256--293} } @book{Healey2004a, editor = {Justin Healey}, title = {{Capital Punishment}}, publisher = {The Spinney Press}, year = 2004, address = {Thirroul, NSW}} @book{Heaney1999a, author = {Seamus Heaney}, title = {{Beowulf}}, publisher = {Faber}, year = 1999, address = {London}, note = {Translated from the Anglo-Saxon}, unimelb = {UniM Bail 829.3 BEOWULF/ HEAN}, isbn = {057120113X} } @article{Hebdige1987a, author = {Dick Hebdige}, title = {{Postmodernism and 'The Other Side'}}, journal = {The Journal of Communication Inquiry}, year = 1987, volume = 10, number = 2, pages = {78--98}} @incollection{Hebdige1999a, author = {Dick Hebdige}, title = {{The Function of Subculture}}, crossref = {During1999a} , pages = {441--450}} @article{Hebdige2001a, author = {Dick Hebdige}, title = {{Even Until Death: Improvisation, Edging, and Enframement}}, journal = {Critical Inquiry}, year = 2001, volume = 27, number = 2, month = {Winter}} @article{Hecq1995a, author = {Hecq, Dominique}, title = {{The inescapable plain of trespass: on translating {\em The Plains} [into French.]}}, journal = {Southerly}, year = 1995, volume = 55, number = 3, pages = {63--72}, month = {Spring}, annote = {kw: Gerald Murnane}, unimelb = {UniM Bail P A820.5 S727}} @book{Hegarty2007a, author = {Hegarty, Paul}, title = {{Noise/music: a history}}, publisher = {Continuum}, year = 2007, address = {New York}, unimelb = {UniM VCA 781.64 Heg} } @book{Heidegger1962a, author = {Heidegger, Martin}, title = {{Being and Time}}, publisher = {Harper and Row}, year = 1962, address = {new York}, note = {Translated by John Macquarrie and Edward Robinson}} @book{Heidegger1987a, author = {Heidegger, Martin}, title = {{Nietzsche: 1. The will to power as art, 2. The eternal recurrence of the same, 3. The will to power as knowledge and as metaphysics, 4. Nihilism.}}, publisher = {Routledge \& Kegan Paul, Harper \& Row}, year = 1987, address = {London}, isbn = 0710007442, note = {Translated by Joan Stambaugh, David Farrell Krell and Frank A. Capuzzi}, unimelb = {UniM Bail 193 NIET/HEID} } @book{Heidegger1992a, author = {Heidegger, Martin}, title = {{The Concept of Time (Der Begriff der Zeit)}}, publisher = {Blackwell}, year = 1992, address = {Oxford}, note = {Translated by William McNeill}} @book{Heifetz1989a, author = {Heifetz, Robin}, title = {{On the Wires of Our Nerves: The Art of Electroacoustic Music}}, publisher = {Bucknell University Press}, year = 1989, address = {Lewisburg} } @book{Heile2009a, editor = {Björn Heile}, title = {{The modernist legacy: essays on new music}}, publisher = {Farnham}, year = 2009, address = {Ashgate}, note = {{New music, social debates and the aesthetics of critical modernism. Modernism's moment of plenitude / Andrew Timms ; Fields of rubble: on the poetics of music after the postmodern / John Croft ; Spectralism, politics and the post-industrial imagination / Eric Drott ; The scream in avant-garde music: the new left and the rediscovery of the body / Beate Kutschke ; Verbal discourse as aesthetic arbitrator in contemporary music / Ian Pace ; Weltmusik and the globalization of new music / Björn Heile -- Aspects of compositional poetics. Temps perdu: Aldo Clementi and the eclipse of music as praxis / David Osmond-Smith ; Feldman - Beckett - Johns: patterning, memory and subjectivity / Catherine Laws ; Brian Ferneyhough, postmodern modernist / Lois Fitch ; The electroacoustic music of Henri Poussseur and the open form / John Dack ; Self-portrait with Boulez and Machaut (and Ligeti is there as well): Harrison Birtwistle's Hoquetus petrus / Mark Delaere ; Local polymetric structures in Elliott Carter's 90+ for piano (1994) / Ève Poudrier}}, unimelb = {UniM Music 780.904 MODE}, isbn = 9780754662600 } @inproceedings{Heimann2004a, author = {Stefan Heimann and Matthias Neubauer}, title = {{Reactive Objects for Haskell}}, booktitle = {{Informal proceedings of the Fifth Symposium on Trends in Functional Programming}}, year = 2004, month = {November}, location = {Munich, Germany}, editor = {Hans-Wolfgang Loidl} } @article{Heimlich1999a, author = {Adam Heimlich}, title = {{Staying Hungry}}, journal = {New York Press}, year = 1999, month = {September 29}, annote = {kw: Harmony Korine} } @article{Heinemann1998a, author = {Heinemann, Stephen}, title = {{Pitch-Class Set Multiplication in Theory and Practice}}, journal = j_mts, unimelb = {UniM Music P MUSI}, year = 1998, volume = 20, number = 1, pages = {72--96} } @phdthesis{Helin1982a, author = {Helin, Jacquelin Mae}, title = {{The Ever-restored and Ever Advancing Moment: Stefan Wolpe's Compositional Philosophy and Aesthetic as Seen in ``Form for Piano''}}, school = {University Of Texas at Austin}, type = {{DMA}}, year = {1982} } @article{Hemensley1990a, author = {Hemensley, Kris}, title = {{Looking forward while looking back: an informal survey of Australian fiction in the 1980s from a Melbourne point of view}}, journal = {Going Down Swinging}, year = 190, volume = {10--11}, pages = {77--84}, annote = {kw: Gerald Murnane}, unimelb = {UniM Bail SpC/MCL L/A-PER BROPHY/GOIN} } @book{Hendricks1988a, author = {Hendricks, Jon}, title = {{Fluxus Codex}}, publisher = {Harry N. Abrams}, year = 1988, address = {New York} } @book{Hendricks2003a, editor = {Hendricks, Geoffrey}, title = {{Critical mass: happenings, Fluxus, performance, intermedia, and Rutgers University, 1958--1972}}, publisher = {Rutgers University Press}, year = 2003, address = {New Brunswick, N.J}, unimelb = {UniM Bail f 709.74909045 CRIT} } @book{Henson1988a, author = {Henson, Bill}, title = {{Photographs}}, publisher = {Pan Books}, address = {Sydney}, year = {1988} } @article{Henson2000a, author = {Beth Henson}, title = {{I Love Chris}}, journal = {Frigate: The Transverse Review of Books}, year = 2000, volume = 3, _url = {http://www.frigatezine.com/review/fiction/rfr03hen.html}, annote = {kw: Chris Kraus} } @book{Henson2005a, author = {Henson, Bill}, title = {{Mnemosyne}}, publisher = {Art Gallery of New South Wales}, year = 2005, address = {Sydney} } @misc{Henwood2002a, author = {Doug Henwood}, title = {{Interview with Chris Kraus and Sylv\`ere Lotringer}}, howpublished = {Left Business Observer, Radio Broadcast, WBAI, New York}, month = {March 28}, year = 2002, _url = {http://shout.lbo-talk.org/lbo/Lotringer_Kraus.mp3} } @book{Heraclitus1979a, author = {Heraclitus of Ephesus}, title = {{Fragments. The art and thought of Heraclitus: an edition of the fragments. English \& Greek}}, publisher = {Cambridge University Press}, year = 1979, address = {Cambridge}, unimelb = {UniM Bail 182.4 KAHN}, note = {Translation and commentary by Charles H. Kahn}, isbn = 0521218837 } @book{Herbert1906a, author = {Herbert, George}, title = {{The Temple: Sacred Poems and Ejaculations}}, publisher = {Seeley and Co. Limited}, year = 1906, address = {London} } @book{Herbert1967a, author = {Herbert, George}, title = {{A Choice of George Herbert's Verse}}, publisher = p_ff, year = 1967, address = {London} } @phdthesis{Hermann1994a, author = {Hermann, R.}, title = {{A General Measurement for Similarity Relations: A Heuristic for Constructing and Evaluating Aspects of Possible Musical Grammars}}, school = {Eastman School of Music}, year = {1994} } @incollection{Herzog1974a, author = {Herzog, Werner}, title = {{The Great Ecstasy of Woodcarver Steiner (Die Grosse Ekstase des Bildschnitzers Steiner)}}, crossref = {Herzog2006a}, note = {Film (46 minutes) Music, Popol Vuh; Cinematography, J\"org Schmidt-Reitwein; Editor, Beate Mainka-Jellinghaus}, } @book{Herzog1979a, author = {Herzog, Werner}, title = {{Images at the horizon: a workshop with Werner Herzog / conducted by Roger Ebert at the Facets Multimedia Center, Chicago, Illinois, April 17, 1979}}, publisher = {Facets Multimedia}, year = 1979, address = {Chicago, Ill.}, note = {Transcribed, annotated, and edited by Gene Walsh}, unimelb = {UniM ERC 791.430232092 HER 1} } @book{Herzog1979b, author = {Werner Herzog}, title = {{Woyzeck}}, publisher = {Werner Herzog Filmproduktion}, year = 1979, note = {Film. Camera, J\"org Schmidt-Reitwein ; Editor, Beate Mainke-Jellinghaus; Music, Fiedelquartette Telc}, unimelb = {UniM VCA DVD 2671} } @book{Herzog1980a, author = {Herzog, Werner}, title = {{Of walking in ice: Munich-Paris, 11/23 to 12/14, 1974}}, publisher = {Tanam Press}, year = 1980, address = {New York}, note = {Translated by Martje Herzog and Alan Greenberg}, unimelb = {UniM Bail 838.91403 HERZOG} } @book{Herzog1980b, author = {Herzog, Werner}, title = {{Screenplays}}, publisher = {Tanam Press}, year = 1980, address = {New York}, note = {Translated by Alan Greenberg and Martje Herzog}, unimelb = {UniM VCA 791.437 Her} } @book{Herzog1982a, author = {Werner Herzog}, title = {{Fitzcarraldo}}, publisher = {Werner Herzog Filmproduktion}, year = 1982, note = {Film (157 minutes). Camera, Thomas Mauch; Editor, Beata Mainka-Jellinghaus; Music, Popol Vuh; Executive Producer, Walter Saxer}, unimelb = {UniM VCA DVD 250} } @book{Herzog1982b, author = {Herzog, Werner}, title = {{Fitzcarraldo: the original story}}, publisher = {Fjord Press}, year = 1982, address = {San Francisco}, note = {Translated by Martje Herzog and Alan Greenberg}} @book{Herzog1995a, author = {Herzog, Werner}, title = {{Death for five voices}}, publisher = {Werner Herzog Filmproduktion, ZDF}, year = 1995, note = {Film (60 minutes). Director of photography, Peter Zeitlinger; Editor, Rainer Standke.}, annote = {kw: Carlo Gesualdo}, unimelb = {UniM VCA DVD 266} } @article{Herzog1999a, author = {Werner Herzog}, title = {{Gummo's Whammo}}, journal = {Interview}, year = 1999, month = {November}, annote = {kw: Harmony Korine} } @book{Herzog1999b, author = {Werner Herzog}, title = {{My best fiend: Klaus Kinski}}, publisher = {Werner Herzog Filmproduktion, Caf\'e Productions, Zephir Film}, year = 1999, note = {Film. Producer, Lucki Stipetic.}, unimelb = {UniM VCA DVD 1540} } @book{Herzog2006a, author = {Werner Herzog}, title = {{Documentaries and shorts [videorecording]}}, publisher = {Werner Herzog Film GmbH}, year = 2006, address = {Muenchen}, unimelb = {UniM VCA DVD 1481} } @book{Heussenstamm1987a, author = {Heussenstamm, George}, title = {{The Norton Manual of Music Notation}}, publisher = p_norton, year = 1987, address = {New York}, unimelb = {UniM VCA 781.24 Heu /0016} } @techreport{Hewitt1969a, author = {Hewitt, Carl E.}, title = {{Planner: a language for manipulating models and proving theorems in a robot}}, institution = o_mit, year = 1969, type = {AI Memo}, number = 168, address = {Cambridge, MA} } @article{Hicks1993a, author = {Michael Hicks}, title = {{Interval and Form in Ligeti's Continuum and Coul\'ee}}, journal = {Perspectives of New Music}, year = 1993, volume = 31, number = 1, pages = {172--190}, month = {Winter}} @book{Higgins2002a, author = {Higgins, Hannah}, title = {{Fluxus experience}}, publisher = p_ucap, year = 2002, address = {Berkeley, CA}, unimelb = {UniM VCA 700.9045 Hig /0010} } @incollection{Higgins2006a, author = {Higgins, Hannah}, title = {{Border crossings: three transnationalisms of fluxus}}, crossref = {Harding2006a} } @article{Hiller1958a, author = {Hiller, Lejaren and Isaacson, Leonard}, title = {{Musical Composition with a High-Speed Digital Computer}}, journal = j_jaes, year = 1958, volume = 6, number = 3} @book{Hiller1959a, author = {Hiller, Lejaren and Isaacson, Leonard}, title = {{Experimental Music: Composition with an Electronic Computer}}, publisher = p_mh, year = 1959, address = {New York} } @article{Hiller1959b, author = {Hiller, Lejaren}, title = {{Computer Music}}, journal = {Scientific American}, year = 1959, volume = 201, number = 6, } @article{Hiller1981a, author = {Hiller, Lejaren}, title = {{Composing with Computers: A Progress Report}}, journal = j_cmj, year = 1981, volume = 5, number = 4, pages = {7--21}, } @book{Hindemith1952a, author = {Hindemith, Paul}, title = {{A Composer's World, Horizons and Limitations}}, publisher = p_hup, address = {Cambridge}, year = {1952} } @article{Hindley1969a, author = {J.R. Hindley}, title = {{The principal type scheme of an object in combinatory logic}}, journal = {Transactions of the American Mathematical Society}, year = 1969, volume = 146, pages = {29--60}, month = {December}} @book{Hines1970a, editor = {Hines, Robert}, title = {{The Composer's Point of View: Essays on Twentieth-Century Music by Those Who Wrote It}}, publisher = {University of Oklahoma Press}, address = {Norman}, year = {1970} } @book{Hintikka1976a, author = {Hintikka, Jackko}, title = {{Essays on Wittgenstein in Honour of G.H. von Wright}}, publisher = {North Holland Publishing Company}, year = {1976} } @book{Hinz1995a, editor = {Hinz, Klaus-Michael}, title = {{New developments in contemporary German music}}, publisher = p_hap, year = 1995, volume = {12/1}, series = j_cmr, address = {Switzerland}, } @article{Hirata1997a, author = {Hirata, Catherine}, title = {{The Sounds Themselves: Analyzing the Early Music of Morton Feldman}}, journal = j_pnm, volume = {34}, number = {1}, pages = {6--27}, year = {1997}, unimelb = {UniM Music P PERS} } @phdthesis{Hirata2003a, author = {Hirata, Catherine}, title = {{Analyzing the Music of Morton Feldman}}, school = {Columbia University}, year = 2003} @article{Hirata2005a, author = {Hirata, Catherin}, title = {{G (Maybe-to) G#}}, journal = {Perspectives of New Music}, year = 2005, volume = 43, number = 2, pages = {378--402}, month = {Summer}, annote = {Morton Feldman} } @article{Hirschfeld1982a, author = {Hirschfeld, J. G.}, title = {{Milton Babbitt: a not-so-sanguine interview}}, journal = {High Fidelity/Music America}, volume = {32}, pages = {16--18}, year = {1982} } @article{Hoare1974a, author = {C.A.R. Hoare}, title = {{Monitors: An Operating Systems Structuring Concept}}, journal = {Communications of the ACM}, year = 1974, volume = 17, number = 10, pages = {549--557}} @book{Hoare1985a, author = {Hoare, C. A. R.}, title = {{Communicating Sequential Processes}}, publisher = p_ph, year = 1985, address = {New York}} @book{Hoare1989a, author = {C. A. R. Hoare}, title = {{Essays in computing science}}, publisher = {Prentice-Hall, Inc.}, year = 1989, address = {Upper Saddle River, NJ}} @article{Hockings1995a, author = {Hockings, Elke}, title = {{Helmut Lachenmann's Concept of Rejection}}, journal = {Tempo}, year = 1995, volume = 193, pages = {4--14}} @book{Hoeg1996a, author = {Hoeg, Peter}, title = {{Miss Smilla's Feeling for Snow}}, publisher = p_harvill, year = 1996, address = {London} } @article{Hoffberg1998a, author = {Judith A. Hoffberg}, title = {{Interview with Emmett Williams: Fluxus artist extraordinaire}}, journal = {Umbrella}, year = 1998, month = {March}, annote = {kw: George Maciunas}} @article{Hoffmann2000a, author = {Peter Hoffmann}, title = {{The New GENDYN Program}}, journal = {Computer Music Journal}, year = 2000, volume = 24, number = 2, pages = {31--38}, month = {Summer}, doi = {10.1162/014892600559290}} @article{Hoffmann2004a, author = {Peter Hoffmann}, title = {{"Something rich and strange": Exploring the Pitch Structure of GENDY3}}, journal = {Journal of New Music Research}, year = 2004, volume = 33, number = 2, pages = {137--144}, month = {June}, doi = {10.1080/0929821042000310612}} @article{Holcroft1999a, author = {Holcroft, Julian}, title = {{Slave Pianos}}, journal = {Like Art Magazine}, year = 1999, volume = 9, month = {Winter}, note = {Review essay}, } @book{Holding1985a, author = {Holding, Dennis}, title = {{The psychology of chess skill}}, publisher = {L. Erlbaum Assoc}, year = 1985, address = {Hillsdale, NJ} } @article{Hollander1967a, author = {Hollander, John}, title = {{Notes on the Text of ``Philomel''}}, journal = j_pnm, volume = {6}, number = {1}, pages = {131--141}, year = {1967} } @article{Holliger1994a, author = {Holliger, Heinze}, title = {{Conversation with Elliott Carter}}, journal = j_sonus, volume = {14}, number = {2}, pages = {5--12}, year = {1994} } @article{Holm1992, author = {Holm, Frode}, title = {{Machine Tongues XIV: CSP -- Communicating Sequential Processes}}, journal = j_cmj, year = 1992, volume = 16, number = 1, pages = {25--33}, month = {Spring}, doi = {10.2307/3680492}} @book{Holmes1985a, author = {Holmes, Thomas}, title = {{Electronic and experimental music}}, publisher = {Scribner's}, year = 1985, address = {New York}, unimelb = {UniM VCA 789.9909 Hol /0002} } @article{Holtzman1981a, author = {S. R. Holtzman}, title = {{Using Generative Grammars for Music Composition}}, journal = j_cmj, year = 1981, volume = 5, number = 1, pages = {51--64}, month = {Spring}, doi = {10.2307/3679694}} @book{Home1988a, author = {Home, Stewart}, title = {{The Assault On Culture: Utopian Currents from Lettrism to Class War}}, publisher = {Aporia Press and Unpopular Books}, year = 1988, address = {London}} @article{Home1989a, author = {Home, Stewart}, title = {{Towards An Acognitive Culture: Henry Flynt talks to Stewart Home, New York 8 March 1989}}, journal = {Smile}, year = 1989, volume = 11, month = {Summer}} @book{Home2002a, author = {Stewart Home}, title = {{69 Things To Do With A Dead Princess}}, publisher = {Canongate}, year = 2002, address = {Edinburgh}, isbn = {1 84195 182 X} } @book{Homer1969a, author = {Homer}, title = {{The Illiad}}, publisher = p_penguin, year = 1969, address = {Harmondsworth}, note = {Translated by E.V.Rieu} } @article{Honig2001a, author = {Henkjan Honing}, title = {{From time to time: The representation of timing and tempo}}, journal = {Computer Music Journal}, year = 2001, volume = 25, number = 3, pages = {50--61}} @book{Hopcroft1969a, author = {John E. Hopcroft and Jeffrey D. Ullman}, title = {{Formal languages and their relation to automata}}, publisher = {Addison-Wesley Longman Publishing Co., Inc.}, year = 1969, address = {Boston, MA}} @book{Hope2006a, editor = {Cat Hope and Jonathan Marshall}, title = {{Sound scripts: proceedings of the Inaugural Totally Huge New Music Festival Conference 2005}}, publisher = {Edith Cowan University}, year = 2006, address = {Perth}, unimelb = {UniM Music F 780.904 TOTA} } @article{Hornung1989a, author = {Hornung, Alfred}, title = {{Fantasies of the Autobiographical Self: Thomas Bernhard, Raymond Federman, Samuel Beckett}}, journal = {Journal of Beckett Studies}, year = 1989, volume = {11--12}, pages = {91--107}} @article{Howe1965a, author = {Howe, Hubert}, title = {{Some Combinatorial Properties of Pitch Structures}}, journal = j_pnm, volume = {4}, number = {1}, pages = {45--61}, year = {1965} } @misc{Howe2006a, author = {Fanny Howe}, title = {{A Great Ride: Torpor, by Chris Kraus}}, howpublished = {Online article}, year = {c.2006}, _url = {http://www.semiotexte.com/documentPage/aGreatRide.html} } @book{Howell1984a, author = {Howell, Peter and Cross, Ian and West, Robert}, title = {{Musical Structure and Cognition}}, publisher = {Academic Press}, address = {New York}, year = {1984} } @book{Howell1991a, author = {Howell, Peter and Cross, Ian and West, Robert}, title = {{Representing Musical Structure}}, publisher = {Academic}, address = {London}, year = {1991} } @article{Hudak1992a, author = {Hudak, Paul and Fasel, Joseph}, title = {{A gentle introduction to Haskell}}, journal = {SIGPLAN Not.}, volume = 27, number = 5, year = 1992, pages = {1--52}, publisher = {ACM Press}, address = {New York, NY}, } @article{Hudak1992b, author = {P. Hudak and S. Peyton Jones and P. Wadler}, title = {{Report on the Programming Language Haskell, A Non-strict Purely Functional Language (Version 1.2)}}, journal = {ACM SIGPLAN Notices}, year = 1992, volume = 27, number = 5, month = {May}} @article{Hudak1996a, author = {Hudak, P. and Makucevich, T. and Gadde, S. and Whong, B.}, title = {{Haskore music notation -- an algebra of music}}, journal = {Journal of Functional Programming}, year = 1996, volume = 6, number = 3, pages = {465--483}} @inproceedings{Hudak2003a, author = {Paul Hudak and Antony Courtney and Henrik Nilsson and John Peterson}, title = {{Arrows, Robots, and Functional Reactive Programming}}, booktitle = {Summer School on Advanced Functional Programming 2002, Oxford University}, year = 2003, volume = 2638, series = {Lecture Notes in Computer Science}, pages = {159--187}, publisher = {Springer-Verlag}, } @inproceedings{Hudak2007a, author = {Hudak, Paul and Hughes, John and Peyton Jones, Simon and Wadler, Philip}, title = {{A History of Haskell: being lazy with class}}, booktitle = {The Third ACM SIGPLAN History of Programming Languages Conference}, year = 2007, address = {San Diego, California}, month = {June}, organization = o_acm } @unpublished{Huelsbergen1996a, author = {Huelsbergen, Lorenz}, title = {{A Portable C Interface for Standard ML of New Jesrey}}, note = {Bell Laboratories}, month = {January}, year = 1996 } @article{Hueston1985a, author = {Hueston, Penny}, title = {{Gerald Murnane: Landsape with Author}}, journal = {Scripsi}, year = 1985, volume = 3, number = 2, pages = {64--73}, unimelb = {UniM Bail P A820.5 SCRI} } @article{Hughes1982a, author = {Robert Hughes}, title = {{The Rise of Andy Warhol}}, journal = {The New York Review of Books}, year = 1982, volume = 29, number = 2, month = {14 February}} @book{Hughes1987a, author = {Hughes, Robert}, title = {{The Fatal Shore: A History of the Transportation of Convicts to Australia, 1878--1868}}, publisher = {Collins Harvill}, year = 1987, address = {London}} @article{Hughes1989a, author = {Hughes, R.}, title = {{Review of David Lewin's ``Generalized Music Intervals''}}, journal = j_ma, volume = {8}, number = {3}, pages = {325--336}, year = {1989} } @incollection{Hughes1990a, author = {J. Hughes}, title = {{Why Functional Programming Matters}}, booktitle = {{Research Topics in Functional Programming}}, crossref = {Turner1990a}} @article{Hughes2000a, author = {John Hughes}, title = {{Generalising monads to arrows}}, journal = {Sci. Comput. Program.}, volume = 37, number = {1--3}, year = 2000, pages = {67--111}, publisher = {Elsevier North-Holland, Inc.}, address = {Amsterdam, The Netherlands}, } @book{Hughes2003a, author = {Hughes, Robert}, title = {{Goya}}, publisher = {Alfred A. Knopf}, year = 2003, address = {New York}, isbn = {978-0394580289}, } @book{Hui-neng1967, author = {Hui-neng}, title = {{The Platform Sutra of the Sixth Patriach}}, publisher = p_clup, year = 1967, address = {New York}, note = {Translated by Philip Yampolsky} } @book{Hui-neng1990, author = {[Unknown] and Hui-neng}, title = {{The Diamond Sutra and The Sutra of Hui-neng}}, publisher = p_shm, year = 1990, address = {Boston}, note = {Translated by A. F. Price and Wong Mou-lam} } @book{Hui-neng1998, author = {Hui-neng}, title = {{The Sutra of Hui-neng, Grand Master of Zen}}, publisher = p_shm, year = 1998, address = {Boston}, note = {Translated by Thomas Cleary} } @book{Hulten1987a, author = {Hulten, Karl Gunnar}, title = {{Jean Tinguely: a magic stronger than death}}, publisher = {Abbeville Press}, year = 1987, address = {New York} } @article{Hultkrans1997a, author = {Andrew Hultkrans}, title = {{Crap shoot - 'Chance: Three Days in the Desert' meeting}}, journal = {Artforum International}, year = 1997, volume = 35, number = 5, pages = {21--22}, month = {January}, annote = {Subject: Chris Kraus}, unimelb = {UniM Bail P 705 A786} } @book{Humphries1990a, author = {Humphries, Barry}, title = {{The Life and Death of Sandy Stone}}, publisher = p_mm, address = {Sydney}, year = {1990} } @book{Hurlston2010a, author = {David Hurlston and Charles Green and Robert Lindsay}, title = {{John Davis: Presence}}, publisher = {National Gallery of Victoria}, year = 2010, address = {Melbourne}, note = {Exhibition Catalogue}, isbn = 9780724103294, nla = {NLq 2010-3037}, } @article{Huron1994a, author = {Huron, David}, title = {{Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance}}, journal = j_mp, volume = {11}, number = {3}, pages = {289--305}, year = {1994} } @article{Hush1982a, author = {Hush, David}, title = {{Asynordinate Twelve-Tone Structures: Milton Babbitt's ``Composition for Four Instruments'': Part One}}, journal = j_pnm, volume = {21}, pages = {203--205}, year = {1982} } @article{Hush1983a, author = {Hush, David}, title = {{Asynordinate Twelve-Tone Structures: Milton Babbitt's ``Composition for Four Instruments'': Part Two}}, journal = j_pnm, volume = {22}, pages = {103--116}, year = {1983} } @book{Hussey1972a, author = {Hussey, Edward}, title = {{The Presocratics}}, publisher = {Duckworth}, year = 1972, address = {London}, unimelb = {UniM Bail 182 H972}, isbn = 0715606301 } @inproceedings{Hutchins2003a, author = {DeLesley Hutchins}, title = {{The power of symmetry: unifying inheritance and generative programming}}, booktitle = {{OOPSLA '03: Companion of the 18th annual ACM SIGPLAN conference on Object-oriented programming, systems, languages, and applications}}, pages = {38--52}, year = 2003, location = {Anaheim, CA}, doi = {http://doi.acm.org/10.1145/949344.949350}, publisher = {ACM}, address = {New York}, } @book{Huyn1966a, author = {Huyn, Peter and Leis, Gene and Mari, Daniel}, title = {{A Guitar Manual}}, publisher = {E.\&O.Mari Inc.}, year = 1966, address = {New York}, annote = {Designed by George Maciunas} } @article{Hyde1980a, author = {Hyde, Martha}, title = {{The Roots of Form in Schoenberg's Sketches}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {24}, pages = {1--36}, year = {1980} } @book{Hyde1982a, author = {Hyde, Martha}, title = {{Schoenberg's Twelve-Tone Harmony: The Suite Op.29 and the Compositional Sketches}}, publisher = {UMI Research Press}, address = {Ann Arbor, Mich.}, year = {1982} } @article{Hyde1984a, author = {Hyde, Martha}, title = {{A Theory of Twelve-Tone Meter}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {6}, pages = {14--51}, year = {1984} } @article{Hyde1985a, author = {Hyde, Martha}, title = {{Musical Form and the Development of Schoenberg's Twelve-Tone Method}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = 29, pages = {85--143}, year = 1985 } @article{Hyde1989a, author = {Hyde, Martha}, title = {{Twentieth-Century Analysis During The Past Decade: Achievements and New Directions}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {11}, number = {1}, pages = {35--39}, year = {1989} } @article{Hyer1995a, author = {Hyer, Brian}, title = {{Reimag(in)ing Riemann}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, year = 1995, volume = 39, number = 1, pages = {101--138} } @manual{IEEE1990a, title = {{IEEE Standard 1003.1--1990. POSIX - Part 1: System Application Program Interface}}, organization = o_ieee, year = 1990 } @manual{IEEE1991a, title = {{IEEE Standard 1178--1990. IEEE Standard for the Scheme Programming Language}}, organization = o_ieee, year = 1991 } @manual{IEEE1992a, title = {{IEEE Standard 1003.2--1992. POSIX - Part 2: Shell and Utilities}}, organization = o_ieee, year = 1992, note = {ISO/IEC 9945--2.}, } @book{IMA1990a, author = {International Midi Association}, title = {{Structured midi files 1.0, July, 1988}}, publisher = {International Midi Association}, year = 1990, address = {Los Angeles} } @manual{ISO1990a, organization = o_iso, title = {{SO/IEC 9899:1990, Programming languages -- C}}, year = 1990, } @manual{ISO1996a, organization = o_iso, title = {{ISO/IEC 9945--1:1996, POSIX}}, year = 1996, } @article{Iliesu2002a, author = {Iliesu, Mihu}, title = {{Notes on the late-period Xenakis}}, journal = {Contemporary Music Review}, year = 2002, volume = 21, number = 2, pages = {133--142}, doi = {10.1080/07494460216652}} @book{Illyes1973a, author = {Gyula Illy\'es}, title = {{Pet\"ofi}}, publisher = {Corvina}, year = 1973, address = {Budapest}, note = {Translated from the Hungarian by G. F. Cushing}} @book{Indiana1997a, author = {Gary Indiana}, title = {{Resentment}}, publisher = {Doubleday}, year = 1997} @book{Ingarden1986a, author = {Ingarden, Roman}, title = {{The Work of Music and the Problem of Its Identity}}, publisher = p_mm, address = {Basingstoke}, note = {Translated by A. Czerniawski}, year = {1986} } @book{Ingberman1994a, author = {Ingberman, Sima}, title = {{ABC: International constructivist architecture}}, publisher = p_mit, address = {Cambridge, MA}, year = 1994, } @book{Ingleton1952a, author = {Geoffrey Chapman Ingleton}, title = {{True patriots all, or, News from early Australia as told in a collection of broadsides}}, publisher = {Angus \& Robertson}, year = 1952, address = {Sydney}, unimelb = {UniM Bail f 994.02 I51}} @article{Ingram2000a, author = {Ingram, Terry}, title = {{Get ready for a big boom in sonic art}}, journal = {The Australian Financial Review}, year = 2000, month = {17--18 June}, note = {Review essay}, annote = {Subject: Slave Pianos}, } @article{Intra1997a, author = {Intra, Giovanni}, title = {{A Fusion of Gossip and Theory}}, journal = {Artnet.com}, year = 1997, month = {13 November}, _url = {http://www.artnet.com/magazine_pre2000/index/intra/intra11-13-97.asp}, note = {Accessed December 18, 2008}, } @article{Intra1998a, author = {Intra, Giovanni}, title = {{True Crime: Forensic Aesthetics on Display}}, journal = {Afterimage}, year = 1998, volume = 25, number = 5, pages = {12--14}, month = {March-April}} @incollection{Intra2001a, author = {Intra, Giovanni}, title = {{Slave Artists of the Piano Cult: An Introduction}}, crossref = {Keller2001a}, annote = {Subject: SLAVE PIANOS} } @article{Intra2001b, author = {Giovanni Intra}, title = {{Isa Genzken: Skyscrapers About Laughing}}, journal = {Visit}, year = {c.2001}, note = {Govett-Brewster Art Gallery, New Plymouth}, _url = {http://www.govettbrewster.com/Publications/Visit+Online/isagenzken.htm} } @article{Intra2002a, author = {Giovanni Intra}, title = {{El Gran Burrito!!}}, journal = {Log Illustrated}, year = 2002, volume = 15, _url = {http://www.physicsroom.org.nz/log/archive/15/intra/}} @inproceedings{Iovino1997a, author = {Iovino, Francisco and others}, title = {{Recent work around Modalys and Modal Synthesis}}, booktitle = c_icmc, pages = {356--359}, year = 1997} @article{Isaacson1990a, author = {Isaacson, Eric}, title = {{Similarity of Interval-Class Content Between Pitch-Class Sets: The IcVISM Relation}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {34}, number = {1}, pages = {1--28}, year = {1990} } @book{Isacowitz2006a, author = {Rael Isacowitz}, title = {{Pilates}}, publisher = {Human Kinetics}, year = 2006, isbn = {978-0736056236} } @book{Ishiguro1986a, author = {Ishiguro, Kazuo}, title = {{An Artist of the Floating World}}, publisher = p_ff, year = 1986, address = {London} } @book{Ishiguro1989a, author = {Ishiguro, Kazuo}, title = {{The Remains of the Day}}, publisher = p_ff, year = 1989, address = {London} } @book{Ishiguro1990a, author = {Ishiguro, Kazuo}, title = {{A Pale View of Hills}}, publisher = p_vintage, year = 1990, address = {New York} } @book{Ishiguro1995a, author = {Ishiguro, Kazuo}, title = {{The Unconsoled}}, publisher = p_ff, year = 1995, address = {London} } @book{Ishiguro2000a, author = {Ishiguro, Kazuo}, title = {{When We Were Orphans}}, publisher = p_ff, year = 2000, address = {London} } @book{Ishiguro2005a, author = {Ishiguro, Kazuo}, title = {{Never let me go}}, publisher = p_ff, year = 2005, address = {London} } @book{Ishikawa1990a, author = {Ishikawa Jozan and others}, title = {{Kanshi: The Poetry of Ishikawa Jozan and Other Edo-Period Poets}}, publisher = {North Point Press}, year = 1990, address = {San Francisco, CA}, note = {Translated by Burton Watson}, isbn = {0-86547-431-1} } @book{Issa1997a, author = {Issa}, title = {{The Spring of My Life}}, publisher = p_shm, address = {Boston}, note = {Translated by Sam Hamill}, year = {1997} } @book{Iverson1962a, author = {Iverson, K.}, title = {{A Programming Language}}, publisher = {Wiley}, year = 1962, address = {New York}} @article{Iverson1991a, author = {Iverson, K. E.}, title = {{A Personal View of APL}}, journal = {IBM Systems Journal}, year = 1991, volume = 31, number = 4 } @incollection{Ives1967a, author = {Ives, Charles}, crossref = {Schwartz1967a}, title = {{Postface to 114 Songs}}, } @article{Iwatake1994, author = {Iwatake, Toru}, title = {{An Interview with Barry Truax}}, journal = j_cmj, year = 1994, volume = 18, number = 3, pages = {17--24}, month = {Autumn}, doi = {10.2307/3681181}} @inproceedings{Iyer1997a, author = {Iyer, Vijay and Bilmes, Jeff and Wessel, David and Wright, Matthew}, title = {{A Novel Representation for Rhythmic Structure}}, booktitle = c_icmc, year = 1997, pages = {97--100}, organization = o_icma, } @article{Jack1974a, author = {Adrian Jack}, title = {{Ligeti Talks}}, journal = {Music and Musicians}, year = 1974, volume = 22, number = 263, month = {July}} @article{Jack2008a, author = {Adrian Jack}, title = {{Obituary: Mauricio Kagel}}, journal = {The Guardian}, year = 2008, month = {September 19}} @article{Jackson1992a, author = {Jackson, Timothy}, title = {{Current Issues in Schenkarian Analysis}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {76}, number = {2}, pages = {242--263}, year = {1992} } @article{Jacobson1987a, author = {Jacobson, Howard}, title = {{The small fiction of a great country: are Australia's authors rising to meet the challenge of their tumultuous society?}}, journal = {Times Literary Supplement}, year = 1987, volume = 4, number = 417, pages = {1307--1309}, month = {November/December}, note = {Reprinted in The Australian, 26--27 December 1987 with the title {\em Measuring up to the age and place}}, annote = {kw: Gerald Murnane}, unimelb = {UniM Bail MIC/o 3961}} @article{Jaffe1983a, author = {Jaffe, D. and Smith, J.}, title = {{Extensions of the Karplus-Strong Plucked-String Algorithm}}, journal = j_cmj, year = 1983, volume = 7, number = 2, pages = {56--69} } @article{Jaffe1987a, author = {Jaffe, D}, title = {{Spectrum analysis tutorial, part 1: The DFT}}, journal = j_cmj, year = 1987, volume = 11, number = 2, pages = {9--24} } @article{Jaffe1987b, author = {Jaffe, D}, title = {{Spectrum analysis tutorial, part 2: Properties and applications of the DFT}}, journal = j_cmj, year = 1987, volume = 11, number = 3, pages = {17--35} } @article{Jaffe1989a, author = {Jaffe, David and Boynton, L.}, title = {{An Overview of the Sound and Music Kits for the NeXT Computer}}, journal = j_cmj, year = 1989, volume = 13, number = 2, pages = {48--55} } @incollection{Jagannathan1995a, author = {R. Jagannathan}, title = {{Dataflow models}}, booktitle = {{Parallel and Distributed Computing Handbook}}, publisher = {McGraw-Hill}, year = 1995, editor = {E.Y. Zomaya}} @book{James1966a, author = {James, Henry}, title = {{What Maisie Knew}}, publisher = p_penguin, year = 1966, address = {Harmondsworth} } @book{James1998a, author = {Henry James}, title = {{Letters from the Palazzo Barbaro}}, publisher = {Pushkin Press}, year = 1998, address = {London}, note = {Selected and edited by R. Mamoli Zorzi}, isbn = {978 1 901285 07 9} } @phdthesis{Janello2001a, author = {Janello, Mark K.}, title = {{The Edge of Intelligibility: Late Works of Morton Feldman}}, school = {University of Michigan}, year = 2001} @phdthesis{Janer2008a, author = {Janer, Jordi}, title = {{Singing-Driven Interfaces for Sound Synthesizers}}, school = {The Universitat Pompeu Fabra of Barcelona}, year = 2008} @book{Jangfeldt1987a, editor = {Jangfeldt, Bengt}, title = {{Love is the Heart of Everything: Correspondence between Vladimir Mayakovsky and Lili Brik, 1915--1930}}, publisher = {Grove Press}, year = 1987, address = {New York}, note = {Translated by Julian Graffy}} @book{Janick1973a, author = {Janick, Allen and Toulmin, Stephen}, title = {{Wittgenstein's Vienna}}, publisher = p_sas, address = {New York}, year = {1973} } @book{Jarman1979a, author = {Jarman, Douglas}, title = {{The Music of Alban Berg}}, publisher = p_ff, address = {London}, year = {1979} } @article{Jarman1988a, author = {Jarman, Douglas}, title = {{Review: Words About Music}}, journal = j_mr, volume = {48}, pages = {157--158}, year = {1988} } @book{Jarman1991a, author = {Jarman, Douglas}, title = {{Alban Berg: Lulu}}, publisher = p_cup, address = {Cambridge}, year = {1991} } @article{Jarnach1991a, author = {Jarnach, Philipp}, title = {{Mahler and Schoenberg}}, journal = j_sonus, volume = {11}, number = {2}, note = {Translated by Jan Emerson}, year = {1991} } @book{Jarry1968a, author = {Alfred Jarry}, title = {{The Ubu Plays}}, publisher = {Methuen Publishing Ltd}, year = 1968, address = {London}, note = {Translated by Cyril Connolly and Simon Watson-Taylor}} @book{Jay1984a, author = {Jay, Martin}, title = {{Adorno}}, publisher = p_hup, address = {Massachesetts}, year = {1984} } @book{Jerram2004a, author = {Sophie Jerram}, title = {{Posted Love: New Zealand Love Letters}}, publisher = {Penguin Books}, year = 2004} thesis{Kanovsky19??, author = {Kanovsky, Peninah}, title = {{Hierarchical Structures in Early 20th-Century Rhythm}}, school = {City University of New York}, year = {??} } @article{Jette2009a, author = {Christopher Jette}, title = {{Decompartmental: Conversing with Clarence Barlow}}, journal = {Computer Music Journal}, year = 2009, volume = 33, number = 4, pages = {10--22}, month = {Winter}} @book{Jo1994a, editor = {Jo, Kondo and Benitez, Joaquim}, title = {{Flute and shakuhachi}}, publisher = p_hap, year = 1994, volume = {8/2}, series = j_cmr, address = {Chur}, } @phdthesis{Johnson1967a, author = {Johnson, June}, title = {{Analyses of Selected Works for the Soprano Voice Written in Serial Technique by Living Composers}}, school = {University of Illinois}, type = {{DMA}}, year = {1967} } @techreport{Johnson1978a, author = {Johnson, S. C.}, title = {{Yacc: Yet Another Compiler-Compiler}}, institution = o_bell, type = {Computing Science Technical Report}, number = {\#32}, year = {1978, July} } @article{Johnson1979a, author = {Johnson, Peter}, title = {{Symmetrical Sets in Webern's Op.10, No.4}}, journal = j_pnm, volume = {17}, number = {1}, pages = {219--229}, year = {1979} } @phdthesis{Johnson1980a, author = {Johnson, William}, title = {{Time Point Sets and Meter}}, school = {Princeton University}, pages = {75}, year = {1980} } @article{Johnson1984a, author = {Johnson, William}, title = {{Time Point Sets and Meter}}, journal = j_pnm, volume = {23}, number = {1}, pages = {278--297}, year = {1984} } @book{Johnson1984b, author = {Johnson, Steven}, title = {{Synthesis of Digital Designs from Recursion Equations}}, publisher = p_mit, year = 1984, series = {The ACM Distinguished Dissertation Series}, address = {Cambridge, MA} } @incollection{Johnson1987a, author = {Johnson, Paul}, crossref = {Haimo1987a}, title = {{Cross-Collectional Techniques of Structure in Stravinsky's Centric Music}}, pages = {55--75}, } @article{Johnson1994a, author = {Johnson, Steven}, title = {{{\em Rothko Chapel} and Rothko's Chapel}}, journal = j_pnm, volume = 32, number = 2, pages = {6--53}, year = 1994, annote = {Subject: Morton Feldman}, unimelb = {UniM Music P PERS} } @incollection{Johnson1994b, author = {Johnson, Robert}, title = {{'This Man has Expired': Witness to an Execution}}, pages = {223--228}, crossref = {Sullivan1994a} } @book{Johnson2002a, editor = {Johnson, Steven}, title = {{The New York Schools of Music and Visual Arts}}, publisher = {Routledge}, year = 2002, address = {Routledge}, unimelb = {UniM VCA 700.9747 New /0002}} @incollection{Johnson2002b, author = {Johnson, Steven}, title = {{Jasper Johns and Morton Feldman: What Patterns?}}, booktitle = {{The New York Schools of Music and Visual Arts}}, crossref = {Johnson2002a}} @article{Johnston2004a, author = {Johnston, Jill}, title = {{Billy Kluver, 1927--2004 - Obituary}}, journal = {Art in America}, year = 2004, month = {March} } @article{Jones1981a, author = {Jones, Kevin}, title = {{Compositional Applications of Stochastic Processes}}, journal = j_cmj, year = 1981, volume = 5, number = 2, pages = {45--58}} @article{Jones1987a, author = {Jones, David Evan}, title = {{Compositional control of phonetic/nonphonetic perception}}, journal = j_pnm, year = 1987, volume = 25, number = {1--2}, pages = {138--155} } @article{Jones1988a, author = {Jones, Douglas L. and Parks, Thomas W.}, title = {{Generation and Combination of Grains for Music Synthesis}}, journal = j_cmj, year = 1988, volume = 12, number = 2, pages = {27--34} } @article{Jones1990a, author = {Jones, David Evan}, title = {{Speech extrapolated}}, journal = j_pnm, year = 1990, volume = 28, number = 1, pages = {112--143} } @inproceedings{Jones1995a, author = {M. P. Jones}, title = {{Simplifying and improving qualified types}}, booktitle = {{International Conference on Functional Programming Languages and Computer Architecture}}, pages = {160--169}, year = 1995, month = {June}} @article{Jones1995b, author = {M. P. Jones}, title = {{A system of constructor classes: overloading and implicit higher-order polymorphism}}, journal = {Journal of Functional Programming}, year = 1995, volume = 5, number = 1} @article{Jones2000a, author = {Mark P. Jones}, title = {{Type Classes with Functional Dependencies}}, journal = {Lecture Notes in Computer Science}, year = 2000, volume = 1782} @article{Jones2001a, author = {Evan Jones}, title = {{Residue-Class Sets in the Music of Iannis Xenakis: An Analytical Algorithm and a General Intervallic Expression}}, journal = {Perspectives of New Music}, year = 2001, volume = 39, number = 2, pages = {229--261}, month = {Summer}} @techreport{Jones2002a, author = {Mark P. Jones and Magnus Carlsson and Johan Nordlander}, title = {{Composed, and in Control: Programming the Timber Robot}}, year = 2002, institution = {Chalmers and CSE/OGI}} @misc{Jones2002b, author = {Mark P. Jones and Magnus Carlsson and Johan Nordl}, title = {{Composed, and in Control: Programming the Timber Robot}}, howpublished = {Online}, note = {OGI/Chalmers}, _url = {http://cse.cse.ogi.edu/PacSoft/publications/2002/ComposedAndInControl.pdf} } @article{Jones2002c, author = {Evan Jones}, title = {{An Acoustic Analysis of Col Legno Articulation in Iannis Xenakis's "Nomos Alpha"}}, journal = {Computer Music Journal}, year = 2002, volume = 26, number = 1, pages = {73--86}, month = {Spring}, note = {In Memoriam Iannis Xenakis}} @book{Jorgensen1991a, author = {Owen H. Jorgensen}, title = {{Tuning: containing the perfection of eighteenth-century temperament, the lost art of nineteenth-century temperament, and the science of equal temperament, complete with instructions for aural and electronic tuning}}, publisher = {Michigan State University Press}, year = 1991, address = {East Lansing}, unimelb = {UniM Music F 784.1928 JORG}, isbn = 0870132903 } @article{Joseph1982a, author = {Joseph, Charles}, title = {{Structural Coherence in Stravinsky's ``Piano-Rag-Music''}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {4}, pages = {76--91}, year = {1982} } @inproceedings{Jot1997a, author = {Jot, Jean-Marc}, title = {{Efficient models for reverberation and distance rendering in computer music}}, booktitle = c_icmc, year = 1997} @book{Joyce1946a, author = {Joyce, James}, title = {{Dubliners}}, publisher = p_cape, year = 1946, address = {London} } @book{Joyce1963a, author = {Joyce, James}, title = {{Ulysses}}, publisher = p_bodley, year = 1963, address = {London} } @book{Joyce1966a, author = {Joyce, James}, title = {{Pomes Penyeach}}, publisher = p_ff, year = 1966, address = {London} } @book{Joyce1975a, author = {Joyce, James}, title = {{Finnegans Wake}}, publisher = p_ff, year = 1975, address = {London} } @book{Joyce1975b, author = {Joyce, James}, title = {{A Portait of the Artist as a Young Man}}, publisher = p_cape, year = 1975, address = {London} } @book{Joyce1987a, author = {Joyce, James}, title = {{Letters to Sylvia Beach, 1921--1940}}, publisher = p_iup, year = 1987, address = {Bloomington} } @article{Kabbash1984a, author = {Kabbash, Paul}, title = {{Aggregate-Derived Symmetry in Webern's Early Works}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {28}, number = {2}, pages = {225--250}, year = {1984} } @article{Kaegi1978a, author = {Kaegi, W. and Tempelaars, S.}, title = {{VOSIM - A New Sound Synthesis System}}, journal = j_jaes, year = 1978, volume = 26, number = 6} @book{Kafka1961a, author = {Kafka, Franz}, title = {{Metamorphosis - The Great Wall of China - Investigations of a Dog - The Burrow - In the Penal Settlement - The Giant Mole}}, publisher = p_penguin, year = 1961, address = {Harmondsworth}, note = {Translated by Willa and Edwin Muir} } @book{Kafka1965a, author = {Kafka, Franz}, title = {{The Trial}}, publisher = p_penguin, year = 1965, address = {Harmondsworth}, note = {Translated by Willa and Edwin Muir}, annote = {First published in German as {\em Der Prozess} in 1925} } @book{Kafka1983a, author = {Kafka, Franz}, title = {{Letters to Milena}}, publisher = p_penguin, year = 1983, address = {Harmondsworth}, note = {Edited by Willy Haas. Translated by Tania and James Stern}, unimelb = {UniM ERC B 833.91 K11L}, isbn = {0 14 018111 3} } @book{Kafka1988a, author = {Kafka, Franz}, title = {{The Diaries of Franz Kafka}}, publisher = p_penguin, address = {Harmondsworth}, note = {Translated by Martin Kresh and Joseph Greenberg and Hannah Arrendt}, year = 1988, unimelb = {UniM ERC B 833.912 KAF 4}, isbn = {0 14 003403 X} } @book{Kafka1991a, author = {Kafka, Franz}, title = {{The Great Wall of China and Other Short Works}}, publisher = p_penguin, year = 1991, address = {Harmondsworth}, note = {Translated by Malcolm Pasley}, } @book{Kafka1992a, author = {Kafka, Franz}, title = {{Letters to Felice}}, publisher = {Minerva}, year = 1992, address = {London}, note = {Edited by Erich Heller and Jurgen Born. Translated by James Stern and Elisabeth Duckworth}, unimelb = {UniM Bail 833.912 KAFKA}, isbn = {0 7493 9948 1} } @book{Kafka1992b, author = {Kafka, Franz}, title = {{America}}, publisher = {Minerva}, year = 1992, address = {London}, note = {Translated by Edwin Muir} } @book{Kafka1992c, author = {Kafka, Franz}, title = {{The Aeroplanes at Brescia - Meditation - The Judgement - The Stoker - The Transformation - In the Penal Colony - A Country Doctor - The Coal Scuttle Rider - A fasting Artist}}, publisher = p_penguin, year = 1992, address = {Harmondsworth}, note = {Translated by Malcolm Pasley}, } @book{Kagel1962a, author = {Kagel, Mauricio}, title = {{Antithese [score]}}, publisher = {Henry Litolff's Verlag / C.F. Peters}, address = {Frankfurt / London}, year = 1962, unimelb = {UniM VCA Score PVJZ/3 Kag}} @book{Kagel1964a, author = {Kagel, Mauricio}, title = {{Match, f\"ur drei spieler [score]}}, publisher = {Universal Edition}, year = 1964, address = {London}, unimelb = {UniM VCA Score NYJNTJZ/1 Kag} } @book{Kagel1965a, author = {Kagel, Mauricio}, title = {{Antithese}}, publisher = {16mm Film (19 minutes)}, year = 1965} @book{Kagel1969a, author = {Kagel, Mauricio}, title = {{Ludwig Van}}, publisher = {16mm Film (100 minutes)}, year = 1969} @book{Kagel1970a, author = {Kagel, Mauricio}, title = {{Ludwig Van: Homage von Beethoven [score]}}, publisher = {Universal Edition}, address = {London}, year = 1970, unimelb = {UniM VCA Score LN/18 Kag}} @book{Kagel1976a, author = {Kagel, Mauricio}, title = {{Atem: f\"ur einen Bl\"aser [score] (1969/70)}}, publisher = {Universal Edition}, year = 1976, address = {[London]}, unimelb = {UniM VCA Score UPMJZ/2 Kag} } @article{Kagel1992a, author = {Kagel, Mauricio}, title = {{On the Artists Self-Understanding and Tasks [1979]}}, journal = {New Music Australia}, volume = {1}, number = {1992}, pages = {28--29}, note = {Translated by John McCaughey}, year = {1992} } @article{Kagler2003a, author = {Kagler, Marcus and Redfern, Mark}, title = {{Elliott Smith Interview}}, journal = {Under the Radar}, volume = {4}, month = {June}, year = 2003, } @book{Kahn1992a, author = {Kahn, Douglas and Whitehead, Gregory}, title = {{Wireless Imagination: Sound, Radio, and the Avant-Garde}}, publisher = {MIT Press}, year = 1992, address = {Cambridge, MA}} @article{Kalb1984a, author = {Kalb, Jonathan}, title = {{Acting Beckett: Two Versions of ``Ohio Impromptu''}}, journal = {Theatre}, volume = {15}, number = {Summer}, year = {1984} } @phdthesis{Kalib1973a, author = {Kalib, Sylvan}, title = {{Thirteen Essays from the Three Yearbooks Das Meisterwork in der Musik by Heinrich Schenker: an annotated translation}}, school = {Northwestern University}, year = {1973} } @article{Kalischer1982a, author = {Kalischer, Clemens}, title = {{Stefan Wolpe at Black Mountain College: A Photograph}}, journal = j_sonus, volume = {3}, number = {1}, pages = {1--3}, year = {1982} } @article{Kamada1989a, author = {Kamada, T. and Kawai, S.}, title = {{An algorithm for drawing general undirected graphs}}, journal = {Information Processing Letters}, year = 1989, volume = 31, number = 1, pages = {7--15}, month = apr, } @book{Kandinsky1974a, author = {Kandinsky, Wassily and Franz, Marc}, title = {{The Blue Reiter Almanac}}, series = {New}, edition = {Documentary}, publisher = {Viking}, address = {New York}, year = {1974} } @book{Kandinsky1977a, author = {Kandinsky, Wassily}, title = {{Concerning the Spiritual in Art}}, edition = {Reprint}, publisher = {Dover}, address = {New York}, note = {Translated by M.T.H. Sadler}, year = {1977} } @book{Kaplan1993a, author = {Alice Kaplan}, title = {{French Lessons: a Memoir}}, publisher = {University of Chicago Press}, year = 1993, address = {Chicago and London}} @article{Kaplan2004a, author = {Cheryl Kaplan}, title = {{Cut in Two: A Conversation Between Louise Bourgeois and Cheryl Kaplan}}, journal = {db-artmag}, year = 2004, month = {September}, _url = {http://www.db-artmag.de/2004/9/e/1/293.php} } @article{Karjalainen1998a, author = {Karjalainen, M. and Valimaki, V. and Tolonen, T.}, title = {{Plucked-String Models, from the Karplus-Strong Algorithm to Digital Waveguides and Beyond}}, journal = j_cmj, year = 1998, volume = 22, number = 3 } @book{Karkoschka1972a, author = {Karkoschka, Erhard}, title = {{Notation in new music; a critical guide to interpretation and realisation}}, publisher = {Praeger}, year = 1972, address = {New York}, note = {Translated by Ruth Koenig}, annote = {UniM VCA 781.24 Kar /0002} } @article{Karplus1983a, author = {Karplus, Kevin and Strong, Alex}, title = {{Digital Synthesis of Plucked-String and Drum Timbres}}, journal = j_cmj, year = 1983, volume = 7, number = 2, pages = {43--55} } @article{Karpman1986a, author = {Karpman, Laura}, title = {{An Interview with Milton Babbitt}}, journal = j_pnm, volume = {24}, pages = {80--87}, year = {1986} } @article{Kassler1963a, author = {Kassler, Michael}, title = {{A Sketch of the Use of Formalized Languages for the Assertion of Music}}, journal = j_pnm, volume = {1}, number = {2}, pages = {83--94}, year = {1963} } @article{Kassler1967a, author = {Kassler, Michael}, title = {{Toward a Theory That Is the Twelve-Note-Class System}}, journal = j_pnm, volume = {5}, number = {2}, pages = {1--80}, year = {1967} } @techreport{Kassler1975a, author = {Kassler, Michael}, title = {{Proving Musical Theorums I}}, institution = {Basser Department of Computer Science, Sydney University}, type = {Technical Report}, number = {103}, year = {1975} } @article{Kassler1989a, author = {Kassler, Jamie}, title = {{Matters of History and Philosophy: The `Woman Question' in Music}}, journal = {Sounds Australian}, volume = {21}, pages = {22--25}, year = {1989} } @article{Kassler1992a, author = {Kassler, Jamie}, title = {{How Does the Composer `Speak' To the Analyst?}}, journal = {unpublished}, year = {1992}, note = {see JMcC} } @book{Kawabata1986a, author = {Kawabata, Yasunari}, title = {{Snow Country \& Thousand Cranes}}, publisher = p_penguin, year = 1986, address = {Harmondsworth}, note = {Translated by Edward G. Seidensticker} } @article{Kay1993a, author = {Kay, Allan}, title = {{The Early History of Smalltalk}}, journal = j_hopl, year = 1993, volume = 2, number = 4 } @book{Keane1980a, author = {Keane, David}, title = {{Tape music composition}}, publisher = {Oxford University Press}, year = 1980, address = {London}, unimelb = {UniM VCA 789.99 Kea /0005} } @article{Keane1993a, author = {Keane, Colleen}, title = {{New fictions, old fictions: postmodernism and gender in some recent Australian fiction}}, journal = {Meanjin}, year = 1993, volume = 52, number = 1, pages = {195--206}, month = {Autumn}, annote = {kw: Gerald Murnane}, unimelb = {UniM Bail A820.5 M483} } @article{Keefe1992a, author = {Keefe, D.}, title = {{Physical Modeling of Wind Instruments}}, journal = j_cmj, year = 1992, volume = 16, number = 4 } @book{Keene1976a, author = {Keene, Donald}, title = {{World Within Walls}}, publisher = {Holt, Reinhardt, Wilson}, address = {New York}, year = {1976} } @book{Keene1989a, author = {Keene, Donald}, title = {{Travelers of a Hundred Ages}}, publisher = {Henry Holt}, address = {New York}, year = {1989} } @article{Keiler1989a, author = {Keiler, Allan}, title = {{The Origins of Schenker's Thought: How Man Is Musical}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {33}, number = {2}, pages = {273--298}, year = {1989} } @book{Kellein1995a, author = {Kellein, Thomas}, title = {{Fluxus}}, publisher = {Thames and Hudson}, year = 1995, address = {London}, unimelb = {UniM VCA 709.046 Kel /0017} } @inproceedings{Keller1998a, author = {Keller, Damian and Truax, Barry}, title = {{Ecologically-based Granular Synthesis}}, booktitle = c_icmc, year = 1998, organization = o_icma, } @book{Keller2001a, editor = {Christoph Keller}, title = {{SLAVE PIANOS: A Diagnosis, 1998--2001}}, publisher = {Revolver}, year = 2001, address = {Frankfurt am Main} } @article{Kelley1997a, author = {Mike Kelley}, title = {{Mike Kelley Interviews Harmony Korine}}, journal = {FilmMaker}, year = 1997, month = {Fall}} article{Kelsey1993, author = {Kelsey, Richard and Rees, Jonathan}, title = {{A tractable scheme implementation}}, journal = {Lisp and Symbolic Computation}, year = 1993, volume = {??}, number = {??}, pages = {??-??}, } @incollection{Kellner2008a, author = {Douglas Kellner}, title = {{Jean Baudrillard}}, booktitle = {The Stanford Encyclopedia of Philosophy}, editor = {Edward N. Zalta}, publisher = {Stanford University}, url = {http://plato.stanford.edu/archives/fall2008/entries/baudrillard/}, year = {Fall 2008} } @article{Kelly2007a, author = {Kelly, E.}, title = {{Oh Fluxus, it goes on and on and on}}, journal = {The Australian}, year = 2007, pages = {Arts.12}, month = {25 October}, unimelb = {UniM Bail MIC/o 3961}} @article{Kelsey1998a, author = {Kelsey, Richard and Clinger, William and Rees, Jonathan}, title = {{Revised(5) Report on the Algorithmic Language Scheme}}, journal = {Higher-Order and Symbolic Computation}, year = 1998, volume = 11, number = 1, pages = {7--105}, note = {Also in ACM SIGPLAN Notices 33(9), September 1998.} } @article{Kelts2002a, author = {Kelts, Roland}, title = {{Haruki Murakami: Writer on the borderline}}, journal = {The Japan Times}, year = 2002, month = {December 1} } @article{Kendall1995a, author = {Kendall, G.}, title = {{A 3-D Sound Primer: Directional Hearing and Stereo Reproduction}}, journal = j_cmj, year = 1995, volume = 19, number = 4 } @article{Kendall1995b, author = {Kendall, G.}, title = {{The Decorrelation Of Audio Signals and its Impact on Spatial Imagery}}, journal = j_cmj, year = 1995, volume = 19, number = 4 } @article{Kent2005a, author = {Rachel Kent}, title = {{Pun to paradox: Bas Jan Ader revisited}}, journal = {Parkett}, year = 2006, volume = 75, pages = {177--181}} @book{Kent2006a, editor = {Rachel Kent}, title = {{Masquerade: Representation and the self in contemporary art}}, publisher = {Museum of Contemporary Art}, year = 2006, address = {Sydney, NSW}, note = {Exhibition catalogue}} @book{Kentridge2006a, author = {Kentridge, William}, title = {{William Kentridge: Black box/Chambre noire}}, publisher = {Guggenheim Museum}, year = 2006, address = {New York}, note = {Essay by Maria-Christina Villaseñor}, unimelb = {UniM Bail 709.2 KENT/ KENT}, isbn = {0-89207-339-x} } @book{Kerman1987a, author = {Kerman, Joseph}, title = {{Listen: Brief Edition}}, publisher = {Worth Publishers Inc.}, year = 1987, address = {New York}} @book{Kernighan1976a, author = {Kernighan, B.W. and Plauger, P.J.}, title = {{Software Tools}}, publisher = p_aw, year = {1976}, address = {Reading, MA} } @book{Kernighan1978a, author = {Kernighan, B.W.}, title = {{UNIX for Beginners}}, edition = {Second}, publisher = o_bell, year = {1978} } @techreport{Kernighan1978b, author = {Kernighan, B.W. and Ritchie, D.M.}, title = {{UNIX Programming}}, institution = o_bell, type = {78--1273-9}, edition = {Second}, year = {1978, October 2} } @book{Kernighan1978c, author = {Kernighan, B.W.}, title = {{A Tutorial Introduction to the UNIX Text Editor}}, publisher = o_bell, year = {1978} } @book{Kernighan1981a, author = {Kernighan, B.W. and Plauger, P.J.}, title = {{Software Tools in Pascal}}, publisher = p_aw, address = {New York}, year = {1976} } @book{Kernighan1984a, author = {Kernighan, B.W. and Pike, R.}, title = {{The Unix Programming Environment}}, publisher = p_ph, year = {1984} } @book{Kernighan1988a, author = {Kernighan, B.W. and Ritchie, D.M.}, title = {{C Programming Language}}, edition = {Second}, publisher = p_ph, address = {Engelwood Cliffs}, year = {1988} } @book{Kernighan1988b, author = {Kernighan, B.W. and Plauger, P.J.}, title = {{The Elements of Programming Style}}, edition = {Second}, publisher = p_mh, year = {1988} } @inproceedings{Kero2005a, author = {Martin Kero and Per Lindgren and Johan Nordlander}, title = {{Timber as an rtos for small embedded devices}}, booktitle = {{Proc. of Workshop on Real-World Wireless Sensor Networks}}, year = 2005} @article{Kerr1989a, author = {Kerr, Joan}, title = {{Panopticon Versus New South Wales}}, journal = {Fabrications: The Journal of the Society of Architectural Historians, Australia and New Zealand}, year = 1989, volume = 1, pages = {4--32}} @article{Kessler1998a, author = {Kessler, Richard}, title = {{Steve Reich Interview}}, journal = {New Music Box}, year = 1998, month = {July}, url_ = {http://www.newmusicbox.org/archive/firstperson/reich/index.html}, } @book{Khayyam1953a, author = {Khayyam, Omar}, title = {{Rubaiyat of Omar Khayyam}}, publisher = p_collins, year = 1953, address = {London}, note = {Translated by Edward Fitzgerald} } @book{Kiendl2004a, editor = {Kiendl, Anthony}, title = {{Obsession, Compulsion, Collection: On Objects, Display, Culture and Interpretation}}, publisher = {Banff Centre Press}, year = 2004, annote = {kw: Chris Kraus}} @inproceedings{Kienhuis2001a, author = {B. Kienhuis and E. F. Deprettere}, title = {{Modeling Stream-Based Applications Using the SBF Model of Computation}}, pages = {385--394}, booktitle = {{Proceedings of the IEEE Workshop on Signal Processing Systems}}, year = 2001, month = {September}} @book{Kierkegaard1971a, author = {Kierkegaard, Soren}, title = {{Either/Or: Volume I}}, publisher = p_pup, year = 1971, address = {Princeton, NJ}, note = {Translated by David \& Lillian Swenson} } @book{Kierkegaard1971b, author = {Kierkegaard, Soren}, title = {{Either/Or: Volume II}}, publisher = p_pup, year = 1971, address = {Princeton, NJ}, note = {Translated by Walter Lowrie} } @book{Kierkegaard1994a, author = {Kierkegaard, Soren}, title = {{Fear and Trembling / The Book on Adler}}, publisher = p_ak, year = 1994, address = {New York}, note = {Translated by Walter Lowrie} } @book{King1978a, author = {King, Jonathan}, title = {{Stop laughing, this is serious!: a social history of Australia in cartoons}}, publisher = {Cassell Australia}, year = 1978, address = {Stanmore, N.S.W.}, isbn = 0726947091, nla = {NLq 994 K53}, unimelb = {UniM Bail f 994 K53} } @book{Kipling1950a, author = {Kipling, Rudyard}, title = {{Captain Courageous: A story of the Grand Banks}}, publisher = {Macmilaln and co.}, year = 1950, address = {London}} @book{Kippenberger1991a, author = {Martin Kippenberger}, title = {{Topographie: sachdienliche Hinweise}}, publisher = {Wiener Festwochen}, year = 1991, address = {Wien}, note = {{{\em Insalata mista: Stück} von Wolfgang Bauer, parallel English and German text}}, isbn = 3901027041, unimelb = {UniM ERC B 710 KIPP} } @book{Kippenberger1999a, author = {Martin Kippenberger}, title = {{The Last Stop West (Atlas Archaologischer Gelandedenkmaler in Baden-Wurttemberg)}}, publisher = {Hatje Cantz Publishers}, year = 1999, address = {Stuttgart}, isbn = {978-3893225064} } @book{Kirby1969a, editor = {Kirby, E. T.}, title = {{Total Theatre: A Critical Anthology}}, publisher = p_dutton, year = 1969, address = {New York} } @book{Kirby1986a, author = {Kirby, Michael and Kirby, Victoria Nes}, title = {{Futurist Performance}}, publisher = {PAJ Publications}, year = 1986, address = {New York} } @book{Kirker1997a, author = {Kirker, Anne and Zurbrugg, Nicholas}, title = {{Francesco Conz and the intermedia avant-garde}}, publisher = {Queensland Art Gallery}, year = 1997, address = {Brisbane} } @book{Kisch1969a, author = {Kisch, Egon}, title = {{Australian Landfall}}, publisher = p_mm, year = 1969, address = {Melbourne}, note = {Foreword by A.T.Yarwood}} @inproceedings{Kiselyov2007a, author = {Kiselyov, Oleg and Shan, Chung-chieh}, title = {{Delimited continuations in operating systems}}, booktitle = {Sixth International and Interdisciplinary Conference on Modeling and Using Context}, year = 2007, address = {Roskilde}, month = {August} } @article{Kisselgoff1990a, author = {Kisselgoff, Anna}, title = {{A Cunningham-Warhol Work Is Revived}}, journal = {New York Times}, year = 1990, pages = {Section C, 3}, month = {March 16} } @article{Kitnick2009a, author = {Alex Kitnick}, title = {{Things Left Unsaid: Figuring Out What to Do With All the King's Horses}}, journal = {The Believer}, year = 2009, month = {March/April}, annote = {kw: Michele Bernstein, SI} } @article{Klatt1980a, author = {Klatt, Dennis H.}, title = {{Software for a cascade/parallel formant synthesizer}}, journal = j_jasa, year = 1980, volume = 67, number = 3, pages = {971--995} } @article{Klatt1987a, author = {Klatt, Dennis H.}, title = {{Review of text-to-speech conversion for English}}, journal = j_jasa, year = 1987, volume = 82, number = 3, } @article{Klein2007a, author = {Adam Klein}, title = {{Stuck in this place}}, journal = {San Francisco Bay Guardian}, year = 2007, month = {Wednesday January 31}, annote = {kw: Chris Kraus}, _url = {http://ww.sfbg.com/printable_entry.php?entry_id=2766} } @article{Kleist2005a, author = {Kleist, Heinrich von}, title = {{On the Marionette Theatre}}, journal = {Southern Cross Review}, volume = 9, year = {c.2005}, note = {Translated by Idris Parry}, _url = {http://www.southerncrossreview.org/9/kleist.htm} } @article{Klumpenhouwer1994a, author = {Klumpenhouwer, Henry}, title = {{An Instance of Parapraxis on the Gavotte of Schoenberg's Opus~25}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {38}, number = {2}, pages = {217--248}, year = {1994} } @unpublished{Kluver1989a, author = {Kluver, Billy}, title = {{Installation of Andy Warhol's Silver Clouds or ``Pillows''}}, note = {Instructions booklet}} @book{Knabb2003a, editor = {Ken Knabb}, title = {{Guy Debord: Complete Cinematic Works}}, publisher = {AK Press}, year = 2003, note = {Translations by Ken Knabb}} @book{Knabb2006a, editor = {Ken Knabb}, title = {{Situationist International Anthology}}, publisher = {Bureau of Public Secrets}, year = 2006, edition = {Revised and Expanded}, note = {Translations by Ken Knabb}} @book{Knowlson1996a, author = {Knowlson, James}, title = {{Damned to Fame: The Life of Samuel Beckett}}, publisher = p_sas, address = {New York}, year = 1996, unimelb = {UniM VCA 822.91 Bec /0887} } @article{Knussen1996a, author = {Knussen, Sue}, title = {{Elliott Carter in Interview}}, journal = {Tempo}, volume = 197, pages = {2--5}, year = 1996 } @article{Knuth1974a, author = {Knuth, Donald E.}, title = {{Computer Programming as an Art}}, journal = j_cacm, year = 1974, volume = 17, number = 12, pages = {667--673}, month = {December}, annote = {ACM Turing Award Lecture} } @article{Knuth1989a, author = {Knuth, Donald E.}, title = {{Errors of TeX}}, journal = j_spe, year = 1989, volume = 19, number = 7 } @book{Knuth1993a, author = {Knuth, Donald E.}, title = {{The Stanford GraphBase: A Platform for combinational computing}}, publisher = p_acm, year = 1993, address = {New York} } @book{Knuth1994a, author = {Knuth, Donald E. and Levy, Silvio}, title = {{The CWEB System of Structured Documentation}}, publisher = p_aw, year = 1994, address = {Reading, MA} } @book{Knuth1996a, author = {Knuth, Donald E. and Larrabee, Tracy and Roberts, Paul M.}, title = {{Mathematical Writing (Mathematical Association of America Notes)}}, publisher = {{The Mathematical Association of America}}, year = 1996, month = {September}} @book{Knuth1997a, author = {Knuth, Donald E.}, title = {{The Art of Computer Programming, Volume 1: Fundamental Algorithms}}, publisher = p_aw, address = {Reading, MA}, edition = {Second}, year = {1997} } @book{Knuth1997b, author = {Knuth, Donald E.}, title = {{The Art of Computer Programming, Volume 2: Seminumerical Algorithms}}, publisher = p_aw, address = {Reading, MA}, year = {1997} } @book{Knuth1998a, author = {Knuth, Donald E.}, title = {{The Art of Computer Programming, Volume 3: Sorting and Searching}}, publisher = p_aw, address = {Reading, MA}, year = {1998} } @article{Koblyakov1984a, author = {Koblyakov, L.}, title = {{Jean-Claude Risset - Songes (1979)}}, journal = j_cmr, year = 1984, volume = 1, pages = {171--173} } @article{Koblyakov1992a, author = {Koblyakov, Lev}, title = {{Score/Music Orientation: An Interview with Robert Rowe}}, journal = j_cmj, year = 1992, volume = 16, number = 3, pages = {22--32}, month = {Autumn}, doi = {10.2307/3680848}} @article{Koch1992a, author = {Koch, Sigmund}, title = {{Conversation with Milton Babbitt}}, journal = j_sonus, volume = {13}, number = {1}, pages = {1--37}, year = {1992} } @incollection{Koch1996a, author = {Koch, Kenneth}, title = {{The Construction of Boston}}, booktitle = {The Gold Standard}, crossref = {Koch1996b}, } @book{Koch1996b, author = {Koch, Kenneth}, title = {{The Gold Standard}}, publisher = {A. A. Kopf}, year = 1996, address = {New York} } @book{Koenig1960a, author = {Gottfried Michael Koenig}, title = {{Essay: Composition for Electonic Sounds [score] (1957)}}, publisher = {Universal Edition}, year = 1960, address = {Wien}, unimelb = {UniM Music Score Q K819 Es.1} } @inproceedings{Koenig1966a, author = {Koenig, G.M.}, title = {{The Second Phase of Electronic Music}}, booktitle = {{Kongressrapport: VISION 65}}, year = 1966, address = {New York}} @article{Koenig1970a, author = {Koenig, G.M.}, title = {{Project 1}}, journal = {Electronic Music Reports 2}, year = 1970, address = {Utrecht}, publisher = {Institute of Sonology}, } @article{Koenig1970b, author = {Koenig, G.M.}, title = {{Project 2 - A Programme for Musical Composition}}, journal = {Electronic Music Reports 3}, year = 1970, address = {Utrecht}, publisher = {Institute of Sonology}, } @inproceedings{Koenig1980a, author = {Koenig, G.M.}, title = {{Composition Processes / Summary}}, booktitle = {{Computer Music: reports on an International Project}}, year = 1980, address = {Ottawa}, organization = {UNESCO Rapport}} @article{Koenig1983a, author = {Koenig, G.M.}, title = {{Aesthetic Integration of Computer-Composed Scores}}, journal = j_cmj, year = 1983, volume = 7, number = 4} @article{Koenig1987a, author = {Koenig, G.M.}, title = {{Genesis of Form in Technically Conditioned Environments}}, journal = j_if, year = 1978, volume = 16, number = 3, pages = {165--176}, doi = {10.1080/09298218708570499}} @article{Koenig1991a, author = {Koenig, G.M.}, title = {{Working with 'Project 1', My Experiences with Computer Composition}}, journal = j_if, year = 1991, volume = 20, pages = {175--180}, doi = {10.1080/09298219108570588}} @article{Koenig1992a, author = {Gottfried Michael Koenig}, title = {{Segmente - A structural landscape}}, journal = {Journal of New Music Research}, year = 1992, volume = 21, number = 1, pages = {43--51}, doi = {10.1080/09298219208570599}} @book{Koenig1993a, author = {Gottfried Michael Koenig}, title = {{Aesthetische Praxis/Texte zur Musik. Band 1: 1954-1961 (1991), Band 2: 1962-1967 (1992), Band 3: 1968-1991 (1993), Band 4: Supplement I (1999), Band 5: Supplement II (2002)}}, publisher = {PFAU Verlag}, year = 1993, address = {Saarbr\"ucken}, note = {Ed. W. Frobenius, S. Fricke, S. Konrad, R. Pfau}} @inbook{Koenig1993b, ALTauthor = {Gottfried Michael Koenig}, title = {{Composition Processes [1978]}}, crossref = {Koenig1993a}} @book{Koestenbaum2001a, author = {Koestenbaum, Wayne}, title = {{Andy Warhol}}, publisher = {Viking Penguin}, address = {New York}} @book{Kohavi1978a, author = {Kohavi, Z.}, title = {{Switching and Finite Automata Theory}}, publisher = p_mh, year = 1978, address = {New York}} @article{Kohl1979a, author = {Kohl, Jerome}, title = {{Exposition in Stravinsky's ``Orchestral Variations''}}, journal = j_pnm, volume = {18}, number = {1--2}, pages = {391--405}, year = {1979} } @article{Kohl1984a, author = {Kohl, Jerome}, title = {{The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music}}, journal = j_pnm, volume = {22}, number = {1--2}, pages = {147--185}, year = {1984} } @article{Kohlbecker1986a, author = {Kohlbecker, E. E. and Friedman, D. P. and Felleisen, M. and Duba, B. F.}, title = {{Hygienic Macro Expansion}}, journal = {ACM Symposium on Lisp and Functional Programming}, year = 1986, pages = {151--161} } @book{Kokoschka1968a, author = {Kokoschka, Oscar and Kafka, Franz and Stramm, August and others}, title = {{Seven Expressionist Plays: Barlach, Squire Blue Boll / Brust, The Wolves / Goll, Methusalem / Kafka, The Guardian of the Tomb / Kaiser, The Protagonist / Kokoschka, Murderer, Hope of Womankind / Stramm, Awakening}}, publisher = {Calder \& Boyars Ltd.}, year = 1968, address = {London}, note = {Translated from the German by J. M. Ritchie and H. F. Garten}} @book{Kokoschka1974a, author = {Kokoschka, Oscar}, title = {{My Life}}, publisher = p_th, address = {London}, note = {Translated by David Britt}, year = {1974} } @article{Kolsky1991a, author = {Kolsky, Stephen}, title = {{Exploring {\em Inland}}}, journal = {Outrider}, year = 1991, volume = {Almanach}, pages = {97--109}, annote = {Subject: Gerald Murnane} } @article{Koop2001a, author = {Koop, Stuart}, title = {{SLAVE PIANOS}}, journal = {art/text}, year = 2001, volume = 75, pages = 86, note = {Review essay}, } @book{Koop2008a, author = {Stuart Koop}, title = {{crackle... beep... crackle... contemporary art from the middle of nowhere}}, publisher = {IMA}, year = 2008, address = {Fortitude Valley, QLD}, annote = {kw: slave pianos} } @phdthesis{Kopp1995a, author = {Kopp, David}, title = {{A Comprehensize Theory of Chromatic Mediant Relations in Mid-Nineteenth Century Music}}, school = {Brandeis University}, year = 1995 } @book{Korine1997a, author = {Harmony Korine}, title = {{Gummo}}, publisher = {Independent Pictures}, year = 1997, note = {Film. Producer, Cary Woods; Director/writer, Harmony Korine; Photography, Jean Yves Escoffier.}, unimelb = {UniM VCA DVD 2557} } @book{Korine2002a, author = {Korine, Harmony}, title = {{Collected screenplays}}, publisher = {Faber and Faber}, year = 2002, address = {London}, note = {Jokes. Gummo. Julien donkey-boy.}, unimelb = {UniM Bail 791.437 KORI} } @article{Kornweibel1964a, author = {A .H. Kornweibel}, title = {{Pianos On The Beach}}, journal = {Westerly}, year = 1964, number = 2, month = {Autumn}} @book{Kornweibel1973a, author = {A.H. Kornweibel}, title = {{Apollo and the pioneers: The story of the first hundred years of music in Western Australia}}, publisher = {Music Council of Western Australia}, year = 1973, address = {Perth}, isbn = 0959890505, nla = {NL 780.9941 K84} } @article{Kostelanetz1987a, author = {Kostelanetz, R.}, title = {{Notes on Milton Babbitt as Text-Sound Artist}}, journal = j_pnm, volume = 25, number = {1--2}, pages = {280--284}, year = 1987 } @article{Kostelanetz1987b, author = {Kostelanetz, Richard and Cage, John}, title = {{His Own Music (Part I: To 1970)}}, journal = j_pnm, year = 1987, volume = 25, number = {1--2}, pages = {88--107} } @book{Kostelanetz1992a, author = {Kostelanetz, Richard}, title = {{Merce Cunningham: Dancing in Space and Time}}, publisher = {A Cappella Books}, year = 1992, address = {Chicago} } @article{Kosuth1969a, author = {Joseph Kosuth}, title = {{Art After Philosophy}}, journal = {Studio International}, year = 1969, month = {October}, unimelb = {UniM Bail P 705 S933}} @inproceedings{Koutsofios1991a, author = {Koutsofios, Eleftherios and Dobkin, David}, title = {{LEFTY: A two-view editor for techical pictures}}, booktitle = {Graphics Interface `91, Calgary, Alberta}, pages = {68--76}, year = 1991, } @techreport{Koutsofios1991b, author = {Koutsofios, Eleftherios and North, Steven}, title = {{Drawing Graphs with Dot}}, institution = o_bell, type = {Technical Report}, number = {910904--59113-08TM}, year = {1991, September} } @techreport{Koutsofios1994a, author = {Koutsofios, Eleftherios and North, Steven}, title = {{Editing Graphs with Dotty (dotty Users Manual Version 94b)}}, institution = o_bell, type = {Technical Report}, year = 1994 } @article{Koutsofios1994b, author = {Koutsofios, Eleftherios and North, Steven}, title = {{Applications of graph visualization}}, journal = {Proceedings of Graphics Interface}, year = 1994, pages = {235--245}, month = may, } @misc{Koval2002a, author = {Koval, Ramona}, title = {{Interview with Gerald Murnane}}, howpublished = {Books and Writing, Radio Broadcast, ABC Radio National}, month = {May 19}, year = 2002 } @misc{Koval2008a, author = {Koval, Ramona}, title = {{The literary life of Gerald Murnane: Interview}}, howpublished = {Books and Writing, Radio Broadcast, ABC Radio National}, month = {February 18}, year = 2008, _url = {http://www.abc.net.au/rn/bookshow/stories/2008/2163718.htm} } @phdthesis{Kowalski1985a, author = {Kowalski, David}, title = {{The Array as a Compositional Unit: A Study of Derivational Counterpoint as a Means of Creating Hierachical Structures in Twelve-Tone Music}}, school = {Princeton University}, year = {1985} } @article{Kowalski1987a, author = {Kowalski, David}, title = {{The Construction and Use of Self-Deriving Arrays}}, journal = j_pnm, volume = {25}, number = {1--2}, pages = {286--361}, year = {1987} } @book{Kozelek2008a, author = {Kozelek, Mark}, title = {{Nights of Passed Over}}, publisher = {Caldo Verde}, year = 2008, address = {San Francisco, CA}} @book{Krabbe2003a, author = {Tim Krabbe}, title = {{The Rider}}, publisher = {Bloomsbury}, year = 2003, address = {London}, isbn = {978-1582342900} } @article{Kramer1971a, author = {Kramer, Jonathan}, title = {{The Row as Structural Background and Audible Foreground: The First Movement of Webern's ``First Cantata''}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {15}, number = {1--2}, pages = {158--181}, year = {1971} } @article{Kramer1973a, author = {Kramer, Jonathon}, title = {{The Fibbonacci Series in Twentieth Century Music}}, journal = j_jmt, unimelb = {UniM Music P JOUR}, volume = {17}, number = {1}, pages = {110}, year = {1973} } @article{Kramer1978a, author = {Kramer, Jonathan}, title = {{Moment Form in Twentieth Century Music}}, journal = j_mq, unimelb = {UniM Music P MUSI}, volume = {64}, number = {2}, pages = {177--194}, year = {1978} } @article{Kramer1985a, author = {Kramer, Jonathon}, title = {{Studies of Time and Music: A Bibliography}}, journal = j_mts, unimelb = {UniM Music P MUSI}, volume = {7}, pages = {72--106}, year = {1985} } @book{Kramer1988a, author = {Kramer, Jonathon}, title = {{The Time of Music}}, publisher = {Schirmer Books}, address = {New York}, year = {1988} } @book{Kramer1993a, editor = {Kramer, Jonathan D.}, title = {{Time in contemporary musical thought}}, publisher = p_hap, year = 1993, volume = {7/2}, series = j_cmr, address = {Switzerland}, } @book{Kramer2007a, editor = {Kramer, Bernd and Steffen, Erik}, title = {{Geschichte \& Geschichten Zum Goldenen Hahn}}, publisher = {Karin Kramer Verlag}, year = 2007, address = {Berlin}} @phdthesis{Kranz1988a, author = {Kranz, David}, title = {{ORBIT: An optimizing compiler for scheme}}, school = {Yale University}, year = 1988 } @book{Kraus1983a, author = {Kraus, Chris}, title = {{In order to pass}}, year = 1983, publisher = {Film (30:00)}} @book{Kraus1985a, author = {Kraus, Chris}, title = {{Terrorists In Love}}, year = 1985, publisher = {Film (5:20)}} @book{Kraus1986a, author = {Kraus, Chris}, title = {{Voyage to Rodez}}, year = 1986, publisher = {Film (14:00)}} @book{Kraus1987a, author = {Kraus, Chris}, title = {{Fool Proof Illusion}}, year = 1987, publisher = {Film (17:32)}} @book{Kraus1987b, author = {Kraus, Chris}, title = {{How to Shoot a Crime}}, year = 1987, publisher = {Film (30:00)}} @book{Kraus1988a, author = {Kraus, Chris}, title = {{The Golden Bowl or Repression}}, year = {1984/1988}, publisher = {Film (12:00)}} @book{Kraus1991a, author = {Kraus, Chris}, title = {{Traveling at Night}}, year = 1991, publisher = {Film (12:00)}} @book{Kraus1992a, author = {Kraus, Chris}, title = {{Sadness at Leaving}}, year = 1992, publisher = {Film}} @book{Kraus1995a, author = {Kraus, Chris}, title = {{Gravity \& Grace}}, year = 1995, publisher = {Film (87:31)}} @book{Kraus1997a, author = {Kraus, Chris}, title = {{I Love Dick}}, publisher = {Semiotext(e) / Native Agents}, year = 1997, address = {Los Angeles}} @article{Kraus1998a, author = {Kraus, Chris}, title = {{Private Parts, Public Women}}, journal = {The Nation}, year = 1998, volume = 267, number = 16, pages = {36--38}, month = {November 16}, _url = {http://www.joycemaynard.com/books-jmaynard/ahitw-the-nation.shtml}, unimelb = {UniM Bail P 051 N277}, note = {Accessed December 18, 2008}} @article{Kraus1998b, author = {Chris Kraus}, title = {{Let's Call the Whole Thing Off}}, journal = {Arttext}, year = 1998, volume = 63, month = {Fall}} @article{Kraus1999a, author = {Kraus, Chris}, title = {{Movie}}, journal = {Log Illustrated}, year = 1999, volume = 6, month = {Summer}, _url = {http://www.physicsroom.org.nz/log/archive/6/movie/} } @article{Kraus1999b, author = {Kraus, Chris}, title = {{Pay Attention}}, journal = {Artext}, year = 1999, volume = 64, month = {Winter}, note = {Revised text reprinted in {\em Video Green}}} @article{Kraus1999c, author = {Kraus, Chris}, title = {{Posthumous Lives}}, journal = {Artext}, year = 1999, volume = 65, month = {Spring}, note = {Revised text reprinted in {\em Video Green}}} @article{Kraus1999d, author = {Kraus, Chris}, title = {{Pussy Orphanage}}, journal = {Artext}, year = 1999, volume = 66, month = {Summer}, note = {Revised text reprinted in {\em Video Green}}} @article{Kraus1999e, author = {Kraus, Chris}, title = {{Deep Chaos}}, journal = {Artext}, year = 1999, volume = 67, month = {Fall}, note = {Revised text reprinted in {\em Video Green}}} @book{Kraus2000a, author = {Kraus, Chris}, title = {{Aliens \& Anorexia}}, publisher = {Semiotext(e) / Native Agents}, year = 2000, address = {Los Angeles}} @article{Kraus2000b, author = {Kraus, Chris}, title = {{Bo And The Gypsies}}, journal = {Log Illustrated}, year = 2000, volume = 10, month = {Winter}, _url = {http://www.physicsroom.org.nz/log/archive/10/gypsie/} } @article{Kraus2000c, author = {Kraus, Chris}, title = {{Sleeping with the alien}}, journal = {Artext}, year = 2000, volume = 68, month = {Winter}, note = {Revised text reprinted in {\em Video Green} as {\em Emotional Technologies}}} @article{Kraus2000d, author = {Kraus, Chris}, title = {{Surface Streets}}, journal = {Artext}, year = 2000, volume = 69, month = {Spring}, note = {Revised text reprinted in {\em Video Green}}} @article{Kraus2000e, author = {Kraus, Chris}, title = {{Bad Nostalgia}}, journal = {Artext}, year = 2000, volume = 70, month = {Fall}, note = {Revised text reprinted in {\em Video Green}}} @article{Kraus2000f, author = {Kraus, Chris}, title = {{Military Culture}}, journal = {Artext}, year = 2000, volume = 71, month = {Winter}, note = {Revised text reprinted in {\em Video Green}}} @article{Kraus2001a, author = {Chris Kraus}, title = {{America the Transient - Jane Dickson}}, journal = {Art in America}, year = 2001, month = {October}} @article{Kraus2001b, author = {Chris Kraus}, title = {{Andrea Bowers}}, journal = {Artforum International}, year = 2001, volume = 39, number = 9, pages = 38, month = {May}, unimelb = {UniM Bail P 705 A786}} @article{Kraus2001c, author = {Chris Kraus}, title = {{Arad}}, journal = {Log Illustrated}, year = 2001, volume = 12, _url = {http://www.physicsroom.org.nz/log/archive/12/kraus/} } @book{Kraus2001d, editor = {Chris Kraus and Sylv\`ere Lotringer}, title = {{Hatred of Capitalism: A Semiotext(e) Reader}}, publisher = {Semiotext(e)}, year = 2001, address = {New York}} @article{Kraus2001e, author = {Chris Kraus}, title = {{Girls, Interrupted}}, journal = {The Nation}, year = 2001, month = {January 1}, unimelb = {UniM Bail P 051 N277}, _url = {http://www.thenation.com/doc/20010101/kraus}} @incollection{Kraus2001f, author = {Chris Kraus}, title = {{B Ecceity Smash and Grab: The Expanded I and Moment}}, crossref = {Lotringer2001a} } @article{Kraus2001g, author = {Kraus, Chris}, title = {{Ravished by Jesus}}, journal = {Artext}, year = 2001, volume = 72, month = {Winter}, note = {Revised text reprinted in {\em Video Green} as {\em Shit On My Sleepmask}}} @article{Kraus2001h, author = {Kraus, Chris}, title = {{Cast Away}}, journal = {Artext}, year = 2001, volume = 73, month = {Spring}, note = {Revised text reprinted in {\em Video Green}}} @article{Kraus2001i, author = {Kraus, Chris}, title = {{Dropoff}}, journal = {Artext}, year = 2001, volume = 74, month = {Summer}, note = {Revised text reprinted in {\em Video Green}}} @article{Kraus2001j, author = {Kraus, Chris}, title = {{Panda Porn}}, journal = {Artext}, year =